登陆注册
5562900000023

第23章 CHAPTER IV THE DEVELOPMENT OF THE ART(3)

The first notable improvement upon Bell's invention was the making of the transmitter, in 1877, by Emile Berliner. This, too, was a romance. Berliner, as a poor German youth of nineteen, had landed in Castle Garden in 1870to seek his fortune. He got a job as "a sort of bottle-washer at six dollars a week," he says, in a chemical shop in New York. At nights he studied science in the free classes of Cooper Union. Then a druggist named Engel gave him a copy of Muller's book on physics, which was precisely the stimulus needed by his creative brain. In 1876 he was fascinated by the telephone, and set out to construct one on a different plan. Several months later he had succeeded and was overjoyed to receive his first patent for a telephone transmitter. He had by this time climbed up from his bottle-washing to be a clerk in a drygoods store in Washington; but he was still poor and as unpractical as most in-ventors. Joseph Henry, the Sage of the American scientific world, was his friend, though too old to give him any help. Consequently, when Edison, two weeks later, also invented a transmitter, the prior claim of Berliner was for a time wholly ignored. Later the Bell Company bought Berliner's patent and took up his side of the case. There was a seemingly endless succession of delays--fourteen years of the most vexatious delays--until finally the Supreme Court of the United States ruled that Berliner, and not Edison, was the original inventor of the transmitter.

From first to last, the transmitter has been the product of several minds. Its basic idea is the varying of the electric current by varying the pressure between two points. Bell unquestionably suggested it in his famous patent, when he wrote of "increasing and diminishing the resistance."Berliner was the first actually to construct one. Edison greatly improved it by using soft carbon instead of a steel point. AKentucky professor, David E. Hughes, started a new line of development by adapting a Bell telephone into a "microphone," a fantastic little instrument that would detect the noise made by a fly in walking across a table. Francis Blake, of Boston, changed a microphone into a practical transmitter. The Rev. Henry Hunnings, an English clergyman, hit upon the happy idea of using carbon in the form of small granules.

And one of the Bell experts, named White, improved the Hunnings transmitter into its present shape. Both transmitter and receiver seem now to be as complete an artificial tongue and ear as human ingenuity can make them. They have persistently grown more elaborate, until today a telephone set, as it stands on a desk, contains as many as one hundred and thirty separate pieces, as well as a saltspoonful of glistening granules of carbon.

Next after the transmitter came the problem of the MYSTERIOUS NOISES. This was, perhaps, the most weird and mystifying of all the telephone problems. The fact was that the telephone had brought within hearing distance a new wonder-world of sound. All wires at that time were single, and ran into the earth at each end, making what was called a "grounded circuit." And this connection with the earth, which is really a big magnet, caused all manner of strange and uncouth noises on the telephone wires.

Noises! Such a jangle of meaningless noises had never been heard by human ears. There were spluttering and bubbling, jerking and rasping, whistling and screaming. There were the rustling of leaves, the croaking of frogs, the hissing of steam, and the flapping of birds' wings.

There were clicks from telegraph wires, scraps of talk from other telephones, and curious little squeals that were unlike any known sound. The lines running east and west were noisier than the lines running north and south. The night was noisier than the day, and at the ghostly hour of midnight, for what strange reason no one knows, the babel was at its height. Watson, who had a fanciful mind, suggested that perhaps these sounds were signals from the inhabitants of Mars or some other sociable planet. But the matter-of-fact young telephonists agreed to lay the blame on "induction"--a hazy word which usually meant the natural meddlesomeness of electricity.

Whatever else the mysterious noises were, they were a nuisance. The poor little telephone business was plagued almost out of its senses. It was like a dog with a tin can tied to its tail.

No matter where it went, it was pursued by this unearthly clatter. "We were ashamed to present our bills," said A. A. Adee, one of the first agents; "for no matter how plainly a man talked into his telephone, his language was apt to sound like Choctaw at the other end of the line."All manner of devices were solemnly tried to hush the wires, and each one usually proved to be as futile as an incantation. What was to be done? Step by step the telephone men were driven back. They were beaten. There was no way to silence these noises. Reluctantly, they agreed that the only way was to pull up the ends of each wire from the tainted earth, and join them by a second wire. This was the "metallic circuit" idea. It meant an appalling increase in the use of wire. It would compel the rebuild-ing of the switchboards and the invention of new signal systems. But it was inevitable; and in 1883, while the dispute about it was in full blast, one of the young men quietly slipped it into use on a new line between Boston and Providence.

