登陆注册
5452200000091

第91章

"Well, now and then one, whom Nature makes so impracticably simple, truthful and faithful, that the worst possible influence can't destroy it. But, you see, from the mother's breast the colored child feels and sees that there are none but underhand ways open to it. It can get along no other way with its parents, its mistress, its young master and missie play-fellows. Cunning and deception become necessary, inevitable habits. It isn't fair to expect anything else of him. He ought not to be punished for it.

As to honesty, the slave is kept in that dependent, semi-childish state, that there is no making him realize the rights of property, or feel that his master's goods are not his own, if he can get them.

For my part, I don't see how they _can_ be honest. Such a fellow as Tom, here, is,--is a moral miracle!"

"And what becomes of their souls?" said Miss Ophelia.

"That isn't my affair, as I know of," said St. Clare; "I am only dealing in facts of the present life. The fact is, that the whole race are pretty generally understood to be turned over to the devil, for our benefit, in this world, however it may turn out in another!"

"This is perfectly horrible!" said Miss Ophelia; you ought to be ashamed of yourselves!"

"I don't know as I am. We are in pretty good company, for all that," said St. Clare, "as people in the broad road generally are.

Look at the high and the low, all the world over, and it's the same story,--the lower class used up, body, soul and spirit, for the good of the upper. It is so in England; it is so everywhere; and yet all Christendom stands aghast, with virtuous indignation, because we do the thing in a little different shape from what they do it."

"It isn't so in Vermont."

"Ah, well, in New England, and in the free States, you have the better of us, I grant. But there's the bell; so, Cousin, let us for a while lay aside our sectional prejudices, and come out to dinner."

As Miss Ophelia was in the kitchen in the latter part of the afternoon, some of the sable children called out, "La, sakes! thar's Prue a coming, grunting along like she allers does."

A tall, bony colored woman now entered the kitchen, bearing on her head a basket of rusks and hot rolls.

"Ho, Prue! you've come," said Dinah.

Prue had a peculiar scowling expression of countenance, and a sullen, grumbling voice. She set down her basket, squatted herself down, and resting her elbows on her knees said, "O Lord! I wish't I 's dead!"

"Why do you wish you were dead?" said Miss Ophelia.

"I'd be out o' my misery," said the woman, gruffly, without taking her eyes from the floor.

"What need you getting drunk, then, and cutting up, Prue?" said a spruce quadroon chambermaid, dangling, as she spoke, a pair of coral ear-drops.

The woman looked at her with a sour surly glance.

"Maybe you'll come to it, one of these yer days. I'd be glad to see you, I would; then you'll be glad of a drop, like me, to forget your misery."

"Come, Prue," said Dinah, "let's look at your rusks. Here's Missis will pay for them."

Miss Ophelia took out a couple of dozen.

"Thar's some tickets in that ar old cracked jug on the top shelf," said Dinah. "You, Jake, climb up and get it down."

"Tickets,--what are they for?" said Miss Ophelia.

"We buy tickets of her Mas'r, and she gives us bread for 'em."

"And they counts my money and tickets, when I gets home, to see if I 's got the change; and if I han't, they half kills me."

"And serves you right," said Jane, the pert chambermaid, "if you will take their money to get drunk on. That's what she does, Missis."

"And that's what I _will_ do,--I can't live no other ways,--drink and forget my misery."

"You are very wicked and very foolish," said Miss Ophelia, "to steal your master's money to make yourself a brute with."

"It's mighty likely, Missis; but I will do it,--yes, I will.

O Lord! I wish I 's dead, I do,--I wish I 's dead, and out of my misery!" and slowly and stiffly the old creature rose, and got her basket on her head again; but before she went out, she looked at the quadroon girt, who still stood playing with her ear-drops.

"Ye think ye're mighty fine with them ar, a frolickin' and a tossin' your head, and a lookin' down on everybody. Well, never mind,--you may live to be a poor, old, cut-up crittur, like me.

Hope to the Lord ye will, I do; then see if ye won't drink,--drink,--drink,--yerself into torment; and sarve ye right, too--ugh!" and, with a malignant howl, the woman left the room.

"Disgusting old beast!" said Adolph, who was getting his master's shaving-water. "If I was her master, I'd cut her up worse than she is."

"Ye couldn't do that ar, no ways," said Dinah. "Her back's a far sight now,--she can't never get a dress together over it."

"I think such low creatures ought not to be allowed to go round to genteel families," said Miss Jane. "What do you think, Mr. St. Clare?" she said, coquettishly tossing her head at Adolph.

It must be observed that, among other appropriations from his master's stock, Adolph was in the habit of adopting his name and address; and that the style under which he moved, among the colored circles of New Orleans, was that of _Mr. St. Clare_.

"I'm certainly of your opinion, Miss Benoir," said Adolph.

Benoir was the name of Marie St. Clare's family, and Jane was one of her servants.

"Pray, Miss Benoir, may I be allowed to ask if those drops are for the ball, tomorrow night? They are certainly bewitching!"

"I wonder, now, Mr. St. Clare, what the impudence of you men will come to!" said Jane, tossing her pretty head til the ear-drops twinkled again. "I shan't dance with you for a whole evening, if you go to asking me any more questions."

