登陆注册
22102100000003

第3章 INTRODUCTION

Evangelism can be defined as spreading the gospel through personal witness and passionate advocacy. To be an effective evangelist, you must be passionately committed to your cause. But even unbridled passion is not enough. Being effective in anything, but especially communications and PR, requires creativity, credibility, responsiveness, and relentlessness.

In a twenty-four-hour news cycle with multiple issues competing for attention, it is imperative to understand how to break through in the media. It's not enough to build a vital, noteworthy campaign. If reporters don't find you credible (meaning they don't trust that you are an expert in your field or providing accurate information), if you aren't finding creative ways to garner attention, if you aren't responsive when the media reaches out or relentless when they don't, you're likely to experience minimal success.

Being Credible

You could have a public relations budget the size of Disney World, yet without credibility, members of the press will not take you seriously. What's more, once a PR professional or a spokesperson develops a reputation of lacking credibility, reporters may discount them as a source for future stories. It can make your organization a laughingstock in media newsrooms.

Most people don't set out to lack credibility. It happens when you, wittingly or not, provide inaccurate information that can damage your or a reporter's reputation. Imagine providing the wrong data to a journalist who includes it in her story. The journalists and the media outlet that employs them now run the risk of being forced to run a costly and embarrassing correction. Now, we're talking not only about damage to a reporter's reputation but also to their employer's.

Another way spokespeople get labeled untrustworthy is by being afraid to admit they don't know an answer when asked a question. Pretending to know the answer to a question is a surefire way to be labeled unreliable, and no amount of money in the world can solve credibility issues.

Being Creative

Money also doesn't correlate to creativity, which is the cornerstone of a winning pitch and sustained media attention. A pitch is a short paragraph or pithy statement explaining your issue and why it merits coverage or media interest. In media terms, creativity is about developing an unusual and appealing way to present information. It could be sharing information in the form of an infographic rather than a press release. It could be developing unusual props for a press conference. The bottom line is that outside-the-box thinking is especially important when you work for a cash-strapped entity.

Reporters receive hundreds of press releases from competing interests, so thinking through creative and visually appealing ways to share information is key. If you're a one-person communications shop, you can network with other communicators from other organizations to get ideas for how to present information in unusual ways.

Being Responsive

By responsive, I mean replying to media inquiries in a timely fashion and using the initial contact as an opportunity to build a long-term relationship with a reporter. Responsiveness is about following through on promises to the media as well as to allies. It also means being prepared to jump on current events to tell a story you've been sitting on for months or longer.

Even if you're pressed for time and unable to provide a detailed response, a simple acknowledgment of a message shows a level of responsiveness that is appreciated by those working on tight deadlines. In fact, of all the work on my plate, I view media inquiries as one of the most important aspects of my job. That means I'll drop everything to research reporters (and their media outlets) who have contacted me for a story so I can respond effectively. I even make it a point to check my email a couple of times throughout the weekend so I can respond to after-hour inquiries as quickly as possible.

Being Relentless

To be relentless you must believe in something bigger than yourself. If you believe in something bigger than yourself, you'll go to the ends of the earth fighting for it.

Relentlessness is important in communications because public relations professionals are often bombarded with the word "no." It takes time and many rejections before successfully placing a news story. If you become discouraged after a reporter ignores or is disinterested in your pitch, you may be unwilling to pitch to other reporters. If this happens, you're likely to get minimal coverage. If you become discouraged when you don't get a timely response to a pitch and consequently fail to follow up, you might be missing an opportunity to engage a reporter who may simply be busy, rather than permanently uninterested in your story. Relentlessness is not shutting down at the first or second "no." It's also about refusing to believe a "no" today is a "no" tomorrow. Just because a reporter can't cover one story doesn't mean he or she will be unwilling to cover future stories. Moreover, a lack of an immediate response from a reporter could mean the reporter missed your email, and you may need to follow up. Maintaining enthusiasm in the face of "no" or in the face of silence is critical in this line of work.

How to Use This Book

While I've worked for organizations (such as SEIU and SEIU District 1199) who had paid media budgets, those budgets paled in comparison to those of corporations. I offer this information in the spirit of full disclosure, as even a modest paid media budget is more than what many of the people who read this book may enjoy.

