登陆注册
10806200000005

第5章

I was raised on science as other people are raised on God, or gods, or the crocodile.

If you took aim at New Guinea and shot an arrow up through the globe, it might come out the other side at the village of Grantchester, on the outskirts of Cambridge, England. The house I grew up in there, Hemsley House, had been in the possession of Bankson scientists for three generations, its every desktop, drawer, and wardrobe stuffed with science's remnants: spyglasses, test tubes, finger scales, pocket magnifiers, loupes, compasses, and a brass telescope; boxes of glass slides and ento pins, geodes, fossils, bones, teeth, petrified wood, framed beetles and butterflies, and thousands of loose insect carcasses that turned to powder upon contact.

My father read zoology in St. John's College at Cambridge and became a fellow and steward there as was expected. He and my mother met in 1897, married that June, and had three boys three years apart: John then Martin then me.

My father had a big moustache, which often hid a small smile. I didn't understand his humor until I was grown and he had lost it, and took him very much at his word, which amused him, too. He was interested, for my entire childhood, in eggs. He incubated them first in Nanny's room then, when she complained, out in a shed. When they were ready he'd pick up each egg, write down the number of the pen, hen, and date of laying, then pick off the shell and study every detail of the embryo. He bred mice, pigeons, guinea pigs, goats, and rabbits; he grew and studied snapdragons and peas. He never lost his passion for Mendel. He believed there was a missing piece to Darwin's theories, as did Darwin himself, for there had to be an explanation of how phenotypes were transferred from one generation to the next. His concept of genetics began with an image of a wave or a vibration. His career-piebald as it was, sometimes pariah, sometimes hero-was the result of his curiosity, his interrogative nature. He was an apostle of science, of the pursuit of questions and answers, and he expected his sons to be apostles, too.

By the time I reached New Guinea in 1931, when I was twenty-seven, my mother and I were the only remaining members of our family, and she had become a great psychological burden to me, both needy and despotic, a tyrant who seemed not to know what she wanted for or from her last remaining subject. But she had not always been so. In my youth I remember her as soft and sweet and, though I was the last of the lot, young. I remember her deferring to my father in all instances, waiting for his word on one matter or the other, unable to give us boys answers to the most benign of questions: Could we bring the spiders in the house if they were in jars? Could we spread jam on the rock to watch the slave-maker ants try and transport it? We had a special bond because she did not want me to grow up and I did not want to grow up either. My brothers didn't make it look easy. John agreed to everything my father said, and Martin next to nothing. Neither road looked all that sunny to me, so I was happy to sprawl in my mother's lap for a good long time.

Our visit to my father's sister, Aunt Dottie, in the summer of 1910 is the first sustained memory I have. She was one of our many maiden aunts, and the most interesting to me. She had an exquisite beetle collection, all pinned and framed and labeled in her copperplate, squares and squares of them, laid out on velvet. Other women had jewelry; Aunt Dottie had beetles in every color and shape, all found in the New Forest, which was ten miles from her house. It was to the New Forest we would go every day with her in our gumboots and our buckets knocking together. There was a pond she liked, a good hour's walk in, and she'd be the first to march straight in it, the mud sometimes deeper than her wellies, and more than once we had to pull her out, all three of us in a line-me at the end on dry ground-and laughing too hard to be of any use, but Aunt Dottie would play it up, pretending to be stuck and sinking and then allowing us to slowly bring her up and out of the water. She always had the most stunning creatures in her net-a natterjack toad, a great-crested newt, a swallowtail butterfly-and could only be rivaled occasionally by John, who had more patience than Martin or me with our scoopfuls of tadpoles. That is where my mind goes when I think of John, twelve years old, wading into a steaming, buzzing pond in the New Forest on a hot July day, bucket in one hand, net in the other, his eyes scouring the filmy surface. We got a letter after he died from a fellow officer who said John treated the war like a good long field excursion. 'I do not mean to imply that he was not focused when he needed to be; he was, as I'm sure you have learnt from his commanding officers, an exceptionally courageous and thoughtful soldier. But while his comrades were inclined to complain about living in a ten-foot ditch, John would let out a jubilant yelp, having found the fossil of a Pliocene mollusk or spied a rare species of falcon flying overhead. He had a great passion for this earth, and while he left it and us far too soon, I am certain he is home.' My mother did not like this letter or its suggestion that John was 'home' when his body was blown to bits over a Belgian farm, but I took comfort in it. There was little comfort after John's death, and I chose to take it where I could find it.

