登陆注册
5431000000039

第39章 SPEECH ON THE POWERS OF JURIES IN PROSECUTIONS FOR

We have in a libel, 1st. The writing. 2nd. The communication, called by the lawyers the publication. 3rd. The application to persons and facts. 4th. The intent and tendency. 5th. The matter--diminution of fame. The law presumptions on all these are in the communication. No intent can, make a defamatory publication good, nothing can make it have a good tendency; truth is not pleadable. Taken juridically, the foundation of these law presumptions is not unjust; taken constitutionally, they are ruinous, and tend to the total suppression of all publication. If juries are confined to the fact, no writing which censures, however justly, or however temperately, the conduct of administration, can be unpunished. Therefore, if the intent and tendency be left to the judge, as legal conclusions growing from the fact, you may depend upon it you can have no public discussion of a public measure, which is a point which even those who are most offended with the licentiousness of the press (and it is very exorbitant, very provoking) will hardly contend for.

So far as to the first opinion, that the doctrine is right and needs no alteration. 2nd. The next is, that it is wrong, but that we are not in a condition to help it. I admit, it is true, that there are cases of a nature so delicate and complicated, that an Act of Parliament on the subject may become a matter of great difficulty.

It sometimes cannot define with exactness, because the subject-matter will not bear an exact definition. It may seem to take away everything which it does not positively establish, and this might be inconvenient; or it may seem vice versa to establish everything which it does not expressly take away. It may be more advisable to leave such matters to the enlightened discretion of a judge, awed by a censorial House of Commons. But then it rests upon those who object to a legislative interposition to prove these inconveniences in the particular case before them. For it would be a most dangerous, as it is a most idle and most groundless, conceit to assume as a general principle, that the rights and liberties of the subject are impaired by the care and attention of the legislature to secure them. If so, very ill would the purchase of Magna Charta have merited the deluge of blood, which was shed in order to have the body of English privileges defined by a positive written law.

This charter, the inestimable monument of English freedom, so long the boast and glory of this nation, would have been at once an instrument of our servitude, and a monument of our folly, if this principle were true. The thirty four confirmations would have been only so many repetitions of their absurdity, so many new links in the chain, and so many invalidations of their right.

You cannot open your statute book without seeing positive provisions relative to every right of the subject. This business of juries is the subject of not fewer than a dozen. To suppose that juries are something innate in the Constitution of Great Britain, that they have jumped, like Minerva, out of the head of Jove in complete armour, is a weak fancy, supported neither by precedent nor by reason. Whatever is most ancient and venerable in our Constitution, royal prerogative, privileges of parliament, rights of elections, authority of courts, juries, must have been modelled according to the occasion. I spare your patience, and I pay a compliment to your understanding, in not attempting to prove that anything so elaborate and artificial as a jury was not the work of chance, but a matter of institution, brought to its present state by the joint efforts of legislative authority and juridical prudence. It need not be ashamed of being (what in many parts of it at least it is) the offspring of an Act of Parliament, unless it is a shame for our laws to be the results of our legislature. Juries, which sensitively shrank from the rude touch of parliamentary remedy, have been the subject of not fewer than, I think, forty-three Acts of Parliament, in which they have been changed with all the authority of a creator over its creature, from Magna Charta to the great alterations which were made in the 29th of George II.

To talk of this matter in any other way is to turn a rational principle into an idle and vulgar superstition, like the antiquary, Dr. Woodward, who trembled to have his shield scoured, for fear it should be discovered to be no better than an old pot-lid. This species of tenderness to a jury puts me in mind of a gentleman of good condition, who had been reduced to great poverty and distress; application was made to some rich fellows in his neighbourhood to give him some assistance; but they begged to be excused for fear of affronting a person of his high birth; and so the poor gentleman was left to starve out of pure respect to the antiquity of his family.

