Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family;thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had "given up things," including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.
There, the little pew-opener had left her, having to show the early-comers to their seats; and Joan had found an out-of-the-way pew from where she could command a view of the whole church. They were chiefly poor folk, the congregation; with here and there a sprinkling of faded gentility. They seemed in keeping with the place. The twilight faded and a snuffy old man shuffled round and lit the gas.
It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion.
But here was poetry. She wondered if, after all, religion might not have its place in the world--in company with the other arts.
It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men's thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum's Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. Apity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.
And yet was it altogether a dead truth: this passionate belief in a personal God who had ordered all things for the best: who could be appealed to for comfort, for help? Might it not be as good an explanation as any other of the mystery surrounding us? It had been so universal. She was not sure where, but somewhere she had come across an analogy that had strongly impressed her. "The fact that a man feels thirsty--though at the time he may be wandering through the Desert of Sahara--proves that somewhere in the world there is water." Might not the success of Christianity in responding to human needs be evidence in its favour? The Love of God, the Fellowship of the Holy Ghost, the Grace of Our Lord Jesus Christ. Were not all human needs provided for in that one comprehensive promise: the desperate need of man to be convinced that behind all the seeming muddle was a loving hand guiding towards good; the need of the soul in its loneliness for fellowship, for strengthening; the need of man in his weakness for the kindly grace of human sympathy, of human example.
And then, as fate would have it, the first lesson happened to be the story of Jonah and the whale. Half a dozen shocked faces turned suddenly towards her told Joan that at some point in the thrilling history she must unconsciously have laughed. Fortunately she was alone in the pew, and feeling herself scarlet, squeezed herself into its farthest corner and drew down her veil.