John had the most potential to fulfill my father's wishes for us. He was a passionate naturalist. His indentification of an extremely rare caterpillar when he was fifteen made it into The Entomologist's Record. He took the prize in biology in his final year at Charterhouse School. If the war had not interrupted his trajectory, he would have most likely gone on to become the fourth Bankson to be a Cambridge don. At least this is what we all tell ourselves. John would have placated Father, and Martin would have been at liberty to follow his fancies. But John did not want to kill the things he studied. Nor was he interested in eggs or peas or cells or what they were calling germ plasma. He was interested in the triple-jointed legs of beetles and the eclipse feathers of mallards. He wanted to be outside mucking about in a field. But there's no need to quibble over John. He is gone, as is all his potential and his happy little yelp in the trenches of Rosières as he dug a fossil out of the hard dirt wall.

Martin tried to appease my father and my father's terrible grief after John died by studying biology, zoology, and organic chemistry. Only on the side, on the sly, would he write a poem or a play. But his grades were poor and he was miserable and finally he had to tell my father the truth. He was more interested in creating literature. My father was a great reader and a lover of the arts; he took us to the British Museum and the Tate and he read Blake and Tennyson to us in the evenings when we were children. But he did not believe ordinary citizens created art. True art was anomalous; it was a rare mutation. It didn't happen simply because one willed it so. He thought it an utter and exasperating waste of an ordinary man's time. Science on the other hand, science needed an army of educated men. Science was a place where men of above-average intelligence and education could find a foothold and push out the walls of knowledge. Science needed its rare geniuses, but it also needed its foot soldiers. My father had produced three of those foot soldiers. It was hard to convince him of anything else. I do not know everything that happened between my father and Martin after John's death. I was away at school, at Warden House then Charterhouse, but I believe there were a great many letters that passed back and forth between them. 'Your father has had another letter from Martin,' my mother's letters to me often read. She said no more but it meant that my father was greatly agitated and that my mother was writing me as a way of appearing busy and uninterruptible. She grew tired of the argument, though she never sided with anyone but my father, ever. Even after he was dead.

My long boarding school years were bookended by death. When I was twelve, I got word in Latin class that John had died. There were so many brothers of boys dying that they no longer took you out of class. You got a note, written on the deputy headmaster's yellow paper, and you were told that you could leave the room if you felt the need. Not even the most emotionally feeble among us would dream of admitting to such weakness, so I stayed in class while the teacher carried on and my classmates did anything but look in my direction. It wasn't tears you felt, not at first. It was more like being bathed in ethyl alcohol, which we used at home to anesthetize our insects. At night you cried, because everyone around you was crying, halls and halls of boys crying in the dark for their brothers. 'Tears are not endless and we have no more.' That is the line I like best of all those war poets.

Even still, it took a long time to feel much of anything again.

It was spring term of my last year at Charterhouse when I was called out of study hall and sent to the headmaster's office. He told me Martin had shot himself and was dead. My parents had given instructions that I was to finish the school term before coming home. Martin had killed himself on John's birthday beneath the statue of Anteros in Piccadilly Circus. There was an inquest, and a hearing, and his photograph on the front of the Daily Mirror. It was the most public suicide in English history. It must have been a great topic of conversation just beyond my earshot. To me, no one spoke a word.

I began my studies at Cambridge, where I took zoology, organic chemistry, botany, and physiology. That Christmas holiday I had planned to go to Spain with some chums, but the house fell through at the last minute and I ended up traveling the three miles to my parents' house, where my father had me join him in a study at the British Museum on the anomalous striped feathers of the red-legged partridge. Next term I began to suspect, as Martin had before me, that I was not made for science. And yet I had to be made for science; Martin had made it clear that any other path was not worth taking. The meaning of life is the quest to understand the structure and order of the natural world-that was the mantra I was raised on. To deviate from it was suicide. When an opportunity arose to go to the Galápagos, the Holy Grail, I leapt at it. That was where the spark would be rekindled, where I would become enlightened. But I found the work as tedious on a boat as it was in the Bird Room at the British Museum with my father. I came to see that the whole Darwinian story of the fat-beaked finches eating nuts and the thin-beaked finches eating grubs was bunk because they were all mixed in together eating caterpillars quite happily. The only discovery I made was that I love a warm humid climate. I had never felt so good in my skin. But I came home despondent about my future as a scientist. I knew that I could not spend my life in a laboratory.

I took a course in psychology. I joined the Cambridge Antiquarian Society and found myself on a train to Cheltenham for an archaeological dig. I had taken a fancy to a girl named Emma in the Society, and had hoped to maneuver it so I'd sit with her, but another fellow had had the same idea and a bit more foresight, so I was left on my own behind them. An older man, clearly a Cambridge don, took the seat beside me, and once I gave up my sulk about the girl, we began talking. He was curious about my trip to the Galápagos, not about the birds or the caterpillars but about the Ecuadorian mestizos. He asked a number of questions I didn't know how to answer but found intriguing and wished I'd thought to ask myself when I was there. He was A. C. Haddon, and this was my first conversation about a discipline he told me was called Anthropology. By the end of the ride, he'd invited me to do my Part II in Ethnology. Within a month, I'd switched over from the biological sciences. It was a bit terrifying, a bit of a free fall, to go from an extremely ordered and structured physical science to a nascent, barely twenty-year-old social science. Anthropology at that time was in transition, moving from the study of men dead and gone to the study of living people, and slowly letting go of the rigid belief that the natural and inevitable culmination of every society is the Western model.