同类推荐
热门推荐
  • 舔出新纪元

    舔出新纪元

    末世,没有人知道明天会发生什么。一个越舔越强的故事
  • 金血坛

    金血坛

    在天空的起始点与终点,只有光华豪殿深处的那两座祭坛。两座祭坛都高万丈。上面一尊跪着的人形雕像。那人双手托起一个刻着特殊纹路的长长锁链。起与始,落与终,承接与释放。他描摹着锁链与自由不断更替的过程。自由翱翔,这也是出了象牙塔后,在江湖中依然能保持的净土。抚摸伤痕的同时,在生命最后一刻有所回忆。
  • 从生活到艺术

    从生活到艺术

    从改革开放三十年中国美术发展的概况,谈从生活到艺术的创作规律。期待艺术家以十年磨一剑的心态,为我们这个时代留下真正能够传至久远的好作品。我的主要标题是谈“从生活到艺术”。大家知道关于生活我们已经有约定俗成的理解,但是对于艺术的理解可以有无数种,其中比较有代表性的就像我们一些哲人说的:“艺术是第二自然,艺术是艺术家所做的白日梦”等等。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 诗人玉屑

    诗人玉屑

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 冷皇的假面毒后

    冷皇的假面毒后

    初相见。他是江湖传言最最神秘的司星阁阁主,头戴面具,一身黑衣,冷漠毒舌;她是人称妙手无双魅公子的英俊少年,脸披人皮,女扮男装,游戏江湖。他请她易容扮作一位美貌女子,以偿相思之苦。她为了浇灌毒花四处寻毒,却不料他的血正是世间剧毒之物。一场名动江湖的鉴宝大会,两人心思各异,结伴同行。面具人皮之下,互不知对方是人是鬼,长相为何。一段传奇,就此拉开序幕。再相见。他是名动五国的天下第一美皇子加第一病秧子;她是毁誉五国据说谁娶了谁倒霉的蛮横丑公主。因一纸奇怪的箴言,她突然成了香饽饽,引无数皇子尽折腰,为了自由和美貌她选了那个病得快死的美皇子。原以为从此可以一生逍遥,寄情山水,可是……是不是嫁错人了?谁说他是病秧子的,给本公主站出来,我保证不毒死你!小剧场1:看着某人一拳打死了一只猎豹,苏子颜无语地问:“当初是谁说你手无缚鸡之力的?”某人悠闲地转了转拳头,淡定地指了指旁边站的人,薄唇轻吐:“你叫什么?”“回王爷,属下叫……小鸡。”苏子颜看着那个体壮如熊,走一步地都要抖三抖的呼伦奴,陷入了沉默。某人:“本王六岁时,确实手无缚‘鸡’之力。”苏子颜脸红扭头跑走:“不要脸。”某人:“……”小剧场2:苏子颜:“你为什么常年戴着银色面具?”某人:“因为本王太美,怕别人把持不住。”苏子颜:“……”某人:“那你为何戴着人皮面具?”苏子颜:“因为我是包子脸,怕被人捏。”某人双眼闪着精光:“谁捏过你的脸?”苏子颜:“……没,只是打个比方。”
  • 四福晋之死

    四福晋之死

    作为一个80岁的老太太,赵云表示穿越什么的最无趣了,只是她不得不穿越在不同世界里,对付各路渣人。第一次穿成四福晋,赵云果断地坑了四阿哥一把……穿成顺治,康熙,乾隆娘,八爷……现在进入帝王版图,穿成秦始皇,汉武帝,刘秀,曹操,孙权……混乱了啊!
  • 天君之上

    天君之上

    如果我想得到真相,就先把天,开出个洞。如果我要杀尽妖魔,就先让地,分崩离析。无论是力大无穷的饕鬄巨兽,还是雷遍苍天的魔神魔主,又或是阴邪至极黯黑至尊……如果阻止我颠覆世界,那么我就把天给捅破,谁都别想活!这本书,讲述的是,一位少年手持灭天勾玉,走上不归路的故事。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 梦生年

    梦生年

    少女红袖无意间穿越时空回到古代,与温润如玉的皇族少年安少君相识,神秘英俊的杀手之首顾长风亦对她不离不弃。面对各种情感攻势,红袖要如何选择?灰姑娘与王子之间的爱情从来不会一帆风顺,安少君本有机会将万里疆域掌控手中,却为了红袖轻易放弃,当爱情与抉择狭路相逢,谁胜?风云起,四海怒,他们的爱情能否天荒地老?