Colonel De Craye Clara came along chatting and laughing with Colonel De Craye, young Crossjay's hand under one of her arms, and her parasol flashing; a dazzling offender; as if she wished to compel the spectator to recognize the dainty rogue in porcelain; really insufferably fair: perfect in height and grace of movement; exquisitely tressed; red-lipped, the colour striking out to a distance from her ivory skin; a sight to set the woodland dancing, and turn the heads of the town; though beautiful, a jury of art critics might pronounce her not to be. Irregular features are condemned in beauty. Beautiful figure, they could say. A description of her figure and her walking would have won her any praises: and she wore a dress cunning to embrace the shape and flutter loose about it, in the spirit of a Summer's day.
Calypso-clad, Dr. Middleton would have called her. See the silver birch in a breeze: here it swells, there it scatters, and it is puffed to a round and it streams like a pennon, and now gives the glimpse and shine of the white stem's line within, now hurries over it, denying that it was visible, with a chatter along the sweeping folds, while still the white peeps through. She had the wonderful art of dressing to suit the season and the sky. To-day the art was ravishingly companionable with her sweet-lighted face: too sweet, too vividly meaningful for pretty, if not of the strict severity for beautiful. Millinery would tell us that she wore a fichu of thin white muslin crossed in front on a dress of the same light stuff, trimmed with deep rose. She carried a grey-silk parasol, traced at the borders with green creepers, and across the arm devoted to Crossjay a length of trailing ivy, and in that hand a bunch of the first long grasses. These hues of red rose and pale green ruffled and pouted in the billowy white of the dress ballooning and valleying softly, like a yacht before the sail bends low; but she walked not like one blown against; resembling rather the day of the South-west driving the clouds, gallantly firm in commotion; interfusing colour and varying in her features from laugh to smile and look of settled pleasure, like the heavens above the breeze.
Sir Willoughby, as he frequently had occasion to protest to Clara, was no poet: he was a more than commonly candid English gentleman in his avowed dislike of the poet's nonsense, verbiage, verse; not one of those latterly terrorized by the noise made about the fellow into silent contempt; a sentiment that may sleep, and has not to be defended. He loathed the fellow, fought the fellow. But he was one with the poet upon that prevailing theme of verse, the charms of women. He was, to his ill-luck, intensely susceptible, and where he led men after him to admire, his admiration became a fury. He could see at a glance that Horace De Craye admired Miss Middleton. Horace was a man of taste, could hardly, could not, do other than admire; but how curious that in the setting forth of Clara and Miss Dale, to his own contemplation and comparison of them, Sir Willoughby had given but a nodding approbation of his bride's appearance! He had not attached weight to it recently.
Her conduct, and foremost, if not chiefly, her having been discovered, positively met by his friend Horace, walking on the high-road without companion or attendant, increased a sense of pain so very unusual with him that he had cause to be indignant.
Coming on this condition, his admiration of the girl who wounded him was as bitter a thing as a man could feel. Resentment, fed from the main springs of his nature, turned it to wormwood, and not a whit the less was it admiration when he resolved to chastise her with a formal indication of his disdain. Her present gaiety sounded to him like laughter heard in the shadow of the pulpit.
"You have escaped!" he said to her, while shaking the hand of his friend Horace and cordially welcoming him. "My dear fellow! and, by the way, you had a squeak for it, I hear from Flitch."
"I, Willoughby? not a bit," said the colonel; "we get into a fly to get, out of it; and Flitch helped me out as well as in, good fellow; just dusting my coat as he did it. The only bit of bad management was that Miss Middleton had to step aside a trifle hurriedly."
"You knew Miss Middleton at once?"
"Flitch did me the favour to introduce me. He first precipitated me at Miss Middleton's feet, and then he introduced me, in old oriental fashion, to my sovereign."
Sir Willoughby's countenance was enough for his friend Horace.
Quarter-wheeling to Clara, he said: " 'Tis the place I'm to occupy for life, Miss Middleton, though one is not always fortunate to have a bright excuse for taking it at the commencement."
Clara said: "Happily you were not hurt, Colonel De Craye."
"I was in the hands of the Loves. Not the Graces, I'm afraid; I've an image of myself. Dear, no! My dear Willoughby, you never made such a headlong declaration as that. It would have looked like a magnificent impulse, if the posture had only been choicer. And Miss Middleton didn't laugh. At least I saw nothing but pity."
"You did not write," said Willoughby.
"Because it was a toss-up of a run to Ireland or here, and I came here not to go there; and, by the way, fetched a jug with me to offer up to the gods of ill-luck; and they accepted the propitiation."
"Wasn't it packed in a box?"
"No, it was wrapped in paper, to show its elegant form. I caught sight of it in the shop yesterday and carried it off this morning, and presented it to Miss Middleton at noon, without any form at all."
Willoughby knew his friend Horace's mood when the Irish tongue in him threatened to wag.
"You see what may happen," he said to Clara.
"As far as I am in fault I regret it," she answered.
"Flitch says the accident occurred through his driving up the bank to save you from the wheels."
"Flitch may go and whisper that down the neck of his empty whisky-flask," said Horace De Craye. "And then let him cork it."
