Of course, the next evening I began my journey through the halls (for I knew not to which my dream had carried me), in the hope of proving the dream to be a true one, by discovering my marble beauty upon her black pedestal. At length, on reaching the tenth hall, I thought I recognised some of the forms I had seen dancing in my dream; and to my bewilderment, when I arrived at the extreme corner on the left, there stood, the only one I had yet seen, a vacant pedestal. It was exactly in the position occupied, in my dream, by the pedestal on which the white lady stood. Hope beat violently in my heart.
"Now," said I to myself, "if yet another part of the dream would but come true, and I should succeed in surprising these forms in their nightly dance; it might be the rest would follow, and I should see on the pedestal my marble queen. Then surely if my songs sufficed to give her life before, when she lay in the bonds of alabaster, much more would they be sufficient then to give her volition and motion, when she alone of assembled crowds of marble forms, would be standing rigid and cold."
But the difficulty was, to surprise the dancers. I had found that a premeditated attempt at surprise, though executed with the utmost care and rapidity, was of no avail. And, in my dream, it was effected by a sudden thought suddenly executed. I saw, therefore, that there was no plan of operation offering any probability of success, but this: to allow my mind to be occupied with other thoughts, as I wandered around the great centre-hall; and so wait till the impulse to enter one of the others should happen to arise in me just at the moment when I was close to one of the crimson curtains. For I hoped that if I entered any one of the twelve halls at the right moment, that would as it were give me the right of entrance to all the others, seeing they all had communication behind. I would not diminish the hope of the right chance, by supposing it necessary that a desire to enter should awake within me, precisely when I was close to the curtains of the tenth hall.
At first the impulses to see recurred so continually, in spite of the crowded imagery that kept passing through my mind, that they formed too nearly a continuous chain, for the hope that any one of them would succeed as a surprise. But as I persisted in banishing them, they recurred less and less often; and after two or three, at considerable intervals, had come when the spot where I happened to be was unsuitable, the hope strengthened, that soon one might arise just at the right moment; namely, when, in walking round the hall, I should be close to one of the curtains.
At length the right moment and the impulse coincided. I darted into the ninth hall. It was full of the most exquisite moving forms. The whole space wavered and swam with the involutions of an intricate dance. It seemed to break suddenly as I entered, and all made one or two bounds towards their pedestals; but, apparently on finding that they were thoroughly overtaken, they returned to their employment (for it seemed with them earnest enough to be called such) without further heeding me. Somewhat impeded by the floating crowd, I made what haste I could towards the bottom of the hall; whence, entering the corridor, I turned towards the tenth. I soon arrived at the corner I wanted to reach, for the corridor was comparatively empty; but, although the dancers here, after a little confusion, altogether disregarded my presence, I was dismayed at beholding, even yet, a vacant pedestal. But I had a conviction that she was near me.
And as I looked at the pedestal, I thought I saw upon it, vaguely revealed as if through overlapping folds of drapery, the indistinct outlines of white feet. Yet there was no sign of drapery or concealing shadow whatever. But I remembered the descending shadow in my dream. And I hoped still in the power of my songs; thinking that what could dispel alabaster, might likewise be capable of dispelling what concealed my beauty now, even if it were the demon whose darkness had overshadowed all my life.
