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第202章

They are rarely seen to stand upright, unless to look around, and they gnaw bones in the manner of a dog, holding one end between the forearms and hands, while snarling and snapping at everybody who approaches too near. The wolf-child has little except his outward form to show that it is a human being with a soul. It is a fearful and terrible thing, and hard to understand, that the mere fact of a child's complete isolation from its own kind should bring it to such a state of absolute degradation. Of course, they speak no language, though some, in time, have learned to make known their wants by signs. When first taken they fear the approach of adults, and, if possible, will slink out of sight; but should a child of their own size, or smaller, come near, they will growl, and even snap and bite at it. On the other hand, the close proximity of "pariah" dogs or jackals is unresented, in some cases welcomed; for I have heard of them sharing their food with these animals, and even petting and fondling them. They have in time been brought to a cooked-meat diet, but would always prefer raw flesh. Some have been kept alive after being reclaimed for as long as two years, but for some reason or other they all sicken and die, generally long before that time. One would think, however, that, having undoubtedly robust constitutions, they might be saved if treated in a scientific manner and properly managed."Rudyard Kipling, possibly inspired by accounts of these wolf-children in India, has ingeniously constructed an interesting series of fabulous stories of a child who was brought up by the beasts of the jungles and taught their habits and their mode of communication. The ingenious way in which the author has woven the facts together and interspersed them with his intimate knowledge of animal-life commends his "Jungle-Book" as a legitimate source of recreation to the scientific observer.

Among observers mentioned in the "Index Catalogue" who have studied this subject are Giglioli, Mitra, and Ornstein.

The artificial manufacture of "wild men" or "wild boys" in the Chinese Empire is shown by recent reports. Macgowan says the traders kidnap a boy and skin him alive bit by bit, transplanting on the denuded surfaces the hide of a bear or dog. This process is most tedious and is by no means complete when the hide is completely transplanted, as the subject must be rendered mute by destruction of the vocal cords, made to use all fours in walking, and submitted to such degradation as to completely blight all reason. It is said that the process is so severe that only one in five survive. A "wild boy" exhibited in Kiangse had the entire skin of a dog substituted and walked on all fours. It was found that he had been kidnapped. His proprietor was decapitated on the spot. Macgowan says that parasitic monsters are manufactured in China by a similar process of transplantation. He adds that the deprivation of light for several years renders the child a great curiosity, if in conjunction its growth is dwarfed by means of food and drugs, and its vocal apparatus destroyed. A certain priest subjected a kidnapped boy to this treatment and exhibited him as a sacred deity. Macgowan mentions that the child looked like wax, as though continually fed on lardaceous substances. He squatted with his palms together and was a driveling idiot. The monk was discovered and escaped, but his temple was razed.

Equilibrists.--Many individuals have cultivated their senses so acutely that by the eye and particularly by touch they are able to perform almost incredible feats of maintaining equilibrium under the most difficult circumstances Professional rope-walkers have been known in all times. The Greeks had a particular passion for equilibrists, and called them "neurobates," "oribates," and "staenobates." Blondin would have been one of the latter. Antique medals showing equilibrists making the ascent of an inclined cord have been found. The Romans had walkers both of the slack-rope and tight-rope Many of the Fathers of the Church have pronounced against the dangers of these exercises. Among others, St. John Chrysostom speaks of men who execute movements on inclined ropes at unheard-of heights. In the ruins of Herculaneum there is still visible a picture representing an equilibrist executing several different exercises, especially one in which he dances on a rope to the tune of a double flute, played by himself. The Romans particularly liked to witness ascensions on inclined ropes, and sometimes these were attached to the summits of high hills, and while mounting them the acrobats performed different pantomimes.

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