"On my word, master," says the appreciative Venator, in Walton's Angler, "this is a gallant trout; what shall we do with him?" And honest Piscator, replies: "Marry! e'en eat him to supper; we'll go to my hostess from whence we came; she told me, as I was going out of door, that my brother Peter, [and who is this but Romeyn of Keeseville?] a good angler and a cheerful companion, had sent word he would lodge there tonight, and bring a friend with him. My hostess has two beds, and I know you and I have the best; we'll rejoice with my brother Peter and his friend, tell tales, or sing ballads, or make a catch, or find some harmless sport to content us, and pass away a little time without offence to God or man."Ampersand waited immovable while I passed many days in such innocent and healthful pleasures as these, until the right day came for the ascent. Cool, clean, and bright, the crystal morning promised a glorious noon, and the mountain almost seemed to beckon us to come up higher. The photographic camera and a trustworthy lunch were stowed away in the pack-basket. The backboard was adjusted at a comfortable angle in the stern seat of our little boat. The guide held the little craft steady while I stepped into my place; then he pushed out into the stream, and we went swiftly down toward Round Lake.
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The Link
The work The Link began as a 557-page outline that Richard Matheson wrote for a proposed twenty-hour ABC mini-series in the late 1970s. The ABC executives asked Matheson to shorten the series into seven hours but after Matheson had written three hours of the series, the two parted company. Matheson's original vision could not be condensed without destroying the essence of the plot and characters. Here in The Link is the original outline, in narrative form, in publication for the first time.The story follows Robert Allright as he explores his own demons as well as those of psychics past as he also struggles to decipher his father's dying wish to explore an archeological dig in Arizona. Allright's only clue is the mystifying crystal that his father believes is the key to a great discovery.
钟形罩瓶
本书系美国“自白派”女诗人西尔维娅·普拉斯（1932—1963）在其短暂一生中创作的唯一的一部长篇小说。和她才华横溢的诗集《巨人》《爱丽儿》一样，《钟形罩瓶》也在美国文学史上留下了光辉的一页，被视为美国现代文学经典之一。这是一位才貌双绝的美国女诗人描述自己人生经历的自传体小说，小说女主人公就是普拉斯本人的写照。普拉斯以诗的语言讲述青春期的叛逆与躁动，又以自己的一死加强了作品的感染力和真实性，使她在世界女权主义作家行列中留下独具一格的悲怆之美。
毒妃归来：废材要逆天
月黑风高……杀人夜？不，是偷香夜。“呯！”某人偷偷的再次潜进某女香闺时，迎面而来的是一块实木桌面，“哇哇哇，想要谋杀亲夫吗？”某女冷漠的看着某男，一双肉手抓住他的衣领威胁：“下次再让我看到你没娶我就来我的房间，我就让你亲……”某男窃喜，“亲什么，小嘴吗？”“亲小白，绑起来亲！”某女嘴角轻勾，残忍的说。“不要，小白是只母猪啊！你，你个肩不能挑，手不能抬的废材何其残忍，竟然让亲夫去亲母猪，啊，我不要……”某男被某女逼疯。等等，没娶之前不让来，那就是说可以娶了？“妞，哥将天下抢来做聘礼怎样？嫁给哥吧！”某男终于醒悟过来，每天见面第一句话就是求婚。“当真？”某女挑眉，“那便先将天下送上再说吧！”
心灵体操自助训练（培养学生心灵成长的经典故事）
在这套丛书里，我们针对青少年的心理特点，专门选择了一些特殊的故事，分别对他们在这一时期将会遭遇的情感问题、生活问题、学习问题、交友问题以及各种心理健康问题，从心理学的角度进行剖析和讲解，并提出了解决问题的方法和措施，以供同学们参考借鉴。