同类推荐
  • 注华严法界观科文

    注华严法界观科文

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 战略

    战略

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • The Sorrows of Young Werther

    The Sorrows of Young Werther

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 利州北佛龛前重于去

    利州北佛龛前重于去

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 灯指因缘经

    灯指因缘经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 萤火时代的闪电:诗歌观察笔记或反省书

    萤火时代的闪电:诗歌观察笔记或反省书

    本书以新世纪以来诗歌的热点现象和焦点问题为切入口,具有说服力地辨析和反思了诗人与语言、技艺、现实以及时代的复杂共生关系。这是一个对诗人的精神难度和写作难度提出了更高要求的时代,这个时代需要精神闪电的照彻。作者通过对代表性诗人的精神征候分析和文本细读呈现了整体性意义上的诗歌场域的多层性构成。从碎片化、电子化、浮躁化、活动化的诗歌生态出发,作者对诗人心态以及诗歌的写作、阅读、传播和评价予以厘清和定位以及准确的评骘。与此同时诗人与空间尤其是精神远方的关系在本书中得到深入探讨,城市化时代的“乡愁”“记忆”和“地方性知识”已然成为诗人绕不开的写作路径。
  • 青天神柱

    青天神柱

    传说在整片雪之大陆的最中央有一根非常巨大的神柱,他顶天立地,如果没有这根神柱天都会塌下来,有一天这根神柱突然不见了。
  • 小约翰

    小约翰

    《小约翰》堪称“《小王子》姊妹篇”,是19世纪末风靡欧洲的经典哲理童话,鲁迅称誉为“无韵的诗,成人的童话”,并为之拒绝诺贝尔文学奖提名。主人公小约翰,与一位名叫“旋儿”的精灵为伴,在奇幻的大自然中漫游,并一心寻找寻求一本“解读人生疑问的大书”,后来怀着对人类的爱回归现实生活。小约翰的奇妙旅程和漫漫求索,是少年成长的寓言,是用美丽幻想传达的痛切体悟。这个文采和哲理兼备的优秀童话,一开始的色调是美丽而温和的,后来转为哀愁而冷峻,结尾又复明丽而积极向上,却又带着忧思和悲壮,正象征了人从童年到成年的历程。小约翰与宇宙同在,他的爱超越了人、神、动物、植物、性别。爱是万物的本质,小约翰是永恒的少年。
  • 中国高校博物馆建设研究

    中国高校博物馆建设研究

    《中国高校博物馆建设研究》,高校博物馆是高校发挥文化传承创新功能的直接载体,是高校发挥文化建设示范作用的重要窗口,是高校发挥文化辐射作用的重要基地。本书从历史发展、现状、功能、文化指导意义等方面做了论述,具有的研究价值和学术价值。
  • 盛少,你家丧尸又跑了

    盛少,你家丧尸又跑了

    “盛少,盛少,不好了,丧尸围城了!”盛泽渊神定气闲:“放夫人!”“盛少,盛少,不好了,丧尸动物群快要攻进来了!”盛泽渊邪气笑着:“放夫人!”“盛少,盛少,不好了,四大基地围城……”咦,盛少呢?唐依依笑得甜蜜:“人当然是他解决。”她是丧尸,怕人那种!--情节虚构,请勿模仿
  • 嚣张龙宝:萌萌娘亲吃货爹

    嚣张龙宝:萌萌娘亲吃货爹

    一朝穿越成武林世家的废材,爹嫌妹弃遭谋杀,大难不死捡到只龙蛋孵出气吞山河的超级吃货食肉兽。食肉兽吐钱吐武功秘籍吐金银财宝,辱渣男斗遮妹羞亲爹,废材变天才一鸣惊人翱翔九天打怪升级。人心不足蛇吞象,某日她羞答答对某兽道:“给我吐个男人吧,高大上那款。”高大上现身,迷得某人七荤八素,直到生出只同款食肉兽崽,方才大呼上当,“尼玛,我要退货!”某兽笑得见牙不见牙,“一经售出,终生有效,概不退货。”两只吃货,她就是卖身也养不活啊,真是坑爹!
  • 遇到她他该如何

    遇到她他该如何

    本文男主白攸岑,他因一次阴差阳错地竟然考进梦幻高中并发生了一系列狗血搞笑的事情,他喜欢看美女这个爱好是病还是其他原因?想知道是什么原因的让我们一步一步看到真相吧。
  • 缪手回天

    缪手回天

    魔,与人同源。兽,与妖同源。兽天生神力可控天地之灵气,而人只能被肆意屠杀,几乎毫无反抗之力,除非……他们与恶魔交易。欲望的膨胀终使人疯狂,由此人畏惧魔而不得不依之,而魔食以欲而不得不依于人。那些被恶魔寄体的人们,被唤作御妄师,从妖兽的威胁中延续人类文明至今,却终生饱受猜忌与畏惧,惶惶不得终日。直到一位名为墨修冉的人类从恶魔的手中换取到了修炼的法门,创立墨宗,将其广授于民,情势才得以逆转。至今,天下无魔,墨家中落,先人的丰功伟绩,被世人冠以四字评价——“无稽之谈”。
  • 快穿之男神快到碗里来

    快穿之男神快到碗里来

    她从异世界而来,来回穿梭在每个不同的世界里,在这里她遇见了许多人,将军,黑客,冷酷少爷等等。她渐渐的累了,来回穿梭在这些世界里,她也想找一个能够陪自己永远的另一半,最后才发现,其实每个界面的男主都是同一个人。“你,你是?!”“至始至终,一直都是我……”
  • 听雪传奇

    听雪传奇

    她是公主,身份高贵,却因为以外,而流落民间。寻亲之路漫漫,她遭遇了一切的爱恨情仇,最后,再理解,平平淡淡才是真。