"No. I was alone." She seemed to be disappointing the desire of a child. His face fell.
"You're always alone there?"
"I can't explain." She could not explain that she was essentially alone there. "It's not a mountain in the North of England. It's an imagination--a story one tells oneself. You have yours too?""You're with me in mine. You're the thing I make up, you see.""Oh, I see," she sighed. "That's why it's so impossible." She turned upon him almost fiercely. "You must try to stop it," she said.
"I won't," he replied roughly, "because I--" He stopped. He realized that the moment had come to impart that news of the utmost importance which he had tried to impart to Mary Datchet, to Rodney upon the Embankment, to the drunken tramp upon the seat. How should he offer it to Katharine? He looked quickly at her. He saw that she was only half attentive to him; only a section of her was exposed to him. The sight roused in him such desperation that he had much ado to control his impulse to rise and leave the house. Her hand lay loosely curled upon the table. He seized it and grasped it firmly as if to make sure of her existence and of his own. "Because I love you, Katharine," he said.
Some roundness or warmth essential to that statement was absent from his voice, and she had merely to shake her head very slightly for him to drop her hand and turn away in shame at his own impotence. He thought that she had detected his wish to leave her. She had discerned the break in his resolution, the blankness in the heart of his vision.
It was true that he had been happier out in the street, thinking of her, than now that he was in the same room with her. He looked at her with a guilty expression on his face. But her look expressed neither disappointment nor reproach. Her pose was easy, and she seemed to give effect to a mood of quiet speculation by the spinning of her ruby ring upon the polished table. Denham forgot his despair in wondering what thoughts now occupied her.
"You don't believe me?" he said. His tone was humble, and made her smile at him.
"As far as I understand you--but what should you advise me to do with this ring?" she asked, holding it out.
"I should advise you to let me keep it for you," he replied, in the same tone of half-humorous gravity.
"After what you've said, I can hardly trust you--unless you'll unsay what you've said?""Very well. I'm not in love with you."
"But I think you ARE in love with me. . . . As I am with you," she added casually enough. "At least," she said slipping her ring back to its old position, "what other word describes the state we're in?"She looked at him gravely and inquiringly, as if in search of help.
"It's when I'm with you that I doubt it, not when I'm alone," he stated.
"So I thought," she replied.
In order to explain to her his state of mind, Ralph recounted his experience with the photograph, the letter, and the flower picked at Kew. She listened very seriously.
"And then you went raving about the streets," she mused. "Well, it's bad enough. But my state is worse than yours, because it hasn't anything to do with facts. It's an hallucination, pure and simple--an intoxication. . . . One can be in love with pure reason?" she hazarded. "Because if you're in love with a vision, I believe that that's what I'm in love with."This conclusion seemed fantastic and profoundly unsatisfactory to Ralph, but after the astonishing variations of his own sentiments during the past half-hour he could not accuse her of fanciful exaggeration.
"Rodney seems to know his own mind well enough," he said almost bitterly. The music, which had ceased, had now begun again, and the melody of Mozart seemed to express the easy and exquisite love of the two upstairs.
"Cassandra never doubted for a moment. But we--" she glanced at him as if to ascertain his position, "we see each other only now and then--""Like lights in a storm--"
