What if I should tell my last, my very recent experience with the other sex? I received a paper containing the inner history of a young woman's life, the evolution of her consciousness from its earliest record of itself, written so thoughtfully, so sincerely, with so much firmness and yet so much delicacy, with such truth of detail and such grace in the manner of telling, that I finished the long manuscript almost at a sitting, with a pleasure rarely, almost never experienced in voluminous communications which one has to spell out of handwriting.This was from a correspondent who made my acquaintance by letter when she was little more than a child, some years ago.How easy at that early period to have silenced her by indifference, to have wounded her by a careless epithet, perhaps even to have crushed her as one puts his heel on a weed! A very little encouragement kept her from despondency, and brought back one of those overflows of gratitude which make one more ashamed of himself for being so overpaid than he would be for having committed any of the lesser sins.But what pleased me most in the paper lately received was to see how far the writer had outgrown the need of any encouragement of mine; that she had strengthened out of her tremulous questionings into a self-reliance and self-poise which I had hardly dared to anticipate for her.Some of my readers who are also writers have very probably had more numerous experiences of this kind than Ican lay claim to; self-revelations from unknown and sometimes nameless friends, who write from strange corners where the winds have wafted some stray words of theirs which have lighted in the minds and reached the hearts of those to whom they were as the angel that stirred the pool of Bethesda.Perhaps this is the best reward authorship brings; it may not imply much talent or literary excellence, but it means that your way of thinking and feeling is just what some one of your fellow-creatures needed.
--I have been putting into shape, according to his request, some further passages from the Young Astronomer's manuscript, some of which the reader will have a chance to read if he is so disposed.
The conflict in the young man's mind between the desire for fame and the sense of its emptiness as compared with nobler aims has set me thinking about the subject from a somewhat humbler point of view.As I am in the habit of telling you, Beloved, many of my thoughts, as well as of repeating what was said at our table, you may read what follows as if it were addressed to you in the course of an ordinary conversation, where I claimed rather more than my share, as I am afraid I am a little in the habit of doing.
I suppose we all, those of us who write in verse or prose, have the habitual feeling that we should like to be remembered.It is to be awake when all of those who were round us have been long wrapped in slumber.It is a pleasant thought enough that the name by which we have been called shall be familiar on the lips of those who come after us, and the thoughts that wrought themselves out in our intelligence, the emotions that trembled through our frames, shall live themselves over again in the minds and hearts of others.
But is there not something of rest, of calm, in the thought of gently and gradually fading away out of human remembrance? What line have we written that was on a level with our conceptions? What page of ours that does not betray some weakness we would fain have left unrecorded? To become a classic and share the life of a language is to be ever open to criticisms, to comparisons, to the caprices of successive generations, to be called into court and stand a trial before a new jury, once or more than once in every century.To be forgotten is to sleep in peace with the undisturbed myriads, no longer subject to the chills and heats, the blasts, the sleet, the dust, which assail in endless succession that shadow of a man which we call his reputation.The line which dying we could wish to blot has been blotted out for us by a hand so tender, so patient, so used to its kindly task, that the page looks as fair as if it had never borne the record of our infirmity or our transgression.And then so few would be wholly content with their legacy of fame.You remember poor Monsieur Jacques's complaint of the favoritism shown to Monsieur Berthier,--it is in that exquisite "Week in a French Country-House.""Have you seen his room? Have you seen how large it is? Twice as large as mine! He has two jugs, a large one and a little one.Ihave only one small one.And a tea-service and a gilt Cupid on the top of his looking-glass." The famous survivor of himself has had his features preserved in a medallion, and the slice of his countenance seems clouded with the thought that it does not belong to a bust; the bust ought to look happy in its niche, but the statue opposite makes it feel as if it had been cheated out of half its personality, and the statue looks uneasy because another stands on a loftier pedestal.
