The two men who now crossed the wide open space of the /rond-point/were typical enough for a painter. One, who appeared to be the subaltern, wore top-boots, turned down rather low, showing well-made calves, and colored silk stockings of doubtful cleanliness. The breeches, of ribbed cloth, apricot color with metal buttons, were too large; they were baggy about the body, and the lines of their creases seemed to indicate a sedentary man. A marseilles waistcoat, overloaded with embroidery, open, and held together by one button only just above the stomach, gave to the wearer a dissipated look,--all the more so, because his jet black hair, in corkscrew curls, hid his forehead and hung down his cheeks. Two steel watch-chains were festooned upon his breeches. The shirt was adorned with a cameo in white and blue. The coat, cinnamon-colored, was a treasure to caricaturists by reason of its long tails, which, when seen from behind, bore so perfect a resemblance to a cod that the name of that fish was given to them. The fashion of codfish tails lasted ten years; almost the whole period of the empire of Napoleon. The cravat, loosely fastened, and with numerous small folds, allowed the wearer to bury his face in it up to the nostrils. His pimpled skin, his long, thick, brick-dust colored nose, his high cheek-bones, his mouth, lacking half its teeth but greedy for all that and menacing, his ears adorned with huge gold rings, his low forehead,--all these personal details, which might have seemed grotesque in many men, were rendered terrible in him by two small eyes set in his head like those of a pig, expressive of insatiable covetousness, and of insolent, half-jovial cruelty. These ferreting and perspicacious blue eyes, glassy and glacial, might be taken for the model of that famous Eye, the formidable emblem of the police, invented during the Revolution. Black silk gloves were on his hands and he carried a switch. He was certainly some official personage, for he showed in his bearing, in his way of taking snuff and ramming it into his nose, the bureaucratic importance of an office subordinate, one who signs for his superiors and acquires a passing sovereignty by enforcing their orders.
The other man, whose dress was in the same style, but elegant and elegantly put on and careful in its smallest detail, wore boots /a la/Suwaroff which came high upon the leg above a pair of tight trousers, and creaked as he walked. Above his coat he wore a spencer, an aristocratic garment adopted by the Clichiens and the young bloods of Paris, which survived both the Clichiens and the fashionable youths.
In those days fashions sometimes lasted longer than parties,--a symptom of anarchy which the year of our Lord 1830 has again presented to us. This accomplished dandy seemed to be thirty years of age. His manners were those of good society; he wore jewels of value; the collar of his shirt came to the tops of his ears. His conceited and even impertinent air betrayed a consciousness of hidden superiority.
His pallid face seemed bloodless, his thin flat nose had the sardonic expression which we see in a death's head, and his green eyes were inscrutable; their glance was discreet in meaning just as the thin closed mouth was discreet in words. The first man seemed on the whole a good fellow compared with this younger man, who was slashing the air with a cane, the top of which, made of gold, glittered in the sunshine. The first man might have cut off a head with his own hand, but the second was capable of entangling innocence, virtue, and beauty in the nets of calumny and intrigue, and then poisoning them or drowning them. The rubicund stranger would have comforted his victim with a jest; the other was incapable of a smile. The first was forty-five years old, and he loved, undoubtedly, both women and good cheer.
Such men have passions which keep them slaves to their calling. But the young man was plainly without passions and without vices. If he was a spy he belonged to diplomacy, and did such work from a pure love of art. He conceived, the other executed; he was the idea, the other was the form.