I left for my first field trip the summer after I graduated. I could not get away fast enough. My father had died that winter (I'd been at his bedside; I'd had a chance to say goodbye, which made it easier) and my mother clung harder than usual to me. She became both unthinkably needy and cold-blooded. I do not know if she was trying to make up for the absence of my father or if his absence had unleashed a part of her personality that had been dormant during their long marriage. In either case, my mother was both anxious for my company and sickened by the man she imagined I was becoming. She thought anthropology a weak science, a false science, a phantasmagoria of words with no substance or purpose. She was so certain and uncompromising that even short visits were dangerous to my already wobbly convictions.

Initially I was supposed to find a tribe on the Sepik River of the Mandated Territory of New Guinea, an area which had yet to be penetrated by missionaries or industry. But when I arrived in Port Moresby I was told that the region wasn't safe. There had been a spate of headhunting raids. So I went to the island of New Britain where I studied the Baining, an impossible tribe who refused to tell me anything until I learned their language and when I had learned their -language still refused to tell me. They would direct me to some person a half day's walk away and when I returned I would discover they'd held a ceremony in my absence. I could get nothing out of them and even after a year I hadn't figured out their genealogy because of a plethora of name taboos, which prevented them from ever saying aloud the names of certain relatives. But it must also be said that I had no idea what I was doing. For the first month I went around measuring their heads with calipers until someone asked me why and I had no answer apart from having been instructed to do so. I chucked the calipers away but never really understood what I was meant to be documenting instead. On my way home, I stopped in Sydney for a few months. Haddon was teaching at the university and he took me on as his assistant for his ethnography classes. In my spare time I worked on a monograph about the Baining. After he read it, Haddon claimed I was the first person to ever admit to having limitations as an anthropologist, to not understanding the natives when they conversed among themselves, to not having witnessed the full-blown version of a ceremony, to being duped and tricked and mocked. He was taken by my candor, but for me to have pretended otherwise would have been chicanery, like poor Kammerer injecting India ink into the feet of his midwife toads to prove Lamarck's inheritance theory that characteristics acquired after birth can be passed on. At the end of term, I took a brief trip up the Sepik with my students to see a tribe or two, just to see what I had missed by not going there initially. I was quite taken with the Kiona, if only because when I asked a question through a translator, they answered it. We stayed four nights, and a week later I returned to England.

I'd been gone three years. I thought that might be enough travel for a while, but the combination of the winter gloom, my mother's restless bullying, and the stale cerebral self-conscious wit that bubbled like a frothy mold in every corner of Cambridge drove me to return to the Kiona as fast as I could manage.

同类推荐
  • Martin Chuzzlewit(VI) 马丁·翟述伟(英文版)
  • The Further Adventures of Robinson Crusoe(II) 鲁滨逊漂

    The Further Adventures of Robinson Crusoe(II) 鲁滨逊漂

    The Further adventures of Robinson Crusoe is a novel by Daniel Defoe, first published in 1719. Just as in its predecessor, Robinson Crusoe (1719), the first edition credits the work's fictional protagonist Robinson Crusoe as its author. The book starts with the statement about Crusoe's marriage in England. He bought a little farm in Bedford and had three children: two sons and one daughter. Crusoe suffered distemper and a desire to see "his island." He could talk of nothing else, except his wife. She told him, in tears, "I will go with you, but I won't leave you." But in the middle of this felicity, Providence unhinged him at once, with the loss of his wife. Although intended to be the last Crusoe tale, the novel is followed by non-fiction book involving Crusoe by Defoe entitled Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe: With his Vision of the Angelick World (1720).
  • Poor Folk(II)穷人(英文版)

    Poor Folk(II)穷人(英文版)

    Poor Folk is the first novel by Fyodor Dostoyevsky, written over the span of nine months between 1844 and 1845. Inspired by the works of Gogol, Pushkin, and Karamzin, as well as English and French authors, Poor Folk is written in the form of letters between the two main characters, Makar Devushkin and Varvara Dobroselova, who are poor second cousins. The novel showcases the life of poor people, their relationship with rich people, and poverty in general, all common themes of literary naturalism. A deep but odd friendship develops between them until Dobroselova loses her interest in literature, and later in communicating with Devushkin after a rich widower Mr. Bykov proposes to her. Devushkin, a prototype of the clerk found in many works of naturalistic literature at that time, retains his sentimental characteristics; Dobroselova abandons art, while Devushkin cannot live without literature.
  • Family Reunion

