You turn round to take a look at the table behind you, and - not being in the habit of attending public dinners - are somewhat struck by the appearance of the party on which your eyes rest. One of its principal members appears to be a little man, with a long and rather inflamed face, and gray hair brushed bolt upright in front; he wears a wisp of black silk round his neck, without any stiffener, as an apology for a neckerchief, and is addressed by his companions by the familiar appellation of 'Fitz,' or some such monosyllable. Near him is a stout man in a white neckerchief and buff waistcoat, with shining dark hair, cut very short in front, and a great, round, healthy-looking face, on which he studiously preserves a half sentimental simper. Next him, again, is a large-headed man, with black hair and bushy whiskers; and opposite them are two or three others, one of whom is a little round-faced person, in a dress-stock and blue under-waistcoat. There is something peculiar in their air and manner, though you could hardly describe what it is; you cannot divest yourself of the idea that they have come for some other purpose than mere eating and drinking. You have no time to debate the matter, however, for the waiters (who have been arranged in lines down the room, placing the dishes on table) retire to the lower end; the dark man in the blue coat and bright buttons, who has the direction of the music, looks up to the gallery, and calls out 'band' in a very loud voice; out burst the orchestra, up rise the visitors, in march fourteen stewards, each with a long wand in his hand, like the evil genius in a pantomime; then the chairman, then the titled visitors; they all make their way up the room, as fast as they can, bowing, and smiling, and smirking, and looking remarkably amiable. The applause ceases, grace is said, the clatter of plates and dishes begins; and every one appears highly gratified, either with the presence of the distinguished visitors, or the commencement of the anxiously-expected dinner.
As to the dinner itself - the mere dinner - it goes off much the same everywhere. Tureens of soup are emptied with awful rapidity -waiters take plates of turbot away, to get lobster-sauce, and bring back plates of lobster-sauce without turbot; people who can carve poultry, are great fools if they own it, and people who can't have no wish to learn. The knives and forks form a pleasing accompaniment to Auber's music, and Auber's music would form a pleasing accompaniment to the dinner, if you could hear anything besides the cymbals. The substantials disappear - moulds of jelly vanish like lightning - hearty eaters wipe their foreheads, and appear rather overcome by their recent exertions - people who have looked very cross hitherto, become remarkably bland, and ask you to take wine in the most friendly manner possible - old gentlemen direct your attention to the ladies' gallery, and take great pains to impress you with the fact that the charity is always peculiarly favoured in this respect - every one appears disposed to become talkative - and the hum of conversation is loud and general.
'Pray, silence, gentlemen, if you please, for NON NOBIS!' shouts the toast-master with stentorian lungs - a toast-master's shirt-front, waistcoat, and neckerchief, by-the-bye, always exhibit three distinct shades of cloudy-white. - 'Pray, silence, gentlemen, for NON NOBIS!' The singers, whom you discover to be no other than the very party that excited your curiosity at first, after 'pitching'
their voices immediately begin TOO-TOOing most dismally, on which the regular old stagers burst into occasional cries of - 'Sh - Sh -waiters! - Silence, waiters - stand still, waiters - keep back, waiters,' and other exorcisms, delivered in a tone of indignant remonstrance. The grace is soon concluded, and the company resume their seats. The uninitiated portion of the guests applaud NONNOBIS as vehemently as if it were a capital comic song, greatly to the scandal and indignation of the regular diners, who immediately attempt to quell this sacrilegious approbation, by cries of 'Hush, hush!' whereupon the others, mistaking these sounds for hisses, applaud more tumultuously than before, and, by way of placing their approval beyond the possibility of doubt, shout 'ENCORE!' most vociferously.
