登陆注册
10808300000006

第6章

BY 10:00 A.M. NIB had another match on the prints. Victim number two was one Michelle Wilcox, a prostitute from Deptford. Her files were transferred from Bermondsey to Shrivemoor that morning as Caffery and Essex drove through the Rotherhithe Tunnel to interview Shellene Craw's boyfriend. It was a fresh, sparkling day. Even the East End rushing past the car seemed alive, the poor, grimy London trees vivid with leaves.

"This Harrison character." Paul Essex looked out across the oaks on Stepney Green past a row of blond-bricked Georgian houses-freshly painted, the pride of their bond-salesman owners-to Harrison's red brick Victorian tenement: blackened by years of pollution, forgotten by the march of gentrification. "I know you don't think he's our offender."

Caffery stopped the car and pulled on the handbrake. "Of course not."

"So what do you think?"

"Dunno." He wound up the window, got out of the car and was about to close the door when he hesitated and put his head back inside. "Our offender's got a car, that's certain."

"He's got a car. Is that it?" Essex heaved himself out of the Jaguar and slammed his door. "Haven't you got a better theory than He's got a car?"

"No." He spun the car keys on his fingers and pocketed them. "Not yet."

In Harrison's building the lift was broken, so they climbed the four flights of stairs, Caffery stopping once in a while to let Essex catch up.

Maddox had explained Paul Essex to Caffery early on. "Every team's got to have a joker. In B team we've got Essex. Likes geeing the lads up-swears he gets home at night and slips into a baby doll to do the hoovering. It's bullshit of course-go along with it, but still take him seriously. Truth is he's solid, the cornerstone…"

And slowly Caffery was starting to believe in the innate goodness of this dray horse of a man. He took his cues from the way women treated Essex: like a wounded old bear-they flirted and teased him, sat on his lap and lightly slapped him for his jokes. But maybe they secretly understood that he operated from an emotional baseline deeper than their capabilities; at the age of thirty-seven DS Essex still lived alone. This awareness brought Caffery moments of guilt for the ease and lightness of his life compared to Essex's. Even now the physical inequalities proved themselves: Caffery reached Harrison's cool, ready; Essex dragged himself the last few steps to stand panting at the top, sweating and red-faced, pulling on his shirt collar and tugging at his trousers where they stuck to his legs. He took several minutes to recover.

"Ready?"

"Yup." He nodded, wiping his forehead. "Go on."

Jack knocked on Harrison's door.

"What?" The voice from inside the flat was sleepy.

Caffery bent down to the letter box. "Mr. Harrison? Barry Harrison?"

"Who wants to know?"

"Detective Inspector Caffery." He shot a look at Essex. They could smell marijuana. "We'd like a few words."

A hiss, and the sound of a body rolling out of bed. Then a tap running, a toilet flushed and the door opened, the safety chain neatly bisecting a face-bulbous blue eyes and a patchy beard.

"Mr. Harrison?" He flashed his card.

"What's up?"

"Can DS Essex and I come in?"

"If you tell me why, yeah." He was thin and freckled, naked from the waist up.

"We'd like to talk to you about Shellene Craw."

"She's not here, mate. Hasn't been for days." He started to shut the door but Caffery leaned his shoulder into it.

"I want to talk about her, not to her."

Harrison eyed Caffery and then Essex as if deciding who'd come out best in a scrap. "Look, she and me, we're finished. If she's in trouble, I'm sorry, but we weren't married or nothing, see, so I ain't responsible for her."

"We won't keep you, sir."

"You don't give up, do you?"

"No, sir."

"Oh for fuck's sake." The door closed and they heard the safety lock being unhooked. "Let's get it over with, then. Come on, come on."

Harrison's living room was small and grubby, opening on one side to a balcony and on the other to a kitchen dotted with pallid spider plants, KFC boxes. The floor was scattered with cigarette papers and tobacco.

Caffery sat, uninvited, on a blue PVC chair near the window and folded his arms.

"When did you last see Shellene, Mr. Harrison?"

"Dunno. Coupla weeks."

"Any more specific?"

"What's she got into now?"

"A couple of weeks, is that a week or a month?"

