It was at Madge Singleton's rooms that the details of Joan's entry into journalistic London were arranged. "The Coming of Beauty,"was Flora Lessing's phrase for designating the event. Flora Lessing, known among her associates as "Flossie," was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan's influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the "unruly curls" beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.
It was Carleton of the Daily Dispatch group who had first divined her possibilities. With a swift glance on his way through, he had picked her out from a line of depressed-looking men and women ranged against the wall of the dark entrance passage; and with a snap of his fingers had beckoned to her to follow him. Striding in front of her up to his room, he had pointed to a chair and had left her sitting there for three-quarters of an hour, while he held discussion with a stream of subordinates, managers and editors of departments, who entered and departed one after another, evidently in prearranged order. All of them spoke rapidly, without ever digressing by a single word from the point, giving her the impression of their speeches having been rehearsed beforehand.
Carleton himself never interrupted them. Indeed, one might have thought he was not listening, so engrossed he appeared to be in the pile of letters and telegrams that lay waiting for him on his desk.
When they had finished he would ask them questions, still with his attention fixed apparently upon the paper in his hand. Then, looking up for the first time, he would run off curt instructions, much in the tone of a Commander-in-Chief giving orders for an immediate assault; and, finishing abruptly, return to his correspondence. When the last, as it transpired, had closed the door behind him, he swung his chair round and faced her.
"What have you been doing?" he asked her.
"Wasting my time and money hanging about newspaper offices, listening to silly talk from old fossils," she told him.
"And having learned that respectable journalism has no use for brains, you come to me," he answered her. "What do you think you can do?""Anything that can be done with a pen and ink," she told him.
"Interviewing?" he suggested.
"I've always been considered good at asking awkward questions," she assured him.
He glanced at the clock. "I'll give you five minutes," he said.
"Interview me."
She moved to a chair beside the desk, and, opening her bag, took out a writing-block.
"What are your principles?" she asked him. "Have you got any?"He looked at her sharply across the corner of the desk.
"I mean," she continued, "to what fundamental rule of conduct do you attribute your success?"She leant forward, fixing her eyes on him. "Don't tell me," she persisted, "that you had none. That life is all just mere blind chance. Think of the young men who are hanging on your answer.
Won't you send them a message?"
"Yes," he answered musingly. "It's your baby face that does the trick. In the ordinary way I should have known you were pulling my leg, and have shown you the door. As it was, I felt half inclined for the moment to reply with some damned silly platitude that would have set all Fleet Street laughing at me. Why do my 'principles'
interest you?"
"As a matter of fact they don't," she explained. "But it's what people talk about whenever they discuss you.""What do they say?" he demanded.
"Your friends, that you never had any. And your enemies, that they are always the latest," she informed him.
"You'll do," he answered with a laugh. "With nine men out of ten that speech would have ended your chances. You sized me up at a glance, and knew it would only interest me. And your instinct is right," he added. "What people are saying: always go straight for that."He gave her a commission then and there for a heart to heart talk with a gentleman whom the editor of the Home News Department of the Daily Dispatch would have referred to as a "Leading Literary Luminary," and who had just invented a new world in two volumes.
She had asked him childish questions and had listened with wide-open eyes while he, sitting over against her, and smiling benevolently, had laid bare to her all the seeming intricacies of creation, and had explained to her in simple language the necessary alterations and improvements he was hoping to bring about in human nature. He had the sensation that his hair must be standing on end the next morning after having read in cold print what he had said.
Expanding oneself before the admiring gaze of innocent simplicity and addressing the easily amused ear of an unsympathetic public are not the same thing. He ought to have thought of that.
It consoled him, later, that he was not the only victim. The Daily Dispatch became famous for its piquant interviews; especially with elderly celebrities of the masculine gender.
