"Isn't it?" she said. "Isn't it as if he were cursing God while the whole world worshipped? And that one cry of hatred seems louder than the praises of the whole world."
"We can't stop it."
Something in his voice made her say abruptly:
"Do you wish to stop it?"
He did not answer. The old man struck at the mosque and shrieked.
Domini shuddered.
"I can't stay here," she said.
At this moment Mustapha appeared, followed by the guardian of the mosque, who carried two pairs of tattered slippers.
"Monsieur and Madame must take off their boots. Then I will show the mosque."
Domini put on the slippers hastily, and went into the mosque without waiting to see whether Androvsky was following. And the old man's furious cry pursued her through the doorway.
Within there was space and darkness. The darkness seemed to be praying. Vistas of yellowish-white arches stretched away in front, to right and left. On the floor, covered with matting, quantities of shrouded figures knelt and swayed, stood up suddenly, knelt again, bowed down their foreheads. Preceded by Mustapha and the guide, who walked on their stockinged feet, Domini slowly threaded her way among them, following a winding path whose borders were praying men. To prevent her slippers from falling off she had to shuffle along without lifting her feet from the ground. With the regularity of a beating pulse the old man's shriek, fainter now, came to her from without. But presently, as she penetrated farther into the mosque, it was swallowed up by the sound of prayer. No one seemed to see her or to know that she was there. She brushed against the white garments of worshippers, and when she did so she felt as if she touched the hem of the garments of mystery, and she held her habit together with her hands lest she should recall even one of these hearts that were surely very far off.
Mustapha and the guardian stood still and looked round at Domini.
Their faces were solemn. The expression of greedy anxiety had gone out of Mustapha's eyes. For the moment the thought of money had been driven out of his mind by some graver pre-occupation. She saw in the semi-darkness two wooden doors set between pillars. They were painted green and red, and fastened with clamps and bolts of hammered copper that looked enormously old. Against them were nailed two pictures of winged horses with human heads, and two more pictures representing a fantastical town of Eastern houses and minarets in gold on a red background. Balls of purple and yellow glass, and crystal chandeliers, hung from the high ceiling above these doors, with many ancient lamps; and two tattered and dusty banners of pale pink and white silk, fringed with gold and powdered with a gold pattern of flowers, were tied to the pillars with thin cords of camel's hair.
"This is the tomb of Sidi-Zerzour," whispered Mustapha. "It is opened once a year."
The guardian of the mosque fell on his knees before the tomb.
"That is Mecca."
Mustapha pointed to the pictures of the city. Then he, too, dropped down and pressed his forehead against the matting. Domini glanced round for Androvsky. He was not there. She stood alone before the tomb of Zerzour, the only human being in the great, dim building who was not worshipping. And she felt a terrible isolation, as if she were excommunicated, as if she dared not pray, for a moment almost as if the God to whom this torrent of worship flowed were hostile to her alone.
Had her father ever felt such a sensation of unutterable solitude?
It passed quickly, and, standing under the votive lamps before the painted doors, she prayed too, silently. She shut her eyes and imagined a church of her religion--the little church of Beni-Mora. She tried to imagine the voice of prayer all about her, the voice of the great Catholic Church. But that was not possible. Even when she saw nothing, and turned her soul inward upon itself, and strove to set this new world into which she had come far off, she heard in the long murmur that filled it a sound that surely rose from the sand, from the heart and the spirit of the sand, from the heart and the spirit of desert places, and that went up in the darkness of the mosque and floated under the arches through the doorway, above the palms and the flat-roofed houses, and that winged its fierce way, like a desert eagle, towards the sun.
Mustapha's hand was on her arm. The guardian, too, had risen from his knees and drawn from his robe and lit a candle. She came to a tiny doorway, passed through it and began to mount a winding stair. The sound of prayer mounted with her from the mosque, and when she came out upon the platform enclosed in the summit of the minaret she heard it still and it was multiplied. For all the voices from the outside courts joined it, and many voices from the roofs of the houses round about.
Men were praying there too, praying in the glare of the sun upon their housetops. She saw them from the minaret, and she saw the town that had sprung up round the tomb of the saint, and all the palms of the oasis, and beyond them immeasurable spaces of desert.
"Allah-Akbar! Allah-Akbar!"
She was above the eternal cry now. She had mounted like a prayer towards the sun, like a living, pulsing prayer, like the soul of prayer. She gazed at the far-off desert and saw prayer travelling, the soul of prayer travelling--whither? Where was the end? Where was the halting-place, with at last the pitched tent, the camp fires, and the long, the long repose?
When she came down and reached the court she found the old man still striking at the mosque and shrieking out his trembling imprecation.
And she found Androvsky still standing by him with fascinated eyes.
She had mounted with the voice of prayer into the sunshine, surely a little way towards God.
Androvsky had remained in the dark shadow with a curse.
It was foolish, perhaps--a woman's vagrant fancy--but she wished he had mounted with her.