Certainly, if you're working for a candidate for political office in an era of outsized money in politics and you're thinking about how to get your message out in the face of stiff opposition, you need significant funds. Imagine a presidential election in which one candidate had funds to advertise on television and the other did not; the person without the funds would surely lose. However, it's a little different if you work for a social impact entity. In this case, you do not need a multimillion-dollar communications budget (although I will not begrudge you if you have one) to elevate your organization's critical work. Your issues aren't less important because your budget is small. And regardless of your resources, the four principles to highlighting their importance remain the same: being relentless, responsive, credible, and creative. In drawing from my personal experience on a number of social justice campaigns, I provide a road map for using the four principles to successfully promote your issues-even on a cash-strapped budget.

In Chapter 1, I make the case for communications. When money is tight, spending it on communications can often seem superfluous. It is not. I explain why.

In Chapters 2 through 6, I dive deeply into each of the four principles. I use real-life examples to illustrate their power and provide concrete tips on how to leverage them to get the most bang for your buck. I also offer valuable no-cost tips for increasing your communication impact.

Chapter 6 is an exploration of how being credible, creative, responsive, and relentless apply to the growing and increasingly important area of social media PR.

Chapter 7 is full of hands-on budget-friendly PR tactics built on the foundation of the four principles.

Chapter 8 provides specific advice to communications professionals on how the four principles should come to the forefront when managing a crisis.

And last, I conclude with tips I learned along the way about how to press on in the midst of fear, burnout, failure, and doubt. The communications field can be very stressful yet rewarding. By applying the four principles I discuss in the book, maintaining a mind-set of reflection and growth, and finding aspects of your job that feed your spirit, you will undoubtedly find success.

My goal in writing this book is to provide a sound foundation for communications professionals who are struggling to make an impact on a limited organizational budget. My hope is that this book provides you not only with helpful tools to promote your issues in a cost-effective way but also with proof that if you stay on the track of being credible, creative, responsive, and relentless, you will have success. I did, and I hope my stories give you the resolve to keep on passionately evangelizing for worthy causes.

同类推荐
  • Notes From The Underground(II) 地下室手记(英文版)

    Notes From The Underground(II) 地下室手记(英文版)

    Notes from Underground (also translated in English as Notes from the Underground or Letters from the Underworld while Notes from Underground is the most literal translation) is a short novel by Fyodor Dostoevsky, who is a Russian novelist, short story writer, essayist, journalist and philosopher,published in 1864. It is considered by many to be the world's first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The novel includes two parts: The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?
  • Twenty Years After(I) 达尔达尼央浪漫曲之二:二十年后(下)(英文版)

    Twenty Years After(I) 达尔达尼央浪漫曲之二:二十年后(下)(英文版)

    Twenty Years After is a novel by Alexandre Dumas. The novel follows events in France during the Fronde, during the childhood reign of Louis XIV, and in England near the end of the English Civil War, leading up to the victory of Oliver Cromwell and the execution of King Charles I. Through the words of the main characters, particularly Athos, Dumas comes out on the side of the monarchy in general, or at least the text often praises the idea of benevolent pgsk.com fantastic adventures of the Three Musketeers continue - starting with an intrigue surrounding D'Artagnan who has, for twenty years, remained a lieutenant. His musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.
  • My Lady Ludlow(III) 勒德洛夫人(英文版)
  • West of the Moon
  • Resurrection  复活(I)(英文版)

    Resurrection 复活(I)(英文版)

    Resurrection tells the story of a Russian nobleman who comes face to face with the sins of his past. When Prince Nekhlyudov serves on a jury at the trial of a prostitute arrested for murder, he is horrified to discover that the accused is a woman he had once seduced and abandoned. His guilt at the central role he played in her ruin soon leads him on a quest for forgiveness as he follows her into the prisons of Siberia. Conceived on an epic scale, this novel is both a trenchant denunciation of government, aristocracy, the judicial system, and the Church as well as a highly personal statement of Tolstoy's belief in human redemption and spiritual development.
热门推荐
  • 一张饼的邂逅

    一张饼的邂逅

    原来互相喜欢是很难受的感觉!痴情学霸vs花心呆瓜她留给他的第一印象是傻得可爱的呆瓜,他给她的第一印象是阳光暖男。他一直暗恋着她,她也喜欢他,可是她不知道自己喜欢他,但是她在无形中按着他的影子……女主强VS男主直男有点点小虐的甜文!
  • 根本说一切有部苾刍尼戒经

