The sitting-room had been partly modernized by the late Mme. Sechard; the walls were adorned with a wainscot, fearful to behold, painted the color of powder blue. The panels were decorated with wall-paper--Oriental scenes in sepia tint--and for all furniture, half-a-dozen chairs with lyre-shaped backs and blue leather cushions were ranged round the room. The two clumsy arched windows that gave upon the Place du Murier were curtainless; there was neither clock nor candle sconce nor mirror above the mantel-shelf, for Mme. Sechard had died before she carried out her scheme of decoration; and the "bear," unable to conceive the use of improvements that brought in no return in money, had left it at this point.
Hither, pede titubante, Jerome-Nicolas Sechard brought his son, and pointed to a sheet of paper lying on the table--a valuation of plant drawn up by the foreman under his direction.
"Read that, my boy," said Jerome-Nicolas, rolling a drunken eye from the paper to his son, and back to the paper. "You will see what a jewel of a printing-house I am giving you."
" 'Three wooden presses, held in position by iron tie-bars, cast-iron plates----' "
"An improvement of my own," put in Sechard senior.
" '----Together with all the implements, ink-tables, balls, benches, et cetera, sixteen hundred francs!' Why, father," cried David, letting the sheet fall, "these presses of yours are old sabots not worth a hundred crowns; they are only fit for firewood."
"Sabots?" cried old Sechard, "SABOTS? There, take the inventory and let us go downstairs. You will soon see whether your paltry iron-work contrivances will work like these solid old tools, tried and trusty.
You will not have the heart after that to slander honest old presses that go like mail coaches, and are good to last you your lifetime without needing repairs of any sort. Sabots! Yes, sabots that are like to hold salt enough to cook your eggs with--sabots that your father has plodded on with these twenty years; they have helped him to make you what you are."
The father, without coming to grief on the way, lurched down the worn, knotty staircase that shook under his tread. In the passage he opened the door of the workshop, flew to the nearest press (artfully oiled and cleaned for the occasion) and pointed out the strong oaken cheeks, polished up by the apprentice.
"Isn't it a love of a press?"
A wedding announcement lay in the press. The old "bear" folded down the frisket upon the tympan, and the tympan upon the form, ran in the carriage, worked the lever, drew out the carriage, and lifted the frisket and tympan, all with as much agility as the youngest of the tribe. The press, handled in this sort, creaked aloud in such fine style that you might have thought some bird had dashed itself against the window pane and flown away again.
"Where is the English press that could go at that pace?" the parent asked of his astonished son.
Old Sechard hurried to the second, and then to the third in order, repeating the manoeuvre with equal dexterity. The third presenting to his wine-troubled eye a patch overlooked by the apprentice, with a notable oath he rubbed it with the skirt of his overcoat, much as a horse-dealer polishes the coat of an animal that he is trying to sell.
"With those three presses, David, you can make your nine thousand francs a year without a foreman. As your future partner, I am opposed to your replacing these presses by your cursed cast-iron machinery, that wears out the type. You in Paris have been making such a to-do over that damned Englishman's invention--a foreigner, an enemy of France who wants to help the ironfounders to a fortune. Oh! you wanted Stanhopes, did you? Thanks for your Stanhopes, that cost two thousand five hundred francs apiece, about twice as much as my three jewels put together, and maul your type to pieces, because there is no give in them. I haven't book-learning like you, but you keep this well in mind, the life of the Stanhope is the death of the type. Those three presses will serve your turn well enough, the printing will be properly done, and folk here in Angouleme won't ask any more of you.
You may print with presses made of wood or iron or gold or silver, THEY will never pay you a farthing more."
" 'Item,' " pursued David, " 'five thousand pounds weight of type from M. Vaflard's foundry----' " Didot's apprentice could not help smiling at the name.
"Laugh away! After twelve years of wear, that type is as good as new.
That is what I call a typefounder! M. Vaflard is an honest man, who uses hard metal; and, to my way of thinking, the best typefounder is the one you go to most seldom."
" '----Taken at ten thousand francs,' " continued David. "Ten thousand francs, father! Why, that is two francs a pound, and the Messrs. Didot only ask thirty-six sous for their Cicero! These nail-heads of yours will only fetch the price of old metal--fivepence a pound."
"You call M. Gille's italics, running-hand and round-hand, 'nail-heads,' do you? M. Gille, that used to be printer to the Emperor! And type that costs six francs a pound! masterpieces of engraving, bought only five years ago. Some of them are as bright yet as when they came from the foundry. Look here!"
Old Sechard pounced upon some packets of unused sorts, and held them out for David to see.
"I am not book-learned; I don't know how to read or write; but, all the same, I know enough to see that M. Gille's sloping letters are the fathers of your Messrs. Didot's English running-hand. Here is the round-hand," he went on, taking up an unused pica type.
