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第48章

Garden Group by Anna Coleman Ladd.

Dying Lion, by Paul Wayland Bartlett.

Garden Figure, Nymph, by Edmond T.Quinn.

Fragment of "Fountain of Time," by Lorado Taft.Representing the troubled generations.

Roadway to Right Before Entering CircleBird Fountain, by Caroline Risque.

The First Mother, by Victor S.Holm.

Circle at North End of PeristyleMother of the Dead, by C.S.Pietro.(Lagoon side of circle.)Chief Justice Marshall, by Herbert Adams.(In walk.)Destiny, by C.P.Dietsch.

Sundial, by Edward Berge.

Head of Lincoln, by A.A.Weinman.

Fountain Groups, by Anna Coleman Ladd.Sun-God and Python, Water Sprites, and Triton Babies.(To right.)Sundial, by Gail Sherman Corbett.

Daughter of Pan, by R.Hinton Perry.

Boy Pan with Frog, by Clement J.Barnhorn, Bondage, by Carl Augustus Heber.(Only feminist note in the grounds.)Saki, Sundial, by Harriet W.Frishmuth.(In walk.)Great Danes, by Anna Vaughan Hyatt.

Young Diana, by Janet Scudder.

Flower Urns, base of building along colonnade; Greek figures with garlands.Ulric H.Ellerhusen.

Wall of building facing colonnade, seventeen feet high.Acacia blooming there, suggesting over-growth, relieves severe lines of architecture.

Broken by small doors, at corners decorated with spears.Doors suggest Greek design.

Corinthian columns and pilasters; harmony of color, smoked ivory and ochre, with shades of green in foliage.

Urns, on the wall on either side of the doorways and in the rotunda, designed by William G.Merchant.Suggested by urns in the Vatican, Rome.

North Peristyle (curved part colonnade north of rotunda).

Maiden of the Roman Campagna, by Albin Polasek.(To left.) Fountain:

Duck baby, by Edith Barretto Parsons.

A Fawn's Toilet, by Attilio Piccirilli.

Apollo, by Haig Patigian.(To right.)

The Scalp, by Edward Berge.(To left.)

Primitive Man, by Olga Popoff Muller.

Youth, by Victor D.Salvatore.(To right.)Soldier of Marathon, by Paul Noquet.(To left.)Fountain: Fighting Boys, by Janet Scudder.

Garden Figure, by Edith Woodman Burroughs.(To right.)L'Amour, by Evelyn Beatrice Longman.(To right.)Returning from the Hunt, by John J.Boyle.(To left.)Boy with Fish, by Bela L.Pratt.(To right.)The Centaur, by Olga Popoff Muller.

The Sower, by Albin Polasek.

Beyond, by Chester Beach.(By main doorway.)Aspiration, by Leo Lentelli.(Over main doorway.)Pioneer Mother Monument, by Charles Grafly.(Before main doorway.)Portrait of a Boy, by Albin Polasek.(Outside west archway.)The Awakening, by Lindsey Morris Sterling.(Outside west archway.)"Sculpture," relief on walls of west archway.Bela L.Pratt.

Rotunda, Entrance Through North ArchwayWilliam Cullen Bryant, by Herbert Adams.(At northwest archway.)Lafayette, by Paul Weyland Bartlett.(Center of rotunda.)The Young Franklin, by Robert Tait.

Princeton Student Memorial, by Daniel Chester French.

"Architecture," relief by Richard H.Recchia.

Commodore John Barry, by John J.Boyle.

"Architecture," relief by Richard H.Recchia.

Lincoln, by Daniel Chester French.

Thomas Jefferson, by Karl Bitter.(Outside southwest arch way.)Murals in dome of rotunda, Robert Reid.Two series of paintings, four in each, "Birth and Influence of Art," alternating with "The Four Golds of California.""Birth of Oriental Art," panel on west wall, toward main doorway.Man on dragon attacking eagle, heavenly bird of inspiration.China, man in bright robe.Japan, woman with parasol.

"Gold," panel to right, woman with wand; sits on horn of plenty pouring gold.

"Ideals of Art," panel to right.Greek ideal, nude.Religion Madonna and child.Heroism, Joan of Arc.Material youthful beauty, woman at left.

Nature without inspiration or ideal, peacock.Figures with wreath and palm, rewards of art.

"Poppies," panel to right, second gold of California.

"Birth of European Art," panel to right.Altar with divine fire, guardian with torch.Mortal in chariot grasps torch of inspiration.

Woman in lower corner with crystal globe, predicting future of art.

"Oranges," panel to right, third gold of California.

"Inspiration of Art," panel to right.Angels of inspiration above.

Figures of Sculpture, Architecture, Painting, Music, and Poetry.

"Wheat," panel to right, fourth gold of California.

"Priestess of Culture," Herbert Adams, of New York; female figure surmounting columns within rotunda.

Coloring of dome, burnt orange, turquoise green, Sienna columns.

South Peristyle (curved colonnade).

Youth, by Charles Carey Rumsey.(To south of doorway.)An Outcast, by Attilio Piccirilli.(To right.)Idyl, by Olga Popoff Muller.

Dancing Nymph, by Olin L.Warner.

Boy and Frog, by Edward Berge.(To left.)Eurydice, by Furio Piccirilli.(To right.)Wild Flower, by Edward Berge.

Young Mother with Child, by Furio Piccirilli.(To right.)Wood Nymph, by Isidore Konti.

Young Pan, by Janet Scudder, (To left.)

Michael Angelo, by Robert Aitken.(To right.)Muse Finding the Head of Orpheus, by Edward Berge.(To left.)Flying Cupid, by Janet Scudder.

Piping Pan, by Louis St.Gaudens.

Circle at South End of PeristyleBust of William Howard Taft, by Robert Aitken.(To right.)Henry Ward Beecher, by John Quincy Adams Ward.

Bust of Halsey C.Ives, by Victor S.Holm.(To left.)Seated Lincoln, by Augustus St.Gaudens.

South of LagoonKirkpatrick Monument, by Gail Sherman Corbett, Indian pointing out spring to Jesuit priest.(To right on roadway running back of palace.)American Bisons, by A.P.Proctor.(Sides of roadway.)Peace, by Sherry E.Fry.(To left.)

Diana, by Haig Patigian.

Fountain: Wind and Spray, by Anna Coleman Ladd.(In lagoon, south end.)The Scout, by Cyrus E.Dallin.

Sea Lions, by Frederick G.R.Roth.

Court of PalmsCourt of Palms, by Kelham; opposite Palace of Horticulture, between Palaces of Education and Liberal Arts.Italian Renaissance.Sunken garden.

Palaces at sides of court: to the west, Education; to the east, Liberal Arts.

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