Sicily, Sardinia, Majorca, Guernsey, enjoyed security through the whole course of a war which endangered every throne on the Continent. The victorious and imperial nation which had filled its museums with the spoils of Antwerp, of Florence, and of Rome, was suffering painfully from the want of luxuries which use had made necessaries. While pillars and arches were rising to commemorate the French conquests, the conquerors were trying to manufacture coffee out of succory and sugar out of beet-root. The influence of Philip on the Continent was as great as that of Napoleon. The Emperor of Germany was his kinsman. France, torn by religious dissensions, was never a formidable opponent, and was sometimes a dependent ally. At the same time, Spain had what Napoleon desired in vain, ships, colonies, and commerce. She long monopolised the trade of America and of the Indian Ocean. All the gold of the West, and all the spices of the East, were received and distributed by her. During many years of war, her commerce was interrupted only by the predatory enterprises of a few roving privateers. Even after the defeat of the Armada, English statesmen continued to look with great dread on the maritime power of Philip. "The King of Spain," said the Lord Keeper to the two Houses in 1593, "since he hath usurped upon the Kingdom of Portugal, hath thereby grown mighty, by gaining the East Indies: so as, how great soever he was before, he is now thereby manifestly more great: . . . He keepeth a navy armed to impeach all trade of merchandise from England to Gascoigne and Guienne which he attempted to do this last vintage; so as he is now become as a frontier enemy to all the west of England, as well as all the south parts, as Sussex, Hampshire, and the Isle of Wight.
Yea, by means of his interest in St. Maloes, a port full of shipping for the war, he is a dangerous neighbour to the Queen's isles of Jersey and Guernsey, ancient possessions of this Crown, and never conquered in the greatest wars with France."
The ascendency which Spain then had in Europe was, in one sense, well deserved. It was an ascendency which had been gained by unquestioned superiority in all the arts of policy and of war. In the sixteenth century, Italy was not more decidedly the land of the fine arts, Germany was not more decidedly the land of bold theological speculation, than Spain was the land of statesmen and of soldiers. The character which Virgil has ascribed to his countrymen might have been claimed by the grave and haughty chiefs, who surrounded the throne of Ferdinand the Catholic, and of his immediate successors. That majestic art, "regere imperio populos," was not better understood by the Romans in the proudest days of their republic, than by Gonsalvo and Ximenes, Cortes and Alva. The skill of the Spanish diplomatists was renowned throughout Europe. In England the name of Gondomar is still remembered. The sovereign nation was unrivalled both in regular and irregular warfare. The impetuous chivalry of France, the serried phalanx of Switzerland, were alike found wanting when brought face to face with the Spanish infantry. In the wars of the New World, where something different from ordinary strategy was required in the general and something different from ordinary discipline in the soldier, where it was every day necessary to meet by some new expedient the varying tactics of a barbarous enemy, the Spanish adventurers, sprung from the common people, displayed a fertility of resource, and a talent for negotiation and command, to which history scarcely affords a parallel.
The Castilian of those times was to the Italian what the Roman, in the days of the greatness of Rome, was to the Greek. The conqueror had less ingenuity, less taste, less delicacy of perception than the conquered; but far more pride, firmness, and courage, a more solemn demeanour, a stronger sense of honour. The subject had more subtlety in speculation, the ruler more energy in action. The vices of the former were those of a coward; the vices of the latter were those of a tyrant. It may be added, that the Spaniard, like the Roman, did not disdain to study the arts and the language of those whom he oppressed. A revolution took place in the literature of Spain, not unlike that revolution which, as Horace tells us, took place in the poetry of Latium:
"Capta ferum victorem cepit." The slave took prisoner the enslaver. The old Castilian ballads gave place to sonnets in the style of Petrarch, and to heroic poems in the stanza of Ariosto, as the national songs of Rome were driven out by imitations of Theocritus, and translations from Menander.
In no modern society, not even in England during the reign of Elizabeth, has there been so great a number of men eminent at once in literature and in the pursuits of active life, as Spain produced during the sixteenth century. Almost every distinguished writer was also distinguished as a soldier or a politician.
Boscan bore arms with high reputation. Garcilaso de Vega, the author of the sweetest and most graceful pastoral poem of modern times, after a short but splendid military career, fell sword in hand at the head of a storming party. Alonzo de Ercilla bore a conspicuous part in that war of Arauco, which he afterwards celebrated in one of the best heroic poems that Spain has produced. Hurtado de Mendoza, whose poems have been compared to those of Horace, and whose charming little novel is evidently the model of Gil-Blas, has been handed down to us by history as one of the sternest of those iron proconsuls who were employed by the House of Austria to crush the lingering public spirit of Italy.
Lope sailed in the Armada; Cervantes was wounded at Lepanto.