"Can't remember." Harrison pulled on a T-shirt and took a cigarette pack from his jeans. He stuck a Silk Cut between clenched teeth and retrieved a disposable lighter from the floor. "It was after my birthday."

"Which is?"

"May tenth."

"She was living here, wasn't she?"

"You're fucking good, you are."

"What happened?"

"I dunno, do I? She did a runner. Went out one night and never come back." He tensed his hand and smacked its heel across the other palm, letting it shoot away toward the window. "But that was Shellene for you. Left half her crap in the bedroom."

"Have you still got it?"

"No. I was, you know, so pissed off I chucked it-her stripping stuff and that."

"She was a stripper?"

"On her good days. But with Shellene it's always borderline hooking. Catch her fucking Arabs in Portland Place, did you?"

"Did you report her missing?"

Harrison clicked his tongue sarcastically. "Missing? Missing what? A conscience?"

"She left her stuff here, didn't you wonder?"

"Why would I? When she moved in here it was with just her makeup, ghetto blaster, a few syringes, y'know, the usual."

"Did you wonder if something had gone wrong?"

"No." He shook his head. "No. We were near our end anyway. It weren't no big surprise to me when she never come back that night…" His voice trailed off. He looked from Essex to Caffery and back again. "Hey," he said, suddenly nervous. "What're you getting at here?" When neither replied, something dawned in Harrison's eyes. He hurriedly lit the cigarette, inhaling deeply. "I'm not going to want to hear this, am I? Come on. You better say it quick. What is she? Dead or something?"

"Yes."

"Yes, what?"

"Dead."

"God." The blood drained from his face. He dropped onto the sofa. "I should have guessed. I should've guessed the moment I saw you. A fucking overdose."

"Probably not an overdose. Probably looking at an unlawful killing."

Harrison stared at Caffery without blinking. Then, as if he could protect himself from the words, his hands went up to his ears. Pale pink needle tracks were visible on the white forearms.

"Jesus," he forced out. "Jesus, I can't-" He sucked hard on the Silk Cut, his eyes watering. "Wait there," he said suddenly, leaped up and disappeared into the corridor.

Caffery and Essex looked at each other for a moment. They could hear him shuffling around in the bedroom, drawers being opened. Essex spoke first.

"Didn't know. Did he?"

"No."

They were silent for a moment. Someone below had woken and was firing up the stereo. Trance, the sort of thing Caffery had heard a thousand times interviewing around clubs when he was in CID. He shifted in his seat. "What the hell's he doing in there?"

"I don't know…" Essex trailed off. "Jesus, you don't think-?"

"Shit." Caffery jumped up and in the hallway slammed the flat of his hand against the bedroom door. "Don't fucking shoot up on me, Barry," he shouted. "Can you hear me? Don't fucking do it. I'll have you for it."

The door opened and Harrison's face appeared, immobile. "You can't do me for jellies. They're prescription. Before the ban." Holding the inside of his left elbow, he pushed past them into the living room. Caffery followed, swearing softly.

"We need to speak to you. We can't do it if you're ripped to the tits."

"I'm more use to you on it than off. I'll be clearer."

"Clearer," Essex muttered, and shook his head.

Harrison dropped himself onto the sofa and pulled his knees up, wrapping his arms around his calves in a strangely girl-like way. "Spent most of my time with Shellene stoned." He tilted his head back. For a moment Caffery thought he was going to cry. Instead he tightened his mouth and said, "Okay. Tell me. Where was she?"

"Southeast."

"Greenwich?"

Caffery looked up. "Yeah. How d'you know?"

Harrison dropped his arms and shook his head. "She was always hanging around there. Most of her work was down there. And when? When did it happen?"

"We found her yesterday morning."

"Yeah but, you know-" He coughed. "When did she-"

"About the time you last saw her."

"Shit." Harrison sighed. He lit another cigarette and pulled on it, dropping his head back, exhaling smoke toward the ceiling. "Go on, then, let's get it over with. What d'you want to know?"

