登陆注册
5491000000030

第30章

Notwithstanding his singular bedchamber, Paul had a refreshing night's sleep from which he did not awake till the sun had fairly risen, and its rays colored by the medium through which they were reflected, streamed in at the windows and rested in many fantastic lines on the richly carved pulpit and luxurious pews.

Paul sprang to his feet and looked around him in bewilderment.

"Where am I?" he exclaimed in astonishment.

In the momentary confusion of ideas which is apt to follow a sudden awakening, he could not remember where he was, or how he chanced to be there. But in a moment memory came to his aid, and he recalled the events of the preceding day, and saw that he must have been locked up in the church.

"How am I going to get out?" Paul asked himself in dismay.

This was the important question just now.

He remembered that the village meeting-house which he had been accustomed to attend was rarely opened except on Sundays. What if this should be the case here? It was Thursday morning, and three days must elapse before his release. This would never do. He must seek some earlier mode of deliverance.

He went first to the windows, but found them so secured that it was impossible for him to get them open. He tried the doors, but found, as he had anticipated, that they were fast. His last resource failing, he was at liberty to follow the dictates of his curiosity.

Finding a small door partly open, he peeped within, and found a flight of steep stairs rising before him. They wound round and round, and seemed almost interminable. At length, after he had become almost weary of ascending, he came to a small window, out of which he looked. At his feet lay the numberless roofs of the city, while not far away his eye rested on thousands of masts. The river sparkled in the sun, and Paul, in spite of his concern, could not help enjoying the scene. The sound of horses and carriages moving along the great thoroughfare below came confusedly to his ears. He leaned forward to look down, but the distance was so much greater than he had thought, that he drew back in alarm.

"What shall I do?" Paul asked himself, rather frightened. "I wonder if I can stand going without food for three days? I suppose nobody would hear me if I should scream as loud as I could."

Paul shouted, but there was so much noise in the streets that nobody probably heard him.

He descended the staircase, and once more found himself in the body of the church. He went up into the pulpit, but there seemed no hope of escape in that direction. There was a door leading out on one side, but this only led to a little room into which the minister retired before service.

It semmed rather odd to Paul to find himself the sole occupant of so large a building. He began to wonder whether it would not have been better for him to stay in the poorhouse, than come to New York to die of starvation.

Just at this moment Paul heard a key rattle in the outer door. Filled with new hope, he ran down the pulpit stairs and out into the porch, just in time to see the entrance of the sexton.

The sexton started in surprise as his eye fell upon Paul standing before him, with his bundle under his arm.

"Where did you come from, and how came you here?" he asked with some suspicion.

"I came in last night, and fell asleep."

"So you passed the night here?"

"Yes, sir."

"What made you come in at all?" inquired the sexton, who knew enough of boys to be curious upon this point.

"I didn't know where else to go," said Paul.

"Where do you live?"

Paul answered with perfect truth, "I don't live anywhere."

"What! Have you no home?" asked the sexton in surprise.

Paul shook his head.

"Where should you have slept if you hadn't come in here?"

"I don't know, I'm sure."

"And I suppose you don't know where you shall sleep to-night?"

Paul signified that he did not.

"I knew there were plenty of such cases," said the sexton, meditatively; "but I never seemed to realize it before."

"How long have you been in New York?" was his next inquiry.

"Not very long," said Paul. "I only got here yesterday."

"Then you don't know anybody in the city?"

"No."

"Why did you come here, then?"

"Because I wanted to go somewhere where I could earn a living, and I thought I might find something to do here."

"But suppose you shouldn't find anything to do?"

"I don't know," said Paul, slowly. "I haven't thought much about that."

"Well, my lad," said the sexton, not unkindly, "I can't say your prospects look very bright. You should have good reasons for entering on such an undertaking. I--I don't think you are a bad boy. You don't look like a bad one," he added, half to himself.

"I hope not, sir," said Paul.

"I hope not, too. I was going to say that I wish I could help you to some kind of work.

If you will come home with me, you shall be welcome to a dinner, and perhaps I may be able to think of something for you."

Paul gladly prepared to follow his new acquaintance.

"What is your name?" inquired the sexton.

"Paul Prescott."

"That sounds like a good name. I suppose you haven't got much money?"

"Only twelve cents."

"Bless me! only twelve cents. Poor boy! you are indeed poor."

"But I can work," said Paul, spiritedly. "I ought to be able to earn my living."

"Yes, yes, that's the way to feel. Heaven helps those who help themselves."

When they were fairly out of the church, Paul had an opportunity of observing his companion's external appearance. He was an elderly man, with harsh features, which would have been forbidding, but for a certain air of benevolence which softened their expression.

As Paul walked along, he related, with less of detail, the story which is already known to the reader. The sexton said little except in the way of questions designed to elicit further particulars, till, at the conclusion he said, "Must tell Hester."

