登陆注册
5416500000123

第123章 Chapter V(8)

The Utilitarian principle,again,was opposed to the errors most seductive to earlier historians.The classical histories were meant to be works of art.The artistic aim is incompatible with scientific history,so far as it interferes with the primary aim of giving the unadulterated facts.To give a clear,coherent,and distinct narrative of a complex series of events requires,indeed,powers of literary expression even of the highest order.

The artistic purpose must be strictly subordinate rather than absent.A writer must not disguise or embellish or omit with a view to artistic effect of the whole;and must often sacrifice the impressive to the truthful.Sometimes,indeed,the historian must be dull --but that is a condition against which neither Grote nor the Utilitarians generally protested.It had been the aim of a different school to avoid dulness and to rival the Waverley Novels in making past history live.The errors of such men as Thierry and Michelet,or Carlyle,Macaulay and Froude,show the dangers of the method.The severe historian may perhaps forgive them in consideration of the interest which they excited in their studies.May he not also admit that the aim is,in some sort,legitimate?The people,after all,were once alive,and that truth has some bearing upon their history.If imagination means a faculty of generating illusions,as the Utilitarians generally thought,it is no doubt mischievous.But even for the bare purpose of judging evidence and perceiving truth the imagination is essential.The error of transposing modern standards of thought into previous epochs is too obvious to require illustration;but it is really the fault less of an excess than of a defect of imagination.The writer must be able,at every turn,to put himself in the place of his heroes,and of their contemporaries,if he would understand the meaning of their actions,or even judge the weight to be attributed to the evidence.That requires a trained and duly subordinate faculty of imagination.Even for mere annals --simple statements of hard facts --imagination is required,and it is required the more as we endeavour to rise from annals to history,or to make history more than an 'old calendar.'

A sound Utilitarian might be expected to make the proper compromise.No one could be more on his guard against the error of subordinating truth to poetic fancy.But he would not deny the importance of so much imaginative sympathy as is implied in a clear apprehension of the mental and moral condition of past epochs.He might find a sufficient substitute for the dangerous faculty of picturesque imagination in the more sober faculty which Grote possessed --massive common sense;the 'knowledge of human nature,'as it is called,which corresponds not to poetic imagination or to a set of established formulae,but to the practical insight acquired by intimate acquaintance with actual affairs.If Grote was able to rival or to surpass German professors on their own ground,it was because his want of some of their special training was more than counterbalanced by his experience of business and public life.In Threadneedle Street and at Westminster he had acquired an instinctive perception which served him in describing the political and economical conditions of Athenian life.When joined with an ardour for research that power gave a value to his judgments of fact which enabled him to write a model history.

The 'graphic'or 'artistic'type of history may be objectionable;is not the philosophical worse?Nothing distorts facts so much as theory;and a scientific historian should be on his guard against the philosopher of all men.But how to draw the line?Stick to bare fact and you can only write annals.History proper begins as you introduce causation,and the mere series is transformed into a process.It is impossible to get a bare fact without some admixture of theory.The Utilitarian principle,again,suggests the right aim.It excludes the mischievous didacticism of older historians.The question of fact must everywhere precede the question of right.In politics,economics and ethics Bentham and Malthus and the Mills had in various relations applied the principle which applies equally to history,The historian may adopt Spinoza's great saying.His business is to understand,not to approve or denounce.A historian treats of some great event such as the French revolution.His one legitimate and dominant purpose should be to explain its causes,and he should inquire with absolute impartiality how it came to pass,not whether it was right or wrong.The old method of writing history attributed events to individuals,and consistently applied a moral estimate.If the action of this or that man,Mirabeau or Robespierre,was the ultimate cause of the events,we may ask whether the action was good or bad,and infer that the event ought or ought not to have happened.The scientific view fixes attention simply On the causes.What were the conditions which determined the event?We must inquire as impartially as a pathologist examining the causes of a disease.

同类推荐
  • 道具赋

    道具赋

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • ARTICLES ON CHINA

    ARTICLES ON CHINA

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Coxon Fund

    The Coxon Fund

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 唐宋分门名贤诗话

    唐宋分门名贤诗话

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Land of Little Rain

    The Land of Little Rain

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 粟先生的恋爱调查报告

    粟先生的恋爱调查报告

    她记得他,因为他眉角那颗痣;他记得她,只是因为她是她。每一个擦肩而过的缘分,终成为回忆里的故事,而你,是我故事的结局。————————————————————————一句话简介:这是一个关于梦想和信仰的故事。抽风版简介:1.女主涂恒沙,权且叫她小沙子!小沙子捂胸痛苦状。归归:怎么了?小沙子:我犯病了!没法呼吸!归归:怎么办怎么办?赶紧去医院!小沙子:不用……医生给了药方。归归:药方呢?小沙子嘟着嘴:唔唔……医生说人工呼吸就好。归归:……(哪个庸医!)——吃瓜群众:庸医一定是是宁主任!2.小沙子捂胸痛苦状+1。归归:又犯病了?要药方吗?小沙子:……这次不是,是真的病了!归归:什么病?小沙子:脂肪组织先天性发育不足并纤维隔缺少症归归:????好好说话!小沙子:胸……太小归归:……药方呢?小沙子:医生说……多揉揉就好……归归:……(庸医+1)——吃瓜群众:宁主任+1!!!!!宁主任认真脸:我的专业是神经外科!谢谢!
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 水浒黑白绰号谭

    水浒黑白绰号谭

    长期以来,世人对《水浒》人物及其姓名和绰号颇有兴味,它们已被视为水浒文化的标识,它所特有的艺术魅力,可以说是空前绝后。如天罡星群中林冲的绰号“豹子头”,王英绰号“矮脚虎”等,认识、研究中华人文,可以借读本书人物的绰号,探寻它们的由来、发展和影响,以及它们所蕴涵的社会众生相和时代风尚。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 中法兵事始末

    中法兵事始末

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 穿书之炮灰努力活下去

    穿书之炮灰努力活下去

    出车祸赶上穿越的潮流,跑进了书里,还得到原身活了一辈子的记忆和书里的大致走向。上有姐姐弟弟,下有未来小哥哥,炮灰酱油女n号表示奋发图强,手持系统好好活下去只不过……都末世了,当什么女神咯?活着就好了啊!【本文活着为主,感情为辅,系统没地位,当然三观一定要正,不喜慎入!老人家表示:禁差评、低评分】
  • 彼岸尽相思

    彼岸尽相思

    (本书又名《万妖物语》)。东临地境有一塔,塔中妖不尽其数。全凭一人守,守塔人乃花拂兮是也。一日,绛妖塔毁,万妖出,花拂兮由此踏上收妖之旅…… 简版:花姑娘的漫漫收妖路中的万妖的故事。 喜欢短短的类似于快穿那种单元故事的可进。
  • 余生各自安好

    余生各自安好

    她赌上一生只为爱他,他赌上一生只为恨她,如此矛盾又对立的两个人,最终却败给了爱情。
  • Scorpion God

    Scorpion God

    This title comes with an introduction by Craig Raine. Three short novels show Golding at his playful, ironic and mysterious best. In The Scorpion God we see the world of ancient Egypt at the time of the earliest pharaohs. Clonk Clonk is a graphic account of a crippled youth's triumph over his tormentors in a primitive matriarchal society. And Envoy Extraordinary is a tale of Imperial Rome where the emperor loves his illegitimate grandson more than his own arrogant, loutish heir. "The writing is brilliant, so fluent and stylish that the stories read themselves like a dream. "(Daily Telegraph). "As ambitious and as engrossing as the best of Golding. "(Financial Times).