Caffery sat on the sofa arm and fished his notepad out of his jacket. "This is a statement, all right, so tell me now if you're too off your face to do it." When Harrison didn't reply, Caffery nodded. "Okay, I'm taking that as a go-ahead. DS Essex here is our family-liaison officer. He'll be the one you contact whenever you deal with us. He's going to stay with you after I've gone, go through the statement with you, ask you to help us contact Shellene's family. We want details till they're coming out of our ears: what she was wearing, what makeup she used, what underwear she had on, did she prefer EastEnders or the Street." He stopped. "And I suppose it's a waste of time him getting you in to see a CDT counselor? Stop you turning your veins into pebbles?"

Harrison put his hand to his head. "Jesus."

"Thought so." He sighed. "Now, do you know where Shellene was going that night?"

"One of her pubs. She had a gig."

"Name?"

"Dunno. Ask her agent."

"Who is?"

"Who is Little Darlings."

"Little Darlings?"

"Not well named, trust me on that. It's Earl's Court way."

"Okay. And any other names? Anyone she hung out with?"

"Yeah." Harrison stuck the Silk Cut between his teeth. "There was Julie Darling, agent." He counted the names off on his fingers. "And the girls. Pussy-funny how there's always a Pussy, isn't it? And Pinky and Tracy or Lacey or some shite, Petra and Betty, and that-" He slammed his hands down on his knees, suddenly angry. "That makes six, and that is the sum total of what I knew about Shellene's life, and you tell me that you're surprised I never reported her missing, like I knew or something, you bunch of fucking wankers."

"Okay, okay. Take it easy."

"Yeah yeah, yeah." He was exasperated. "I'm taking it easy. Fucking easy." He turned and stared out of the window. No one spoke for a moment. Harrison gazed out at the roofs of the Mile End Road, the greenish domes of Spiegelhalter's emporium high in the blue. A pigeon landed on the balcony and Harrison shucked his shoulders, sighed and turned to Caffery.

"Okay."

"What?"

"You better tell me now."

"Tell you what?"

"You know. Did the cunt rape her?"

The sun had put Caffery into a better mood by the time he got to Mackelson Mews, Earl's Court. He found the agency easily: "Little Darlings" on the door in peeling gold stick-on letters.

Julie Darling was a small woman in her mid-forties, shiny dyed-black hair cut in a neat page, her nose improbably tiny on the taut face. She was dressed in a strawberry-pink velour jogging suit and matching high-heeled mule slippers and she held her head up and back as if balancing an invisible glass as she led Caffery through the cork-tiled hallway. A white Persian cat, disturbed by Jack's presence, scampered ahead of them into an open doorway. Caffery heard a man's voice speaking to it in the depth of the room.

"My husband," Julie said expressionlessly. "I got him in Japan twenty years ago." She closed the door. Caffery had a brief glimpse of a huge man in a vest, seated on the edge of a bed, scratching his stomach with the lugubriousness of a walrus. The room was lit dimly by the sun coming through a crack in the curtains. "American air force," she whispered, as if that explained why he wouldn't be joining them.

Caffery followed her into the office: a low-ceilinged room, brilliant sunlight coming through two small leaded windows. A bee buzzed in the window boxes, and beyond them a red E-type Jaguar basked in the sun. Somewhere in the mews someone was practicing arpeggios on a piano.

"Well." Julie sat at her desk, crossed her legs and regarded him thoughtfully. "Caffery. Now, there's a name. Are you Irish?"

He smiled. "Probably, generations back. County Tyrone via Liverpool."

"Dark hair, dark blue eyes. Typical Irish. My mother always warned me off the Irish boys. 'If they're not stupid they're dangerous, Julie.'"

"I hope you listened, Miss, uh, Darling."

"It's my real name."

"Yes." He put his hands in his pockets and looked up at the low ceiling. It was covered in glossy publicity photographs, countless faces staring down at him. "I'd like to hear what you can tell me about-" He stopped.

Under a smiling blond face the name was printed. Shellene Craw.

So that's what you looked like.

"Shellene Craw was on your books?"

"Ah, so it's Shellene you want. This is no big surprise, Inspector. She owes me two months' commission. Two hundred quid. And now she brings you to my door, asking about what? Drugs, I suppose?"

