"Did he never say before you...casually, or in a moment of irritation," Nikolay Parfenovitch put in suddenly, "that he intended to make an attempt on his father's life?""Ach, he did say so," sighed Grushenka.
"Once or several times?"
"He mentioned it several times, always in anger.""And did you believe he would do it?"
"No, I never believed it," she answered firmly."I had faith in his noble heart.""Gentlemen, allow me," cried Mitya suddenly, "allow me to say one word to Agrafena Alexandrovna, in your presence.""You can speak," Nikolay Parfenovitch assented.
"Agrafena Alexandrovna!" Mitya got up from his chair, "have faith in God and in me.I am not guilty of my father's murder!"Having uttered these words Mitya sat down again on his chair.
Grushenka stood up and crossed herself devoutly before the ikon.
"Thanks be to Thee, O Lord," she said, in a voice thrilled with emotion, and still standing, she turned to Nikolay Parfenovitch and added:
"As he has spoken now, believe it! I know him.He'll say anything as a joke or from obstinacy, but he'll never deceive you against his conscience.He's telling the whole truth, you may believe it.""Thanks, Agrafena Alexandrovna, you've given me fresh courage,"Mitya responded in a quivering voice.
As to the money spent the previous day, she declared that she did not know what sum it was, but had heard him tell several people that he had three thousand with him.And to the question where he got the money, she said that he had told her that he had "stolen" it from Katerina Ivanovna, and that she had replied to that that he hadn't stolen it, and that he must pay the money back next day.On the prosecutor's asking her emphatically whether the money he said he had stolen from Katerina Ivanovna was what he had spent yesterday, or what he had squandered here a month ago, she declared that he meant the money spent a month ago, and that that was how she understood him.
Grushenka was at last released, and Nikolay Parfenovitch informed her impulsively that she might at once return to the town and that if he could be of any assistance to her, with horses for example, or if she would care for an escort, he...would be-"I thank you sincerely," said Grushenka, bowing to him, "I'm going with this old gentleman; I am driving him back to town with me, and meanwhile, if you'll allow me, I'll wait below to hear what you decide about Dmitri Fyodorovitch."She went out.Mitya was calm, and even looked more cheerful, but only for a moment.He felt more and more oppressed by a strange physical weakness.His eyes were closing with fatigue.The examination of the witnesses was, at last, over.They procceded to a revision of the protocol.Mitya got up, moved from his chair to the corner by the curtain, lay down on a large chest covered with a rug, and instantly fell asleep.
He had a strange dream, utterly out of keeping with the place and the time.
He was driving somewhere in the steppes, where he had been stationed long ago, and a peasant was driving him in a cart with a pair of horses, through snow and sleet.He was cold, it was early in November, and the snow was falling in big wet flakes, melting as soon as it touched the earth.And the peasant drove him smartly, he had a fair, long beard.He was not an old man, somewhere about fifty, and he had on a grey peasant's smock.Not far off was a village, he could see the black huts, and half the huts were burnt down, there were only the charred beams sticking up.And as they drove in, there were peasant women drawn up along the road, a lot of women, a whole row, all thin and wan, with their faces a sort of brownish colour, especially one at the edge, a tall, bony woman, who looked forty, but might have been only twenty, with a long thin face.And in her arms was a little baby crying.And her breasts seemed so dried up that there was not a drop of milk in them.And the child cried and cried, and held out its little bare arms, with its little fists blue from cold.
"Why are they crying? Why are they crying?" Mitya asked, as they dashed gaily by.
"It's the babe," answered the driver, "the babe weeping."And Mitya was struck by his saying, in his peasant way, "the babe," and he liked the peasant's calling it a "babe." There seemed more pity in it.
"But why is it weeping?" Mitya persisted stupidly, "why are its little arms bare? Why don't they wrap it up?""The babe's cold, its little clothes are frozen and don't warm it.""But why is it? Why?" foolish Mitya still persisted.
"Why, they're poor people, burnt out.They've no bread.They're begging because they've been burnt out.""No, no," Mitya, as it were, still did not understand."Tell me why it is those poor mothers stand there? Why are people poor? Why is the babe poor? Why is the steppe barren? Why don't they hug each other and kiss? Why don't they sing songs of joy? Why are they so dark from black misery? Why don't they feed the babe?"And he felt that, though his questions were unreasonable and senseless, yet he wanted to ask just that, and he had to ask it just in that way.And he felt that a passion of pity, such as he had never known before, was rising in his heart, that he wanted to cry, that he wanted to do something for them all, so that the babe should weep no more, so that the dark-faced, dried-up mother should not weep, that no one should shed tears again from that moment, and he wanted to do it at once, at once, regardless of all obstacles, with all the recklessness of the Karamazovs.
"And I'm coming with you.I won't leave you now for the rest of my life, I'm coming with you", he heard close beside him Grushenka's tender voice, thrilling with emotion.And his heart glowed, and he struggled forward towards the light, and he longed to live, to live, to go on and on, towards the new, beckoning light, and to hasten, hasten, now, at once! "What! Where?" he exclaimed opening his eyes, and sitting up on the chest, as though he had revived from a swoon, smiling brightly.Nikolay Parfenovitch was standing over him, suggesting that he should hear the protocol read aloud and sign it.
