I shall shortly give Boehme's main conceptions, and then several particular forms which he in turn adopts; for he does not remain at one form, because neither the sensuous nor the religious can suffice. Now even though this brings about the result that he frequently repeats himself, the forms of his main conceptions are still in every respect very different, and he who would try to give a consistent explanation of Boehme's ideas, particularly when they pass into further developments, would only delude himself in making the attempt. Hence we must neither expect to find in Boehme a systematic presentation nor a true method of passing over into the individual. Of his thoughts we cannot say much without adopting his manner of expression, and quoting the particular passages themselves, for they cannot otherwise be expressed. The fundamental idea in Jacob Boehme is the effort to comprise everything in an absolute unity, for he desires to demonstrate the absolute divine unity and the union of all opposites in God. Boehme's chief, and one may even say, his only thought - the thought that permeates all his works - is that of perceiving the holy Trinity in everything, and recognizing everything as its revelation and manifestation, so that it is the universal principle in which and through which everything exists; in such a way, moreover, that all things have this divine Trinity in themselves, not as a Trinity pertaining to the ordinary conception, but as the real Trinity of the absolute Idea. Everything that exists is, according to Boehme, this three-fold alone, and this three-fold is everything.(7) To him the universe is thus one divine life and revelation of God in all things, so that when examined more closely, from the one reality of God, the sum and substance of all powers and qualities, the Son who shines forth from these powers is eternally born; the inward unity of this light with the substance of the powers is Spirit. Sometimes the presentation is vague, and then again it is clearer. What comes next is the explanation of this Trinity, and here the different forms which he uses to indicate the difference becoming evident in the same, more especially appear.
In the Aurora, the “Root or Mother of Philosophy, Astrology and Theology,” he gives a method of division in which he places these sciences in proximity, and yet appears merely to pass from one to the other without any clear definition or determination.” (1) In Philosophy divine power is treated of, what God is, and how in the Being of God, nature, stars, and Elementa are constituted; whence all things have their origin, what is the nature of heaven and earth, as also of angels, men and devils, heaven and hell and all that is creaturely, likewise what the two qualities in nature are, and this is dealt with out of a right ground in the knowledge of spirit, by the impulse and motion of God. (2) In astrology the powers of nature, of the stars and elements, are treated of, and how all creatures proceed from them, how evil and good are through them effected in men and animals. (3) In theology the kingdom of Christ is dealt with, as also its nature, and how it is set in opposition to hell, and how in nature it wars with the kingdom of darkness.”(8)1. What comes first is God the Father; this first is at once divided in itself and the unity of both its parts. “God is all,” he says, “He is the Darkness and the Light, Love and Anger, Fire and Light, but He calls Himself God only as to the light of His love. There is an eternal Contrarium between darkness and light; neither comprehends the other and neither is the other, and yet there is but one essence or substance, though separated by pain; it is likewise so with the will, and yet there is no separable essence. One single principle is divided in this way, that one is in the other as a nothing which yet exists; but it is not manifest in the property of that thing in which it is.”(9) By anguish is expressed that which we know as the absolute negativity - that is the self-conscious, self-experienced, the self-relating negativity which is therefore absolute affirmation. All Boehme's efforts were directed towards this point; the principle of the Notion is living in him, only he cannot express it in the form of thought. That is to say, all depends on thinking of the negative as simple, since it is at the same time an opposite; thus anguish [Qual] is the inward tearing asunder and yet likewise the simple. From this Boehme derives sources or springs [Quellen], a good play on the words. For pain [die Qual], this negativity, passes into life, activity, and thus lie likewise connects it with quality, [Qualit?t], which he makes into Quallity.(10) The absolute identity of difference is all through present to him.
a. Boehme thus represents God not as the empty unity, but as this self-separating unity of absolute opposites; one must not, however, here expect a clearly defined distinction. The first, the one, the Father, has likewise the mode of natural existence; thus, like Proclus, he speaks of this God being simple essence. This simple essence he calls the hidden; and he therefore names it the Temperamentum, this unity of what is different, in which all is tempered. We find him also calling it the great Salitter - now the divine and now the natural Salitter - as well as Salniter. When he talks of this great salitter as of something known to us, we cannot first of all conceive what it means. But it is a vulgar corruption of the word sal nitri, saltpetre (which is still called salniter in Austria), i.e. just the neutral and in truth universal existence. The divine pomp and state is this, that in God a more glorious nature dwells, trees, plants, &c. “In the divine pomp or state two things have principally to be considered; salitter or the divine power, which brings forth all fruits, and marcurius or the sound.”(11) This great salitter is the unrevealed existence, just as the Neo-Platonic unity is without knowledge of itself and likewise unrecognized.