    根本说一切有部苾刍尼戒经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 千山万水,念念不忘

    千山万水,念念不忘

    因为恋着你,所以一直追逐你的脚步,当美好来临时,以为从此就是幸福,而下一刻,现实却将憧憬打破。转身,离开你的世界,将一切终结在过去。相信以后的我和你将会相忘于江湖。可当多年后意外相逢,原来,爱一直在彼此心中,念念不忘。
  • 回到唐末当暴君

    回到唐末当暴君

    朕为天子,乃受命于天。握秉乾坤,奋太宗之余烈,提天子剑,荡平不臣。晓谕八荒六合:普天之下,莫非王土,率土之滨,莫非王臣,蛮夷番邦,皆为臣也!
  • 凰医帝临七神

    凰医帝临七神

    (原名《焚尽七神:狂傲女帝》)前世,她贵为巅峰女帝,一夕之间局势逆转,沦为废材之质。魂灵双修,医毒无双,血脉觉醒,一御万兽。天现异象,凰命之女,自此归来,天下乱之。这一次,所有欺她辱她之人必杀之!他自上界而来,怀有目的,却因她动摇内心深处坚定的道义。“你曾说,你向仰我,你想像我一样,步入光明,是我对不起你,又让你重新回到黑暗。”“你都不在了,你让我一个人,怎么像向仰你?!”爱与不爱,从来都是我们自己的事,与他人无关。带走了所有的光明与信仰。
  • 散落在往事中的故乡

    散落在往事中的故乡

    看见荷枪实弹的警察,金氏三兄弟总算有了一种屈居于他人之下的感觉。但木脑壳仍然非常不服地说:我们没犯法,凭什么抓我们?没犯法?欧阳所长一字一顿地说:打断刘夫子的腿,这是你们犯的第一条罪行:偷曾玉珍家的首饰,这是你们犯的第二条罪行。你能否认吗?木脑壳对打断刘夫子的腿默认了,但对偷曾玉珍家的首饰却矢口否认。欧阳所长用满脸证据在握的表情说:你还想否认是不是?告诉你,我调查了四天,对你们是怎么偷的,偷了之后又是怎么处理的,我都一清二楚!说完,欧阳所长就要金氏兄弟分别在逮捕证上签字。
  • 穿越成魔女原来我最强

    穿越成魔女原来我最强

    一不小心穿越了,既没有成为大小姐,也没有成为王室贵族,却成了江湖第一神秘大帮圣女教的教主。江湖上只有传言,却鲜少有人知晓的圣女教。魔女大转性,禁止恋爱教,成了恋爱专门教的故事,满足各种少女心的爱恨情仇。
  • 中华传世藏书全元曲杂剧第二卷

    中华传世藏书全元曲杂剧第二卷

    元曲又称夹心。元曲是盛行于元代的一种文艺形式,包括杂剧和散曲,有时专指杂剧。 杂剧,宋代以滑稽搞笑为特点的一种表演形式。元代发展成戏曲形式,每本以四折为主,在开头或折间另加楔子。每折用同宫调同韵的北曲套曲和宾白组成。如关汉卿的《窦娥冤》等。流行于大都(今北京)一带。明清两代也有杂剧,但每本不限四折。 散曲,盛行于元、明、清三代的没有宾白的曲子形式。内容以抒情为主,有小令和散套两种。
  • 考古发现百科(科学探索百科)

    考古发现百科(科学探索百科)

    人类社会和自然世界是那么丰富多彩,使我们对于那许许多多的难解之谜,不得不密切关注和发出疑问。人们总是不断地去认识它,勇敢地去探索它。虽然今天科学技术日新月异,达到了很高程度,但对于许多谜团还是难以圆满解答。人们都希望发现天机,破解无限的谜团。古今中外许许多多的科学先驱不断奋斗,一个个谜团不断解开,推进了科学技术的大发展,但又发现了许多新的奇怪事物和难解之谜,又不得不向新的问题发起挑战。科学技术不断发展,人类探索永无止境,解决旧问题,探索新领域,这就是人类一步一步发展的足迹。
  • 我不想当谷主

    我不想当谷主

    她一个少谷主,为什么?为什么会被通缉啊喂!她不要面子啊!??(◣д◢)??还有,这个弱鸡是什么情况?某男:你救过我,我想以身相许。汐裳:……以身相许你个大锤子!(????Д`?)?彡┻━┻天道:放弃吧,你们的红线我已经牵好了(●°u°●)?」汐裳:……喂,是作者吗,快把这个不正经的天道写死。【此坑有毒,慎入。】