"I don't think you'll be getting your money." He sat down and placed his hands on the desk. "She's dead."

Julie didn't miss a beat. "I could have told you that was coming-she was an overdose waiting to happen. The clients complained. Said she had needle marks on the inside of her thighs. Put the punters off. Ho-hum, two hundred quid. I'm going to guess she didn't leave it to me in her will."

"When did you last hear from her?"

"Week before last. Then she didn't turn up to a gig last Wednesday, didn't call." She paused, lightly drumming her nails on the desk. "I lost that venue right off."

"Where?"

"Nag's Head. Archway."

"And what was the last place she did turn up?"

"Um…" Julie leaned forward in her seat and, licking a finger, flicked through a large loose-leaf file. He could see a seam of gray hair along her parting, the scalp very pink underneath. "There." She tapped a page. "She must've turned up to the Dog and Bell because I didn't hear from them. That was a lunchtime gig, last Monday."

"The Dog and Bell?"

"Trafalgar Road. That's in-"

"Yes, I know." Caffery's skin tingled minutely. "It's east Greenwich." The construction yard was less than a mile away. He started a new page in his notebook. "Did Shellene work on her own that day?"

"No." She tilted her head and looked at him carefully. "Are you going to tell me? Was it an overdose?"

"There was another girl on the show?"

Julie looked at him for a moment, her mouth twitching slightly. "Pussy Willow. She only does Greenwich shows."

"Has she got a real name?"

"We all have real names, Mr. Caffery. It's only the very saddest of punters that believe our mommies and daddies really call us Frooty Tootie or Beverly Hills. Joni Marsh. She's been with me years."

"Have you got her address?"

"She won't like it if I give it out. Specially to the pi-" Julie stopped herself, and smiled slowly. "Specially to a detective."

"She won't know."

She gave him a narrow look and scribbled an address down on the back of a business card. "She shares with Pinky. Used to be on my books too. Becky, she's called, now that she's stopped."

"Thank you." He took the card. The air force husband was coughing up phlegm in the bedroom.

"Do you have a girl on your books called Lacey?"

"Nope."

"Betty?"

Julie shook her head.

"And does the name…" He looked at his notes. "The name Tracy ring a bell?"

"No."

"Petra?"

"Petra? Yes."

Caffery looked up. "Yes?"

"Yes, I-Petra. Funny little thing."

He raised his eyebrows. "Little?"

"Small I mean." She gave him a dirty look. "We're not child pornographers, Mr. Caffery. I mean one of the strippers. She pulled a fast one on me too, and me thinking I was a good judge of character."

"She disappeared?"

"Off the face of the planet. I wrote to her hostel. Never got a reply, of course." She shrugged. "She didn't owe much so I let it drift. You put these things down to experience, don't you?"

"When was this?"

"Christmas. No, early February, because we'd just come back from Majorca."

"Drugs?"

"Her? No. Wouldn't touch them. The others, yes. But not Petra."

"When you say she was small-"

"Tiny bones. Like a little bird. And skinny with it."

He shifted uncomfortably in the narrow chair. "Do you remember the last gig she did?"

Julie gave him a long, thoughtful look, then slowly, woodenly, turned to the book. "Here." She ran her finger across the page. "January twenty-fifth. The King's Head. Wembley."

"Did she ever do the Dog and Bell?"

"All the time. Her hostel was in Elephant and Castle. Joni knows her." She licked her finger and flicked the page over. "Odd," she said faintly. "She did the Dog and Bell the day before the King's Head. The day before she disappeared."

"Okay. I need her address."

"Look." Julie sat back and placed her hands on the desk. "Tell me now what's going on."

"And a photo of Petra."

"I said what's going on?"

He nodded at the ceiling. "And that one of Shellene."

She sniffed loudly and retrieved a file from under the desk. She flipped through it, pulling out two head-and-shoulders of Shellene and one badly lit full-length color shot of a brunet in a fishnet leotard, and held the photos out to Caffery without looking at him.

Petra wasn't pretty. She had very small features, dark eyes and the determined triangular chin of a street urchin. The only makeup she wore was a dark pencil outline on her mouth. Caffery held the picture so it caught the sunlight and looked at it for a long time.