    Family Reunion

    Eliot's haunting verse play, set in a country house in the north of England, was performed at the Westminster Theatre in London in March 1939, six months before the outbreak of war.'What is wonderful is the marvellous opening out of consciousness, the flowering of meaning, which makes the play an account of a spiritual experience. There are passages of great poetic beauty, and statements which are the fruits of a lifetime devoted to poetry.' Listener
  • How to Catch a Frog
热门推荐
  • 轻松腌卤拌

    轻松腌卤拌

    中国烹饪大师史正良先生通过潜心总结研究、反复实践、制作、编写出全新的家常菜谱,用料普通、制法简便、调味适口,并且营养合理、易学易变,对于提高百姓的生活质量和培养美食情趣有极大好处。
  • 纳尼亚传奇大全集

    纳尼亚传奇大全集

    《纳尼亚传奇大全集》完整收录了刘易斯最负盛名的作品——纳尼亚传奇。纳尼亚传奇是世界儿童文学的经典之作,讲述的是英国的八个孩子在无意中先后闯入一个神奇的世界——纳尼亚,在那里,有会说话的各种神奇的动物,还有树神、河神、小矮人等等,他们彼此成为了好朋友,在伟大的狮王阿斯兰的帮助下,战胜了邪恶,为纳尼亚带来幸福安宁。《纳尼亚传奇》集神话、童话和传奇为一体,想象奇特、寓意深刻、情节曲折生动,现在已经是英语世界家喻户晓的经典作品。它已被翻译成41种语言,全球销量超过一亿册,多次被改编成广播、电视、舞台剧及电影。
  • 萌宠有毒

    萌宠有毒

    当一枚萌系宅女实习生穿越到VR游戏,养了一只二哈,一心想要回家的她,打怪升级,历经生死考验,终于回到现实世界。并没有,她不仅没回去,还穿越到另一个世界。被大祭司当做入侵者捡回家,还被牢牢盯住啦。
  • 夕殇月寒

    夕殇月寒

    一次突然的转学,她来到了陌生的学校,面对陌生的面孔和同学们一次又一次的为难、挑衅和欺辱,她又该怎样度过?早恋也不断向她走来,青春期的爱情,她该怎么把握?
  • 无上召唤三国系统

    无上召唤三国系统

    霸天大陆,一统天下的大秦帝国已经传承了近千年岁月,现如今大秦早已经没有了往昔君临天下之威势。四大异姓王独立于皇朝,五大传承千年的世袭国公同样心思诡异,昔日的忠诚早已经荡然无存,当今秦皇昏迷不醒,三大皇子争权,八大宗门各有各的算计,整个大秦皇权已失,破灭已成定局。一代黑道大佬穿越成大秦文弱六皇子楚王秦平,刚穿越就遇到必死之局的袭杀,好在得到了三国召唤系统,逆转杀局。且看黑道大佬秦平带领着三国的名臣猛将如何在这个纷乱的大陆之上争夺那君临天下的皇座,建立无上运朝,争伐大千世界,威压万古。
  • 余生漫漫不相离

    余生漫漫不相离

    重生前,他另有所爱,只将她当做最得力的助手和可利用的工具。重生后,他心有所属,目标明确的想要将她培养成一株和自己并肩而立的“橡树”,谁知道用力过度,老婆太强大,自己成了软饭王……龙清绝:“若是前生未有缘,待重结,来生愿。”(づ ̄3 ̄)づ穆悠然:“案子破了,竞争对手的网站黑掉了,渣爹公司顺利收购了……”(求表扬(#^.^#))完结文《废材全能大小姐》《你的仙厨系统已上线》粉丝群:231068628(加群请验证小说里任意人物姓名)
  • 生命 信仰

    生命 信仰

    本书从10个方面讲述了珍惜生命、追求理想和热爱生活的道理,通过阅读,可以让读者深刻体会到人生的意义和信仰的重要作用,并且让读者懂得要生活得从容、精彩、有品位,只有树立正确的人生观、不断努力奋斗、热爱珍惜生命、坚定信念与理想,深刻感悟人生的真谛,我们才能平稳、顺利的走在人生的道路上,进而更好的去追求、工作和生活。
  • 再生缘之情人你别跑

    再生缘之情人你别跑

    一朝重生?还是个孤女?行吧,不要太悲催。她可是未来的人,两次成长。他可不是她的对手。“你呀,表跑嘛,本姑娘要亲亲抱抱举高高……”
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 我的老婆是猫妖

    我的老婆是猫妖

    我养了一只猫,它长得很可爱很漂亮,但却是个哑巴,直到有一天,我梦到了它变成了一个大美女,而且,还成了我老婆……