It was the stage where, dressed splendidly for his part, he strutted, incomparably dignified, made important by the power he had to awaken an absurd expectation of something heroic going to take place--a burst of action or song--upon the vibrating tone of a wonderful sunshine. He was ornate and disturbing, for one could not imagine what depth of horrible void such an elaborate front could be worthy to hide. He was not masked--there was too much life in him, and a mask is only a lifeless thing; but he presented himself essentially as an actor, as a human being aggressively disguised. His smallest acts were prepared and unexpected, his speeches grave, his sentences ominous like hints and complicated like arabesques. He was treated with a solemn respect accorded in the irreverent West only to the monarchs of the stage, and he accepted the profound homage with a sustained dignity seen nowhere else but behind the footlights and in the condensed falseness of some grossly tragic situation. It was almost impossible to remember who he was--only a petty chief of a conveniently isolated corner of Mindanao, where we could in comparative safety break the law against the traffic in firearms and ammunition with the natives. What would happen should one of the moribund Spanish gun-boats be suddenly galvanized into a flicker of active life did not trouble us, once we were inside the bay--so completely did it appear out of the reach of a meddling world; and besides, in those days we were imaginative enough to look with a kind of joyous equanimity on any chance there was of being quietly hanged somewhere out of the way of diplomatic remonstrance. As to Karain, nothing could happen to him unless what happens to all--failure and death; but his quality was to appear clothed in the illusion of unavoidable success. He seemed too effective, too necessary there, too much of an essential condition for the existence of his land and his people, to be destroyed by anything short of an earthquake. He summed up his race, his country, the elemental force of ardent life, of tropical nature. He had its luxuriant strength, its fascination;and, like it, he carried the seed of peril within.
In many successive visits we came to know his stage well--the purple semicircle of hills, the slim trees leaning over houses, the yellow sands, the streaming green of ravines. All that had the crude and blended colouring, the appropriateness almost excessive, the suspicious immobility of a painted scene; and it enclosed so perfectly the accomplished acting of his amazing pretences that the rest of the world seemed shut out forever from the gorgeous spectacle.
There could be nothing outside. It was as if the earth had gone on spinning, and had left that crumb of its surface alone in space. He appeared utterly cut off from everything but the sunshine, and that even seemed to be made for him alone. Once when asked what was on the other side of the hills, he said, with a meaning smile, "Friends and enemies--many enemies; else why should I buy your rifles and powder?"He was always like this--word-perfect in his part, playing up faithfully to the mysteries and certitudes of his surroundings.
"Friends and enemies"--nothing else. It was impalpable and vast. The earth had indeed rolled away from under his land, and he, with his handful of people, stood surrounded by a silent tumult as of contending shades. Certainly no sound came from outside. "Friends and enemies!" He might have added, "and memories," at least as far as he himself was concerned; but he neglected to make that point then. It made itself later on, though; but it was after the daily performance--in the wings, so to speak, and with the lights out. Meantime he filled the stage with barbarous dignity. Some ten years ago he had led his people--a scratch lot of wandering Bugis--to the conquest of the bay, and now in his august care they had forgotten all the past, and had lost all concern for the future. He gave them wisdom, advice, reward, punishment, life or death, with the same serenity of attitude and voice. He understood irrigation and the art of war--the qualities of weapons and the craft of boat-building. He could conceal his heart;had more endurance; he could swim longer, and steer a canoe better than any of his people; he could shoot straighter, and negotiate more tortuously than any man of his race I knew. He was an adventurer of the sea, an outcast, a ruler--and my very good friend. I wish him a quick death in a stand-up fight, a death in sunshine; for he had known remorse and power, and no man can demand more from life. Day after day he appeared before us, incomparably faithful to the illusions of the stage, and at sunset the night descended upon him quickly, like a falling curtain. The seamed hills became black shadows towering high upon a clear sky; above them the glittering confusion of stars resembled a mad turmoil stilled by a gesture; sounds ceased, men slept, forms vanished--and the reality of the universe alone remained--a marvellous thing of darkness and glimmers.
But it was at night that he talked openly, forgetting the exactions of his stage. In the daytime there were affairs to be discussed in state. There were at first between him and me his own splendour, my shabby suspicions, and the scenic landscape that intruded upon the reality of our lives by its motionless fantasy of outline and colour.