The effect was magical. "At last," said the delighted manager, "we have a perfectly quiet line."This young man, a small, slim youth who was twenty-two years old and looked younger, was no other than J. J. Carty, now the first of telephone engineers and almost the creator of his profession. Three years earlier he had timidly asked for a job as operator in the Boston exchange, at five dollars a week, and had shown such an aptitude for the work that he was soon made one of the captains. At thirty years of age he became a central figure in the development of the art of telephony.

同类推荐
  • 根本说一切有部苾刍尼毗奈耶

    根本说一切有部苾刍尼毗奈耶

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 樵语

    樵语

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Incognita

    Incognita

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • History of the Catholic Church

    History of the Catholic Church

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 华严经探玄记

    华严经探玄记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 鬼帝绝宠:皇叔你行不行

    鬼帝绝宠:皇叔你行不行

    前世她活的憋屈,做了一辈子的小白鼠,重活一世,有仇报仇!有怨报怨!弃之不肖!她是前世至尊,素手墨笔轻轻一挥,翻手为云覆手为雨,天下万物皆在手中画。纳尼?负心汉爱上她,要再求娶?当她什么?昨日弃我,他日在回,我亦不肖!花痴废物?经脉尽断武功全无?却不知她一只画笔便虐你成渣……王府下人表示王妃很闹腾,“王爷王妃进宫偷墨宝,打伤了贵妃娘娘…”“王爷王妃看重了,学仁堂的墨宝当场抢了起来,打伤了太子……”“爱妃若想抢随她去,旁边递刀可别打伤了手……”“……”夫妻搭档,她杀人他挖坑,她抢物他递刀,她打太子他后面撑腰……双重性格男主萌萌哒
  • 从笑星走向巨星

    从笑星走向巨星

    资深编剧周星,穿越到平行空间一个刚被封杀三年的过气明星身上,他现在要思考的首要问题是——复出!————————新书《影帝重回十八岁》火爆来袭!————————书友群:173676367VIP群:392660849(进群须验证粉丝值)
  • 简单学之资本密码

    简单学之资本密码

    本书是作者在投资、生活、学习、研究、创业过程中领悟并自创、集生活与投资为一体的一门哲学类书籍。是一本能透析生活、市场、人文等世间所有一切规律的书箱。是一本不得不看的书籍,无论你是哪个行业、哪个年龄阶段,都适合阅读,通过对生活常理、资本市场进行分析解读,能让你更近一步的了解世界与未来,了解世间的一切演变规律,让你看清未来,进而把握未来。
  • 芳草萋萋长夜未晞

    芳草萋萋长夜未晞

    他,几十万年为等一人她,怀着满腔委屈,怨恨,赴死又重生他,只想桃花树下,清歌美酒共度一生,却连心中宁静都是奢望她,懵懵懂懂,天真可爱,却无端成了别人业障的牵引只为一人入红尘,又为红尘杀一人都是红尘中一浮萍,挣来抢去不过是命
  • 暴君的粉嫩娘亲

    暴君的粉嫩娘亲

    可恶!穿过来就被逼顶包恶名昭著的色公主。稍稍和某只男人牵下玉手,你就横眉怒瞪暴跳如雷。哼,也不自我检讨下,敢吼我我就直接翘宫出走。原本小日子就过得辛苦,还要日以继夜变着花样儿驱赶你身边那些讨人嫌的莺莺燕燕,暗地遭多少白眼多少恨你知道不,我这么辛苦容易么我?情节虚构,切勿模仿
  • 能开挂吗

    能开挂吗

    张浩,一个现代社会的小年轻,意外穿越到元武大陆,又因为意外变成护妻狂魔。
  • 快穿之反派男神轻点抱

    快穿之反派男神轻点抱

    一场谋害,她不得不拯救男配以换取活下去的机会。女主无语望床帘,明明她只是个掐诀修仙的人儿而已,为森么总让她拯救反派大boss?
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 莫言小说语言专题研究

    莫言小说语言专题研究

    本书是从语言的角度专门研究莫言小说语言中的语言运用方法和技巧的一部著作。
  • Cranford(II)克兰福德(英文版)

    Cranford(II)克兰福德(英文版)

    A rich, comic and illuminating portrait of life in a small town, Cranford has moved and entertained readers for generations. The women of the small country town of Cranford live in genteel poverty, resolutely refusing to embrace change, while the dark clouds of urbanisation and the advance of the railway hover threateningly on the horizon. In their simple, well-ordered lives they face emotional dilemmas and upheavals, small in the scale of the ever-shifting world, but affectionately portrayed by Elizabeth Gaskell with all the weight and consequence of a grand drama.