"What is it?"

He looked up. "Did she dye her hair?"

"They all do."

"It looks-"

"Purple. Yeah, awful, isn't it? I told her not to."

He dropped the picture into his Samsonite, thinking of the childlike corpse lying in the Greenwich morgue; the only one who had resisted death, the only one who had been restrained. He closed the briefcase, embarrassed by a sudden rush of feeling for a poor anorexic, bound, gagged and fighting for her life.

"Thank you for your help, Mrs. Darling."

"Are you going to tell me what Petra's got to do with Shellene?"

"We don't know yet."

Julie said suddenly, "She's dead too, isn't she? Little Petra."

The two of them regarded each other across the table for a long time. Caffery cleared his throat and stood.

"Mrs. Darling, please don't speak about this to anyone. It's very early days of the investigation. We appreciate your help." He held his hand out, but she declined it.

"Will you tell me more when you can?" She looked very pale under her blue-black bob. "I'd like to hear what happened to poor little Petra."

"As soon as we know ourselves," Caffery said. "As soon as we know."

同类推荐
  • This Boy's Life

    This Boy's Life

    This unforgettable memoir, by one of our most gifted writers, introduces us to the young Toby Wolff, by turns tough and vulnerable, crafty and bumbling, and ultimately winning. Separated by divorce from his father and brother, Toby and his mother are constantly on the move, yet they develop an extraordinarily close, almost telepathic relationship. As Toby fights for identity and self-respect against the unrelenting hostility of a new stepfather, his experiences are at once poignant and comical, and Wolff does a masterful job of re-creating the frustrations and cruelties of adolescence. His various schemes - running away to Alaska, forging checks, and stealing cars - lead eventually to an act of outrageous self-invention that releases him into a new world of possibility.
  • Martin Chuzzlewit(II)马丁·翟述伟(英文版)
  • Second Chances

    Second Chances

    Second Chances is a hopeful and thoughtful compendium of anecdotes from people who have wanted another chance at something—and have taken it. It's the big stuff like going back to college after the kids have grown up, as well as the little things like getting a judo belt when you thought you could hardly manage a push-up. The book collects the hopeful examples of people who found a leg up, another spurt of energy, a hidden talent, or even an untapped strength, sometimes with the unexpected help of friends or strangers. Combining the feel-good qualities of One Good Deed and the crowdsourcing methods of Like My Mother Always Said, Erin McHugh's latest book is an inspirational guide about letting the future win over the past.
  • Intelligent Disobedience

    Intelligent Disobedience

    In this timely book, Ira Chaleff explores when and how to disobey inappropriate orders, reduce unacceptable risk, and find better ways to achieve legitimate goals.
  • The Battle of Life 人生的战斗(III)(英文版)

    The Battle of Life 人生的战斗(III)(英文版)

    The Battle of Life: A Love Story is a novella by Charles Dickens, first published in 1846. It is the fourth of his five "Christmas Books"/ It's the 4th of his five "Christmas Books", coming after The Cricket on the Hearth and followed by The Haunted Man and the Ghost's Bargain. Battle is the only one of the five Christmas Books that has no supernatural or explicitly religious elements. (One scene takes place at Christmas time, but it is not the final scene.) The story bears some resemblance to The Cricket on the Hearth in two respects: it has a non-urban setting, and it is resolved with a romantic twist. It is even less of a social novel than is Cricket. As is typical with Dickens, the ending is a happy one. The setting is an English village that stands on the site of an historic battle. Some characters refer to the battle as a metaphor for the struggles of life, hence the title.
热门推荐
  • 黄帝内经灵枢

    黄帝内经灵枢

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 青春虐恋

    青春虐恋

    “林云熙,滚回去睡觉!”“让开,你这个扫把星,别在这里碍我的眼!”“我不是你妈妈,别叫我妈,我没有你这么不孝的女儿!”林云熙望天,所谓的亲情,其实也不过如此吧!都说家是最温暖的地方,可为何十七年了,她一点也感受不到?当她以为自己不配拥有感情的时候,她的恶魔哥哥却强行闯进她的世界。当她以为自己被宠爱的时候,却遭来众叛亲离。她究竟该何去何从?或许,死,对她来说是最好的解脱……
  • 修仙之当妈不容易

