Now, 'coming out,' either in acting, or singing, or society, or facetiousness, or anything else, is all very well, and remarkably pleasant to the individual principally concerned, if he or she can but manage to come out with a burst, and being out, to keep out, and not go in again; but, it does unfortunately happen that both consummations are extremely difficult to accomplish, and that the difficulties, of getting out at all in the first instance, and if you surmount them, of keeping out in the second, are pretty much on a par, and no slight ones either - and so Miss Amelia Martin shortly discovered. It is a singular fact (there being ladies in the case) that Miss Amelia Martin's principal foible was vanity, and the leading characteristic of Mrs. Jennings Rodolph an attachment to dress. Dismal wailings were heard to issue from the second-floor front of number forty-seven, Drummond-street, George-street, Euston-square; it was Miss Martin practising. Half-suppressed murmurs disturbed the calm dignity of the White Conduit orchestra at the commencement of the season. It was the appearance of Mrs. Jennings Rodolph in full dress, that occasioned them. Miss Martin studied incessantly - the practising was the consequence.
Mrs. Jennings Rodolph taught gratuitously now and then - the dresses were the result.
Weeks passed away; the White Conduit season had begun, and progressed, and was more than half over. The dressmaking business had fallen off, from neglect; and its profits had dwindled away almost imperceptibly. A benefit-night approached; Mr. Jennings Rodolph yielded to the earnest solicitations of Miss Amelia Martin, and introduced her personally to the 'comic gentleman' whose benefit it was. The comic gentleman was all smiles and blandness -he had composed a duet, expressly for the occasion, and Miss Martin should sing it with him. The night arrived; there was an immense room - ninety-seven sixpenn'orths of gin-and-water, thirty-two small glasses of brandy-and-water, five-and-twenty bottled ales, and forty-one neguses; and the ornamental painter's journeyman, with his wife and a select circle of acquaintance, were seated at one of the side-tables near the orchestra. The concert began.
Song - sentimental - by a light-haired young gentleman in a blue coat, and bright basket buttons - [applause]. Another song, doubtful, by another gentleman in another blue coat and more bright basket buttons - [increased applause]. Duet, Mr. Jennings Rodolph, and Mrs. Jennings Rodolph, 'Red Ruffian, retire!' - [great applause]. Solo, Miss Julia Montague (positively on this occasion only) - 'I am a Friar' - [enthusiasm]. Original duet, comic - Mr.
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'Sing out' - shouted one gentleman in a white great-coat. 'Don't be afraid to put the steam on, old gal,' exclaimed another, 'S-s-s-s-s-s-s'-went the five-and-twenty bottled ales. 'Shame, shame!'
remonstrated the ornamental painter's journeyman's party - 'S-s-s-s' went the bottled ales again, accompanied by all the gins, and a majority of the brandies.
'Turn them geese out,' cried the ornamental painter's journeyman's party, with great indignation.
'Sing out,' whispered Mr. Jennings Rodolph.
'So I do,' responded Miss Amelia Martin.
'Sing louder,' said Mrs. Jennings Rodolph.
'I can't,' replied Miss Amelia Martin.
'Off, off, off,' cried the rest of the audience.
'Bray-vo!' shouted the painter's party. It wouldn't do - Miss Amelia Martin left the orchestra, with much less ceremony than she had entered it; and, as she couldn't sing out, never came out. The general good humour was not restored until Mr. Jennings Rodolph had become purple in the face, by imitating divers quadrupeds for half an hour, without being able to render himself audible; and, to this day, neither has Miss Amelia Martin's good humour been restored, nor the dresses made for and presented to Mrs. Jennings Rodolph, nor the local abilities which Mr. Jennings Rodolph once staked his professional reputation that Miss Martin possessed.
