She was, on the contrary, inclined to be silent; she shrank from expressing herself even in talk, let alone in writing. As this disposition was highly convenient in a family much given to the manufacture of phrases, and seemed to argue a corresponding capacity for action, she was, from her childhood even, put in charge of household affairs. She had the reputation, which nothing in her manner contradicted, of being the most practical of people. Ordering meals, directing servants, paying bills, and so contriving that every clock ticked more or less accurately in time, and a number of vases were always full of fresh flowers was supposed to be a natural endowment of hers, and, indeed, Mrs. Hilbery often observed that it was poetry the wrong side out. From a very early age, too, she had to exert herself in another capacity; she had to counsel and help and generally sustain her mother. Mrs. Hilbery would have been perfectly well able to sustain herself if the world had been what the world is not. She was beautifully adapted for life in another planet. But the natural genius she had for conducting affairs there was of no real use to her here.
Her watch, for example, was a constant source of surprise to her, and at the age of sixty-five she was still amazed at the ascendancy which rules and reasons exerted over the lives of other people. She had never learnt her lesson, and had constantly to be punished for her ignorance. But as that ignorance was combined with a fine natural insight which saw deep whenever it saw at all, it was not possible to write Mrs. Hilbery off among the dunces; on the contrary, she had a way of seeming the wisest person in the room. But, on the whole, she found it very necessary to seek support in her daughter.
Katharine, thus, was a member of a very great profession which has, as yet, no title and very little recognition, although the labor of mill and factory is, perhaps, no more severe and the results of less benefit to the world. She lived at home. She did it very well, too.
Any one coming to the house in Cheyne Walk felt that here was an orderly place, shapely, controlled--a place where life had been trained to show to the best advantage, and, though composed of different elements, made to appear harmonious and with a character of its own. Perhaps it was the chief triumph of Katharine's art that Mrs.
Hilbery's character predominated. She and Mr. Hilbery appeared to be a rich background for her mother's more striking qualities.
Silence being, thus, both natural to her and imposed upon her, the only other remark that her mother's friends were in the habit of making about it was that it was neither a stupid silence nor an indifferent silence. But to what quality it owed its character, since character of some sort it had, no one troubled themselves to inquire.
It was understood that she was helping her mother to produce a great book. She was known to manage the household. She was certainly beautiful. That accounted for her satisfactorily. But it would have been a surprise, not only to other people but to Katharine herself, if some magic watch could have taken count of the moments spent in an entirely different occupation from her ostensible one. Sitting with faded papers before her, she took part in a series of scenes such as the taming of wild ponies upon the American prairies, or the conduct of a vast ship in a hurricane round a black promontory of rock, or in others more peaceful, but marked by her complete emancipation from her present surroundings and, needless to say, by her surpassing ability in her new vocation. When she was rid of the pretense of paper and pen, phrase-making and biography, she turned her attention in a more legitimate direction, though, strangely enough, she would rather have confessed her wildest dreams of hurricane and prairie than the fact that, upstairs, alone in her room, she rose early in the morning or sat up late at night to . . . work at mathematics. No force on earth would have made her confess that. Her actions when thus engaged were furtive and secretive, like those of some nocturnal animal. Steps had only to sound on the staircase, and she slipped her paper between the leaves of a great Greek dictionary which she had purloined from her father's room for this purpose. It was only at night, indeed, that she felt secure enough from surprise to concentrate her mind to the utmost.
Perhaps the unwomanly nature of the science made her instinctively wish to conceal her love of it. But the more profound reason was that in her mind mathematics were directly opposed to literature. She would not have cared to confess how infinitely she preferred the exactitude, the star-like impersonality, of figures to the confusion, agitation, and vagueness of the finest prose. There was something a little unseemly in thus opposing the tradition of her family; something that made her feel wrong-headed, and thus more than ever disposed to shut her desires away from view and cherish them with extraordinary fondness. Again and again she was thinking of some problem when she should have been thinking of her grandfather. Waking from these trances, she would see that her mother, too, had lapsed into some dream almost as visionary as her own, for the people who played their parts in it had long been numbered among the dead. But, seeing her own state mirrored in her mother's face, Katharine would shake herself awake with a sense of irritation. Her mother was the last person she wished to resemble, much though she admired her. Her common sense would assert itself almost brutally, and Mrs. Hilbery, looking at her with her odd sidelong glance, that was half malicious and half tender, would liken her to "your wicked old Uncle Judge Peter, who used to be heard delivering sentence of death in the bathroom. Thank Heaven, Katharine, I've not a drop of HIM in me!"