同类推荐
热门推荐
  • 新时期中国戏曲创作概论(中国艺术研究院学术文库)

    新时期中国戏曲创作概论(中国艺术研究院学术文库)

    本书在对新时期以来全国戏曲创作做宏观把握的同时,重点选择了一批在全国产生一定影响的作品,并对这些作品的创作成就,以及在思想内容和艺术表达方式上的基本走向进行了系统介绍和理论阐述。书中还对新时期以来以热情和勇气为这个时代奉献出智慧和心血的多位剧作家的创作风格和其独特的艺术表达方式进行了理论概括。作者从审美理想的视角选择,审美价值的意趣判断,审美感受的形象摹写等方面,论述了从审美理想到审美表达的创作过程。作者还用具体地区的实例,对新时期戏曲创作的成因进行了考论。特别是本书对新时期以来革命历史题材戏曲创作、少数民族戏剧创作和儿童题材戏曲创作做了较为系统论述和理论总结。
  • 魔宠天下:天才萌宝腹黑娘亲

    魔宠天下:天才萌宝腹黑娘亲

    某女气急败坏,狠狠地擦拭自己的嘴巴:“不近女色,清心寡欲吗?你刚刚都干了什么!”某男微微一笑,看着她抓狂,心情极好:“不近女色,女儿哪来的?不清心寡欲,你怪我到处留情怎办?”穿越后,有空间戒指,有一亩三分地,只是,为什么还有一个小包子,最重要的是,这小包子还是她的,那……那孩子他爹是谁?不管了,有田有饭吃,一人也是养,两人也是养,平日里没事种种田,背后咱们空间戒指内修修仙,把日子过得美美的……
  • 竹马赖上我

    竹马赖上我

    乔子鱼,他心中的唯一。五年前,所有的一切脱离轨迹。他盼了她五年,念了她五年、找了她五年,等来的竟然是她的一纸请帖。“乔子鱼,你敢和他订婚!”他将她圈在自己与墙壁之间,怒吼。眼前的女子,是他的梦、他的魂、他的一切。他不惜一切代价、利用所有资源,爬上卫氏最高位。他无法忍受五年前的生生离别。
  • 鸽子和山

    鸽子和山

    来纪念我的初中,包括我现在正在读的高中,故以日记的形式来完成这本小说。
  • 愿此生有所痴缠

    愿此生有所痴缠

    很多时候,柳束君觉得自己还是挺幸运的,能够遇到秦书这样的男人。可惜,她不懂珍惜,她很抱歉,她自认自己是个人渣,早该让秦书知道,于是便和秦书挥挥手说了再见。可是三年后再次相遇,柳束君想逃,想离开,她伤害了秦书一次,不想再令他第二次难过,但是她发现,越是躲避,秦书越是和她扯不清关系,只因。他也错过了她一次,不想再失去第二次。--情节虚构,请勿模仿
  • 孽妃路子野

    孽妃路子野

    杀伐果断的女特工羋枍,为救心腹被古木钥匙传到同一年份的现代,魂穿到一个普普通通,懦弱的初中女生身上,经过重重困难与挚爱一起穿越最强位面,到万千世界底层修炼,从最底层蜕变为站在世界之巅的赢家!受众生敬仰!
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 鸿蒙至尊主宰

    鸿蒙至尊主宰

    茫茫混沌,无数宇宙在诞生、死亡中轮回。而宇宙若要跳出轮回,则必须要有生灵炼化宇宙,掌控天道,主宰宇宙,带领宇宙跳出轮回。少年李元,崛起于平凡,在万族林立的鸿蒙宇宙中,得无上机缘,炼丹、炼器、制符、布阵,修神功、炼神体,以顽强之毅力,坚韧之意志,出凡界、登仙途、走神路,征战混沌,主宰鸿蒙,跳出轮回,挽救万千生灵于必死之境地。
  • 异世界死神入侵

    异世界死神入侵

    那一天,在银河系猎户旋臂的漫漫长夜中,有一颗唤作人类文明的流星划过,短暂绚烂如烟花消逝,宇宙记住了它的光芒。地球是人类文明与浩瀚星空未知邪恶间仅存的唯一防线。那一天,防线崩塌,邪恶降诞,人类文明至此进入恐慌沸腾纪元。“为逝者默哀,为生者奋战,明天的太阳一定会照常升起。”楚知南。
  • 你比冬天先抵达

    你比冬天先抵达

    “看你,有时觉得就像看遥远的星星。看起来非常明亮,但那种光是几万年前传送过来的。或许发光的天体如今已不存在了,可有时看上去,却比任何东西都有现实感。”-【故园无此声】易烊千玺×顾青岑【云深】宋秋阳×夏云深