And， in speaking to her on that night， he wasn't， I am convinced， committing a baseness. It was as if his passion for her hadn't existed； as if the very words that he spoke， without knowing that he spoke them， created the passion as they went along. Before he spoke， there was nothing； afterwards， it was the integral fact of his life. Well， I must get back to my story.
And my story was concerning itself with Florence--with Florence， who heard those words from behind the tree. That of course is only conjecture， but I think the conjecture is pretty well justified.
You have the fact that those two went out， that she followed them almost immediately afterwards through the darkness and， a little later， she came running back to the hotel with that pallid face and the hand clutching her dress over her heart. It can't have been only Bagshawe. Her face was contorted with agony before ever her eyes fell upon me or upon him beside me. But I dare say Bagshawe may have been the determining influence in her suicide. Leonora says that she had that flask， apparently of nitrate of amyl， but actually of prussic acid， for many years and that she was determined to use it if ever I discovered the nature of her relationship with that fellow Jimmy. You see， the mainspring of her nature must have been vanity. There is no reason why it shouldn't have been； I guess it is vanity that makes most of us keep straight， if we do keep straight， in this world.
If it had been merely a matter of Edward's relations with the girl Idare say Florence would have faced it out. She would no doubt have made him scenes， have threatened him， have appealed to his sense of humour， to his promises. But Mr Bagshawe and the fact that the date was the 4th of August must have been too much for her superstitious mind. You see， she had two things that she wanted. She wanted to be a great lady， installed in Branshaw Teleragh. She wanted also to retain my respect.
She wanted， that is to say， to retain my respect for as long as she lived with me. I suppose， if she had persuaded Edward Ashburnham to bolt with her she would have let the whole thing go with a run. Or perhaps she would have tried to exact from me a new respect for the greatness of her passion on the lines of all for love and the world well lost. That would be just like Florence.
In all matrimonial associations there is， I believe， one constant factor --a desire to deceive the person with whom one lives as to some weak spot in one's character or in one's career. For it is intolerable to live constantly with one human being who perceives one's small meannesses. It is really death to do so--that is why so many marriages turn out unhappily.
I， for instance， am a rather greedy man； I have a taste for good cookery and a watering tooth at the mere sound of the names of certain comestibles. If Florence had discovered this secret of mine I should have found her knowledge of it so unbearable that I never could have supported all the other privations of the régime that she extracted from me. I am bound to say that Florence never discovered this secret.
Certainly she never alluded to it； I dare say she never took sufficient interest in me.
And the secret weakness of Florence--the weakness that she could not bear to have me discover， was just that early escapade with the fellow called Jimmy. Let me， as this is in all probability the last time I shall mention Florence's name， dwell a little upon the change that had taken place in her psychology. She would not， Imean， have minded if I had discovered that she was the mistress of Edward Ashburnham. She would rather have liked it. Indeed， the chief trouble of poor Leonora in those days was to keep Florence from making， before me， theatrical displays， on one line or another， of that very fact. She wanted， in one mood， to come rushing to me， to cast herself on her knees at my feet and to declaim a carefully arranged， frightfully emotional， outpouring as to her passion. That was to show that she was like one of the great erotic women of whom history tells us. In another mood she would desire to come to me disdainfully and to tell me that I was considerably less than a man and that what had happened was what must happen when a real male came along. She wanted to say that in cool， balanced and sarcastic sentences. That was when she wished to appear like the heroine of a French comedy. Because of course she was always play acting.
