Izaak Walton would have loved our brook and our quiet meadows; they breathe the very spirit of his own peacefulness, a soothing quietude that sinks into the soul. There is no path through them, not one; we might wander a whole spring day, and not see a trace of human habitation. They belong to a number of small proprietors, who allow each other access through their respective grounds, from pure kindness and neighbourly feeling; a privilege never abused: and the fields on the other side of the water are reached by a rough plank, or a tree thrown across, or some such homely bridge. We ourselves possess one of the most beautiful; so that the strange pleasure of property, that instinct which makes Lizzy delight in her broken doll, and May in the bare bone which she has pilfered from the kennel of her recreant admirer of Newfoundland, is added to the other charms of this enchanting scenery; a strange pleasure it is, when one so poor as I can feel it! Perhaps it is felt most by the poor, with the rich it may be less intense--too much diffused and spread out, becoming thin by expansion, like leaf-gold; the little of the poor may be not only more precious, but more pleasant to them: certain that bit of grassy and blossomy earth, with its green knolls and tufted bushes, its old pollards wreathed with ivy, and its bright and babbling waters, is very dear to me. But I must always have loved these meadows, so fresh, and cool, and delicious to the eye and to the tread, full of cowslips, and of all vernal flowers: Shakspeare's 'Song of Spring' bursts irrepressibly from our lips as we step on them.
*Walking along these meadows one bright sunny afternoon, a year or two back, and rather later in the season, I had an opportunity of noticing a curious circumstance in natural history. Standing close to the edge of the stream, I remarked a singular appearance on a large tuft of flags. It looked like bunches of flowers, the leaves of which seemed dark, yet transparent, intermingled with brilliant tubes of bright blue or shining green. On examining this phenomenon more closely, it turned out to be several clusters of dragon-flies, just emerged from their deformed chrysalis state, and still torpid and motionless from the wetness of their filmy wings. Half an hour later we returned to the spot and they were gone. We had seen them at the very moment when beauty was complete and animation dormant.
I have since found nearly a similar account of this curious process in Mr. Bingley's very entertaining work, called 'Animal Biography.'
'When daisies pied and violets blue And lady-smocks all silver-white And cuckoo-buds of yellow hue Do paint the meadows with delight, The cuckoo then, on every tree--'
'Cuckoo! cuckoo!' cried Lizzy, breaking in with her clear childish voice; and immediately, as if at her call, the real bird, from a neighbouring tree (for these meadows are dotted with timber like a park), began to echo my lovely little girl, 'cuckoo! cuckoo!' I have a prejudice very unpastoral and unpoetical (but I cannot help it, I have many such) against this 'harbinger of spring.' His note is so monotonous, so melancholy; and then the boys mimic him; one hears 'cuckoo! cuckoo!' in dirty streets, amongst smoky houses, and the bird is hated for faults not his own. But prejudices of taste, likings and dislikings, are not always vanquishable by reason; so, to escape the serenade from the tree, which promised to be of considerable duration (when once that eternal song begins, on it goes ticking like a clock)--to escape that noise I determined to excite another, and challenged Lizzy to a cowslip-gathering; a trial of skill and speed, to see which should soonest fill her basket. My stratagem succeeded completely. What scrambling, what shouting, what glee from Lizzy! twenty cuckoos might have sung unheard whilst she was pulling her own flowers, and stealing mine, and laughing, screaming, and talking through all.
At last the baskets were filled, and Lizzy declared victor: and down we sat, on the brink of the stream, under a spreading hawthorn, just disclosing its own pearly buds, and surrounded with the rich and enamelled flowers of the wild hyacinth, blue and white, to make our cowslip-ball. Every one knows the process: to nip off the tuft of flowerets just below the top of the stalk, and hang each cluster nicely balanced across a riband, till you have a long string like a garland; then to press them closely together, and tie them tightly up. We went on very prosperously, CONSIDERING; as people say of a young lady's drawing, or a Frenchman's English, or a woman's tragedy, or of the poor little dwarf who works without fingers, or the ingenious sailor who writes with his toes, or generally of any performance which is accomplished by means seemingly inadequate to its production. To be sure we met with a few accidents. First, Lizzy spoiled nearly all her cowslips by snapping them off too short; so there was a fresh gathering; in the next place, May overset my full basket, and sent the blossoms floating, like so many fairy favours, down the brook; then, when we were going on pretty steadily, just as we had made a superb wreath, and were thinking of tying it together, Lizzy, who held the riband, caught a glimpse of a gorgeous butterfly, all brown and red and purple, and, skipping off to pursue the new object, let go her hold; so all our treasures were abroad again. At last, however, by dint of taking a branch of alder as a substitute for Lizzy, and hanging the basket in a pollard-ash, out of sight of May, the cowslip-ball was finished. What a concentration of fragrance and beauty it was! golden and sweet to satiety! rich to sight, and touch, and smell! Lizzy was enchanted, and ran off with her prize, hiding amongst the trees in the very coyness of ecstasy, as if any human eye, even mine, would be a restraint on her innocent raptures.