    修仙之当妈不容易

    噩梦变春梦,九个月后,戚一梦成了一个新手宝妈。更可怕的是,她还发现自己穿的是一本书,而她只是一个小小炮灰!不行不行,她还得养娃呢,女主男主离我远点,我要好好种地!ps:本文女主不强,甚至可能是个嘤嘤怪。
  • 竹马情深青梅意

    竹马情深青梅意

    走得出他的视线,却走不出他的心域,他执着的目光紧紧包围着她。无心插柳,精心培养,情感之树茁壮成长,茂盛了他和她的深情厚义。只属于她和他的那份独有记忆,记载了两人的生死与共。无论千难万险,无论百事纠葛,他总是默默地站在她的身旁,为她遮风挡雨。他是她的一片天,她是他的一切源。红尘滚滚,俗网尘尘,他们能一如当初吗?他们能携手人生吗?读者群:42341898本文架空,纯属虚构。
  • 键盘上的F7

    键盘上的F7

    记录的是我个人对婚姻的看法,以及面对感情出现问题后,我的应对措施。
  • 愤怒的苹果

    愤怒的苹果

    九年前,亮气刚来的时候,书记王旗红嘻嘻哈哈陪着他,又是讲黄段子又是拍膀子亲热得了不得,还亲自卷了裤腿陪他过了南边的那条河,河水真凉。他们往南走了好远好远,南边都是坡地,留不住雨水,不好种庄稼。“这么大一片地我都想包了。”亮气指了指周围的坡地对书记王旗红说,书记王旗红说亮气你随便,这地你想怎么使唤就怎么使唤,就像使唤你老婆,你使劲使,不使劲使你就是个脓包!时间是什么?时间就是根利箭,“嗖”的一下子九年就过去了。
  • 世界上最伟大的推销员大全集(超值金版)

    世界上最伟大的推销员大全集(超值金版)

    如果你想成为一名优秀的推销员,创造出不菲的业绩,就要具备良好的心态、修养、品质、习惯、方法、技巧等,而这所有的一切都可以从榜样的身上汲取。通过学习,我们可以积累销售所需要的专业知识,还可以培养推销员所需要的素质和修养。在学习成功人士的经验的时候,积极思考,把学习到的知识和理论运用到实际的推销过程中去,将创造出卓越的业绩。宝剑锋从磨砺出,梅花香自苦寒来,即使我们了解了销售成功的秘决,如果不行动就永远不会成功,希望通过凡禹、吴慧编著的《世界上最伟大的推销员大全集(超值金版)》,每个推销员都切实行动起来,在推销实践中真正体会成功的乐趣,为创造一个辉煌的未来而努力。
  • 奔亡道中

    奔亡道中

    强者,制造规则;弱者,只能在规则中生存!当生存成为最大的奢望时,当不安的灵魂纷纷露出吃人的獠牙时,怎样,才能掌控自己的生命,在这个乱世生存下去?但有时候,有些事,却比生命更为重要!奔亡道中,谁主沉浮?当强者视万物为刍狗的时候,当规则破碎、万法皆崩的时候,唯有手中剑,步步血与骨!
  • 玉兰词

    玉兰词

    通知:初中写的黑历史,自己看不下去,删了……神界北边有座琼宫,琼宫里有一位清冷出尘的仙人。她迷了路,无意闯入琼宫,瞧着这位仙君清雅,飘飘然有君子之概,性子时而温和时而淡漠,委实古怪。这日,他难得细细打量起她,用眼神传达:你像是个女人么?她长眉一挑,“仙君学识渊博,改日得空,不若我好好向你请教一番。”她将‘好好’二字咬得极重,灰着脸道。
  • 华娱特效时代

    华娱特效时代

    2002年;穿越者赵钱孙;拥有一家世界顶级的电脑特效工作室;但由于接不到太多的活;工作室面临破产;所以赵钱孙决定改行当导演养活自己的特效工作室;由此开启了一个特效时代!