She followed the flight, and it carried her to a corner to which Una had withdrawn--one of the palmy nooks to which Mrs. Van Sideren attributed the success of her Saturdays. Westall, a moment later, had overtaken his look, and found a place at the girl's side. She bent forward, speaking eagerly; he leaned back, listening, with the depreciatory smile which acted as a filter to flattery, enabling him to swallow the strongest doses without apparent grossness of appetite. Julia winced at her own definition of the smile.
On the way home, in the deserted winter dusk, Westall surprised his wife by a sudden boyish pressure of her arm. "Did I open their eyes a bit? Did I tell them what you wanted me to?" he asked gaily.
Almost unconsciously, she let her arm slip from his. "What I wanted--?"
"Why, haven't you--all this time?" She caught the honest wonder of his tone. "I somehow fancied you'd rather blamed me for not talking more openly--before-- You've made me feel, at times, that I was sacrificing principles to expediency."
She paused a moment over her reply; then she asked quietly: "What made you decide not to--any longer?"
She felt again the vibration of a faint surprise. "Why--the wish to please you!" he answered, almost too simply.
"I wish you would not go on, then," she said abruptly.
He stopped in his quick walk, and she felt his stare through the darkness.
"Not go on--?"
"Call a hansom, please. I'm tired," broke from her with a sudden rush of physical weariness.
Instantly his solicitude enveloped her. The room had been infernally hot--and then that confounded cigarette smoke--he had noticed once or twice that she looked pale--she mustn't come to another Saturday. She felt herself yielding, as she always did, to the warm influence of his concern for her, the feminine in her leaning on the man in him with a conscious intensity of abandonment. He put her in the hansom, and her hand stole into his in the darkness. A tear or two rose, and she let them fall.
It was so delicious to cry over imaginary troubles!
That evening, after dinner, he surprised her by reverting to the subject of his talk. He combined a man's dislike of uncomfortable questions with an almost feminine skill in eluding them; and she knew that if he returned to the subject he must have some special reason for doing so.
"You seem not to have cared for what I said this afternoon. Did I put the case badly?"
"No--you put it very well."
"Then what did you mean by saying that you would rather not have me go on with it?"
She glanced at him nervously, her ignorance of his intention deepening her sense of helplessness.
"I don't think I care to hear such things discussed in public."
"I don't understand you," he exclaimed. Again the feeling that his surprise was genuine gave an air of obliquity to her own attitude. She was not sure that she understood herself.
"Won't you explain?" he said with a tinge of impatience.
Her eyes wandered about the familiar drawing-room which had been the scene of so many of their evening confidences. The shaded lamps, the quiet-colored walls hung with mezzotints, the pale spring flowers scattered here and there in Venice glasses and bowls of old Sevres, recalled, she hardly knew why, the apartment in which the evenings of her first marriage had been passed--a wilderness of rosewood and upholstery, with a picture of a Roman peasant above the mantel-piece, and a Greek slave in "statuary marble" between the folding-doors of the back drawing-room. It was a room with which she had never been able to establish any closer relation than that between a traveller and a railway station; and now, as she looked about at the surroundings which stood for her deepest affinities--the room for which she had left that other room--she was startled by the same sense of strangeness and unfamiliarity. The prints, the flowers, the subdued tones of the old porcelains, seemed to typify a superficial refinement that had no relation to the deeper significances of life.
Suddenly she heard her husband repeating his question.
"I don't know that I can explain," she faltered.
He drew his arm-chair forward so that he faced her across the hearth. The light of a reading-lamp fell on his finely drawn face, which had a kind of surface-sensitiveness akin to the surface-refinement of its setting.
"Is it that you no longer believe in our ideas?" he asked.
"In our ideas--?"
"The ideas I am trying to teach. The ideas you and I are supposed to stand for." He paused a moment. "The ideas on which our marriage was founded."
The blood rushed to her face. He had his reasons, then--she was sure now that he had his reasons! In the ten years of their marriage, how often had either of them stopped to consider the ideas on which it was founded? How often does a man dig about the basement of his house to examine its foundation? The foundation is there, of course--the house rests on it--but one lives abovestairs and not in the cellar. It was she, indeed, who in the beginning had insisted on reviewing the situation now and then, on recapitulating the reasons which justified her course, on proclaiming, from time to time, her adherence to the religion of personal independence; but she had long ceased to feel the need of any such ideal standards, and had accepted her marriage as frankly and naturally as though it had been based on the primitive needs of the heart, and needed no special sanction to explain or justify it.
"Of course I still believe in our ideas!" she exclaimed.
"Then I repeat that I don't understand. It was a part of your theory that the greatest possible publicity should be given to our view of marriage. Have you changed your mind in that respect?"
She hesitated. "It depends on circumstances--on the public one is addressing. The set of people that the Van Siderens get about them don't care for the truth or falseness of a doctrine. They are attracted simply by its novelty."
"And yet it was in just such a set of people that you and I met, and learned the truth from each other."
"That was different."
"In what way?"
