登陆注册
5402200000009

第9章

and there most where our sympathy is most wanted,-in the distresses of others.If this passion was simply painful,we would shun with the greatest care all persons and places that could excite such a passion;as some,who are so far gone in indolence as not to endure any strong impression,actually do.But the case is widely different with the greater part of mankind;there is no spectacle we so eagerly pursue,as that of some uncommon and grievous calamity;so that whether the misfortune is before our eyes,or whether they are turned back to it in history,it always touches with delight.This is not an unmixed delight,but blended with no small uneasiness.The delight we have in such things,hinders us from shunning scenes of misery;and the pain we feel prompts us to relieve ourselves in relieving those who suffer;and all this antecedent to any reasoning,by an instinct that works us to its own purposes without our concurrence.

XV

Of The Effects Of Tragedy It is thus in real calamities.In imitated distresses the only difference is the pleasure resulting from the effects of imitation;for it is never so perfect,but we can perceive it is imitation,and on that principle are somewhat pleased with it.And indeed in some cases we derive as much or more pleasure from that source than from the thing itself.But then I imagine we shall be much mistaken,if we attribute any considerable part of our satisfaction in tragedy to the consideration that tragedy is a deceit,and its representations no realities.

The nearer it approaches the reality,and the farther it removes us from all idea of fiction,the more perfect is its power.But be its power of what kind it will,it never approaches to what it represents.Choose a day on which to represent the most sublime and affecting tragedy we have;appoint the most favourite actors;spare no cost upon the scenes and decorations,unite the greatest efforts of poetry,painting,and music;and when you have collected your audience,just at the moment when their minds are erect with expectation,let it be reported that a state criminal of high rank is on the point of being executed in the adjoining square;in a moment the emptiness of the theatre would demonstrate the comparative weakness of the imitative arts,and proclaim the triumph of the real sympathy.I believe that this notion of our having a simple pain in the reality,yet a delight in the representation,arises from hence,that we do not sufficiently distinguish what we would by no means choose to do,from what we should be eager enough to see if it was once done.The delight in seeing things,which,so far from doing,our heartiest wishes would be to see redressed.This noble capital,the pride of England and of Europe,I believe no man is so strangely wicked as to desire to see destroyed by a conflagration or an earthquake,though he should be removed himself to the greatest distance from the danger.But suppose such a fatal accident to have happened,what numbers from all parts would crowd to behold the ruins,and amongst many who would have been content never to have seen London in its glory!Nor is it,either in real or fictitious distresses,our immunity from them which produces our delight;in my own mind I can discover nothing like it.I apprehend that this mistake is owing to a sort of sophism,by which we are frequently imposed upon;it arises from our not distinguishing between what is indeed a necessary condition to our doing or suffering anything in general,and what is the cause of some particular act.If a man kills me with a sword,it is a necessary condition to this that we should have been both of us alive before the fact;and yet it would be absurd to say,that our being both living creatures was the cause of his crime and of my death.So it is certain,that it is absolutely necessary my life should be out of any imminent hazard,before I can take a delight in the sufferings of others,real or imaginary,or indeed in anything else from any cause whatsoever.

But then it is a sophism to argue from thence,that this immunity is the cause of my delight either on these or on any occasions.No one can distinguish such a cause of satisfaction in his own mind,I believe;nay,when we do not suffer any very acute pain,nor are exposed to any imminent danger of our lives,we can feel for others,whilst we suffer ourselves;and often then most when we are softened by affliction;we see with pity even distresses which we would accept in the place of our own.

XVI

Imitation The second passion belonging to society is imitation,or,if you will,a desire of imitating,and consequently a pleasure in it.This passion arises from much the same cause with sympathy.For as sympathy makes us take a concern in whatever men feel,so this affection prompts us to copy whatever they do;and consequently we have a pleasure in imitating,and in whatever belongs to imitation,merely as it is such,without any intervention of the reasoning faculty,but solely from our natural constitution,which Providence has framed in such a manner as to find either pleasure or delight,according to the nature of the object,in whatever regards the purposes of our being.It is by imitation far more than by precept,that we learn everything;and what we learn thus,we acquire not only more effectually,but more pleasantly.This forms our manners,our opinions,our lives.It is one of the strongest links of society;it is a species of mutual compliance,which all men yield to each other,without constraint to themselves,and which is extremely flattering to all.

