Four Valois and Catherine de' Medici lavished their wealth on the wing built by Francois I. at Blois. Who can look at those massive partition-walls, the spinal column of the castle, in which are sunken deep alcoves, secret staircases, cabinets, while they themselves enclose halls as vast as that great council-room, the guardroom, and the royal chambers, in which, in our day, a regiment of infantry is comfortably lodged--who can look at all this and not be aware of the prodigalities of Crown and court? Even if a visitor does not at once understand how the splendor within must have corresponded with the splendor without, the remaining vestiges of Catherine de' Medici's cabinet, where Christophe was about to be introduced, would bear sufficient testimony to the elegances of Art which peopled these apartments with animated designs in which salamanders sparkled among the wreaths, and the palette of the sixteenth century illumined the darkest corners with its brilliant coloring. In this cabinet an observer will still find traces of that taste for gilding which Catherine brought with her from Italy; for the princesses of her house loved, in the words of the author already quoted, to veneer the castles of France with the gold earned by their ancestors in commerce, and to hang out their wealth on the walls of their apartments.
The queen-mother occupied on the first upper floor of the apartments of Queen Claude of France, wife of Francois I., in which may still be seen, delicately carved, the double C accompanied by figures, purely white, of swans and lilies, signifying /candidior candidis/--more white than the whitest--the motto of the queen whose name began, like that of Catherine, with a C, and which applied as well to the daughter of Louis XII. as to the mother of the last Valois; for no suspicion, in spite of the violence of Calvinist calumny, has tarnished the fidelity of Catherine de' Medici to Henri II.
The queen-mother, still charged with the care of two young children (him who was afterward Duc d'Alencon, and Marguerite, the wife of Henri IV., the sister whom Charles IX. called Margot), had need of the whole of the first upper floor.
The king, Francois II., and the queen, Mary Stuart, occupied, on the second floor, the royal apartments which had formerly been those of Francois I. and were, subsequently, those of Henri III. This floor, like that taken by the queen-mother, is divided in two parts throughout its whole length by the famous partition-wall, which is more than four feet thick, against which rests the enormous walls which separate the rooms from each other. Thus, on both floors, the apartments are in two distinct halves. One half, to the south, looking to the courtyard, served for public receptions and for the transaction of business; whereas the private apartments were placed, partly to escape the heat, to the north, overlooking the gardens, on which side is the splendid facade with its balconies and galleries looking out upon the open country of the Vendomois, and down upon the "Perchoir des Bretons" and the moat, the only side of which La Fontaine speaks.
