"Oh, shut up, can't you," was Lon's reply, in the same cautious undertone.
The woman had closed the door and was returning, and I sat and meditated upon the fact that this man who told me to shut up received from me a salary of two hundred and fifty dollars a month and his board.
Lon washed the dishes, while I smoked and watched the woman. She seemed more beautiful than ever--strangely and weirdly beautiful, it is true. After looking at her steadfastly for five minutes, I was compelled to come back to the real world and to glance at Lon McFane.
This enabled me to know, without discussion, that the woman, too, was real. At first I had taken her for the wife of Dave Walsh; but if Dave Walsh were dead, as Lon had said, then she could be only his widow.
It was early to bed, for we faced a long day on the morrow; and as Lon crawled in beside me under the blankets, I ventured a question.
"That woman's crazy, isn't she?"
"Crazy as a loon," he answered.
And before I could formulate my next question, Lon McFane, I swear, was off to sleep. He always went to sleep that way--just crawled into the blankets, closed his eyes, and was off, a demure little heavy breathing rising on the air. Lon never snored.
And in the morning it was quick breakfast, feed the dogs, load the sled, and hit the trail. We said good-bye as we pulled out, and the woman stood in the doorway and watched us off. I carried the vision of her unearthly beauty away with me, just under my eyelids, and all I had to do, any time, was to close them and see her again. The way was unbroken, Surprise Lake being far off the travelled trails, and Lon and I took turn about at beating down the feathery snow with our big, webbed shoes so that the dogs could travel. "But you said you expected to meet Dave Walsh at the cabin," trembled on the tip of my tongue a score of times. I did not utter it. I could wait until we knocked off in the middle of the day. And when the middle of the day came, we went right on, for, as Lon explained, there was a camp of moose hunters at the forks of the Teelee, and we could make there by dark. But we didn't make there by dark, for Bright, the lead-dog, broke his shoulder-blade, and we lost an hour over him before we shot him. Then, crossing a timber jam on the frozen bed of the Teelee, the sled suffered a wrenching capsize, and it was a case of make camp and repair the runner. I cooked supper and fed the dogs while Lon made the repairs, and together we got in the night's supply of ice and firewood. Then we sat on our blankets, our moccasins steaming on upended sticks before the fire, and had our evening smoke.
"You didn't know her?" Lon queried suddenly. I shook my head.
"You noticed the colour of her hair and eyes and her complexion, well, that's where she got her name--she was like the first warm glow of a golden sunrise. She was called Flush of Gold. Ever heard of her?"
Somewhere I had a confused and misty remembrance of having heard the name, yet it meant nothing to me. "Flush of Gold," I repeated;
"sounds like the name of a dance-house girl." Lon shook his head.
"No, she was a good woman, at least in that sense, though she sinned greatly just the same."
"But why do you speak always of her in the past tense, as though she were dead?"
"Because of the darkness on her soul that is the same as the darkness of death. The Flush of Gold that I knew, that Dawson knew, and that Forty Mile knew before that, is dead. That dumb, lunatic creature we saw last night was not Flush of Gold."
"And Dave?" I queried.
"He built that cabin," Lon answered, "He built it for her . . . and for himself. He is dead. She is waiting for him there. She half believes he is not dead. But who can know the whim of a crazed mind?
Maybe she wholly believes he is not dead. At any rate, she waits for him there in the cabin he built. Who would rouse the dead? Then who would rouse the living that are dead? Not I, and that is why I let on to expect to meet Dave Walsh there last night. I'll bet a stack that I'd a been more surprised than she if I HAD met him there last night."
"I do not understand," I said. "Begin at the beginning, as a white man should, and tell me the whole tale."
And Lon began. "Victor Chauvet was an old Frenchman--born in the south of France. He came to California in the days of gold. He was a pioneer. He found no gold, but, instead, became a maker of bottled sunshine--in short, a grape-grower and wine-maker. Also, he followed gold excitements. That is what brought him to Alaska in the early days, and over the Chilcoot and down the Yukon long before the Carmack strike. The old town site of Ten Mile was Chauvet's. He carried the first mail into Arctic City. He staked those coal-mines on the Porcupine a dozen years ago. He grubstaked Loftus into the Nippennuck Country. Now it happened that Victor Chauvet was a good Catholic, loving two things in this world, wine and woman. Wine of all kinds he loved, but of woman, only one, and she was the mother of Marie Chauvet."
Here I groaned aloud, having meditated beyond self-control over the fact that I paid this man two hundred and fifty dollars a month.
"What's the matter now?" he demanded.
"Matter?" I complained. "I thought you were telling the story of Flush of Gold. I don't want a biography of your old French wine- bibber."
Lon calmly lighted his pipe, took one good puff, then put the pipe aside. "And you asked me to begin at the beginning," he said.
"Yes," said I; "the beginning."
"And the beginning of Flush of Gold is the old French wine-bibber, for he was the father of Marie Chauvet, and Marie Chauvet was the Flush of Gold. What more do you want? Victor Chauvet never had much luck to speak of. He managed to live, and to get along, and to take good care of Marie, who resembled the one woman he had loved. He took very good care of her. Flush of Gold was the pet name he gave her. Flush of Gold Creek was named after her--Flush of Gold town site, too. The old man was great on town sites, only he never landed them.