同类推荐
  • 琴诀

    琴诀

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 古尊宿语要目录

    古尊宿语要目录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 慈湖遗书

    慈湖遗书

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Two Captains

    The Two Captains

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Old Indian Days

    Old Indian Days

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 中国军旅文学50年

    中国军旅文学50年

    《中国军旅文学50年》编写前后历时7年,数易其稿,以新中国1949——1999为期50年的军旅文学发展历程为考察对象,以62万字的篇幅,全面梳理了半个世纪以来军旅文学的历史,深刻总结了军旅文学发展进程中的若干重要理论问题,以系统的理论规范和宏阔的学术视野将诸如短篇小说、中篇小说、长篇小说、诗歌、散文、报告文学、理论批评、戏剧、电影、电视剧等不同文体的创作悉数纳入研究范围,以客观的批评品格和敏锐的审美视角将产生过重大社会影响的作家、作品和独具艺术特色却被长期忽略的作家作品一并纳入研究的范畴。
  • 邪帝宠妻:特工狂妃一等一

    邪帝宠妻:特工狂妃一等一

    【新文《萌妻嫁到:夫人,乖乖就擒》连载中,多多支持~~~】女主腹黑强大,神武双修,还是全能雨系召唤师,各路神兽纷纷顶礼膜拜!她是二十一世纪的首席特工,一朝穿越,可笑的沦为了举国上下人尽皆知的废物!貌丑无盐,痴傻疯癫,受尽欺凌,人人唾弃!她冷笑一声——废物?让你看看什么叫做天才!痴傻?无声无息弄死你们分分钟的事!丑陋?征服天下第一公子气死绿茶婊们!一生一世一双人,你,给得起么?她眼底冰冷,却分外澄澈!这一世,永永远远,伴你左右。他的眼底,分外认真,盈满了无限宠溺!且看张扬狂妄的她,霸气冷酷的他,如何联手相惜,谱写一曲永不磨灭的盛世年华!【宠文,强强联手!欢迎加入读者交流群:301103562~】
  • 朝夕盼兮是汝庞

    朝夕盼兮是汝庞

    我与她携手看尽这红尘浮生,不过须臾数年罢了。红尘缱绻,白驹过隙,不过尔尔,今日,主城就该有一场大雪……“朝夕是她,盼兮是她,颠倒众生,不费吹灰……”“那日城门落雪……她问你天下间的姹紫嫣红,你最爱何种颜色……”一张张熟悉又陌生的脸……他们的出生不由自己,但他们选择该如何活着和赴死,写尽生命中的欢喜与悲歌。回眸婉约醉三千,红尘缱绻,一生等一人;流年花开,一世情不移。少年儿郎爱上年少的女子,时光往复……
  • 虞令天下

    虞令天下

    【仙魔大陆,十二古国,女帝组团打怪兽】虞灵儿,二十一世纪实打实衰女一枚。走路会摔,喝水会呛,满身肥肉越减越膘!然而一遭穿越,身居将府,腰肢苗条,原以为人生从此开挂,坐享人世繁华!哪知府门被抄,双亲亡故,幼弟失散,迫走他国!还……还有更惨的吗?哼!我命由我不由天!看女主如何逆袭十二国,做富婆,打团战,集灵珠,开天门,最终抱得美男归!幽冥之都封印松动,人界妖魔肆意猖狂,虞灵儿临危受命继任神宇国主。在师兄陆离协助下,集结抗魔先锋队,铲除魔界一个又一个阴谋诡计!陆离,洪荒火灵修炼成精,遨游四海之间,超脱三界之外!却为一女子甘入轮回,辗转万年,生死守护。当尘封的记忆苏醒,原来过去的你不曾离开,未来的你更不会放手!人、妖、仙、魔共存的世界,携手而行,披荆斩棘,你守护世界,我守护你!
  • 殷商离月

    殷商离月

    夏桀无道,民不聊生,上天降玄鸟而生汤,汤以仁义代之。商立而玄鸟归隐,商气日靡,越两百年,盘庚出,玄鸟复见于殷,庚乃迁,遂以巫女镇之。
  • 斩妖界

    斩妖界

    来自未来世界的大异变,人类拥有了超自然的能力,恐怖的妖兽,多灾的世界,佳人相伴,一路过关斩将,追寻背后的真相。友情与爱情,这是个华丽的未来世界。
  • 钢铁是怎样炼成的(语文新课标课外必读第二辑)

    钢铁是怎样炼成的(语文新课标课外必读第二辑)

    国家教育部颁布了最新《语文课程标准》,统称新课标,对中、小学语文教学指定了阅读书目,对阅读的数量、内容、质量以及速度都提出了明确的要求,这对于提高学生的阅读能力,培养语文素养,陶冶情操,促进学生终身学习和终身可持续发展,对于提高广大人民的文学素养具有极大的意义。
  • 丞相大人赖上门

    丞相大人赖上门

    穿越成了传说中的极品亲戚,杨思思填完了原主留下的坑,一心一意赚钱。可是回过头来却又变成了被催婚一族。杨思思低头看了一眼自己的身段(吨位),歇下了减肥的心思,还是这样有安全感。可是她都这样了,怎么还有人往前凑?(新书《天赐符妃》已发,求支持)
  • 抗战之老兵重生

    抗战之老兵重生

    重历十四年抗战,从东北打到中原,敌人走马换将,我自血热刀冷!军人不惧牺牲,军魂必将永存!(建了个群,喜欢的可以加一下哦728279596)
  • 东山杂记

    东山杂记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。