For he had never a guess of how deep Joe's interest was. He did not know, could not know, that that tall, fixed figure, with its one absorbing idea, was thinking of his daughter. He could not know that Joe Ellison, emotionally elated and with a hungry, self-denying affection that reached out toward them all, was seeing his daughter as just such a girl as one of these--simple, wholesome, well-brought-up.
He could not know that Joe, in a way, perceived his daughter in every nice young woman he saw.
Toward evening of the seventh day of her visit, Miss Sherwood returned. Larry was on the piazza when the car bearing her swept into the white-graveled curve of the drive. The car was a handsome, powerful roadster. Larry had started out to be of such assistance as he could, when the figure at the wheel, a man, sprang from the car and helped Miss Sherwood alight. Larry saw that the man was Hunt--such a different Hunt!--and he had begun a quick retreat when Hunt's voice called after him:
"You there--wait a minute! I want a little chin-chin with you."
Larry halted. He could not help overhearing the few words that passed between Hunt and Miss Sherwood.
"Thank you ever so much," she said in her even voice. "Then you're coming?"
"I promised, didn't I?"
"Then good-bye."
"Good-bye."
They shook hands friendly enough, but rather formally, and Miss Sherwood turned to the house. Hunt called to Larry:
"Come here, son."
Larry crossed to the big painter who was standing beside the power-bulged hood of his low-swung car.
"Happened to drop in where she was--brought her home--aunt following in that hearse with its five-foot cushions she always rides in," Hunt explained. And then: "Well, I suppose you've got to give me the once-over. Hurry up, and get it done with."
Larry obeyed. Hunt's wild hair had been smartly barbered, he had on a swagger dust-coat, and beneath it flannels of the smartest cut.
Further, he bore himself as if smart clothes and smart cars had always been items of his equipment.
"Well, young fellow, spill it," he commanded. "What do I look like?"
"Like Solomon in all his glory. No, more like the he-dressmaker of the Queen of Sheba."
"I'm going to run you up every telephone post we come to for that insult! Hop in, son, and we'll take a little voyage around the earth in eighty seconds."
Larry got in. Once out of the drive the car leaped away as though intent upon keeping to Hunt's time-table. But after a mile or two Hunt quieted the roaring monster to a conversational pace.
"Get one of the invitations to my show?" he asked.
"Yes. Several days ago. That dealer certainly got it up in great shape."
"You must have hypnotized Graham. That old paint pirate is giving the engine all the gas she'll stand--and believe me, he's sure getting up a lot of speed." Hunt grinned. "That private pre-exhibition show you suggested is proving the best publicity idea Graham ever had in his musty old shop. Everywhere I go, people are talking about the darned thing. Every man, woman and child, also unmarried females of both sexes, who got invitations are coming--and those who didn't get 'em are trying to bribe the traffic cop at Forty-Second Street to let 'em in."
Hunt paused for a chuckle. "And I'm having the time of my young life with the people who always thought I couldn't paint, and who are now trying to sidle up to me on the suspicion that possibly after all I can paint. What's got that bunch buffaloed is the fact that Graham has let it leak out that I'm likely to make bales of money from my painting. The idea of any one making money out of painting, that's too much for their heads. Oh, this is the life, Larry!"
Larry started to congratulate him, but was instantly interrupted with:
"I admit I'm a painter, and always will admit it. But this present thing is all your doing. We'll try to square things sometime. But I didn't ask you to come along to hear verbostical acrobatics about myself. I asked you to learn if you'd worked out your plan yet regarding Maggie? "
"Yes." And Larry proceeded to give the details of his design.
"Regular psychological stuff!" exclaimed Hunt. And then: "Say, you're some stage-manager! Or rather same playwright! Playwrights that know tell me it's one of their most difficult tricks--to get all their leading characters on the stage at the same time. And here you've got it all fixed to bring on Miss Sherwood, Dick, Maggie, yourself, and the all-important me--for don't forget I shall be slipping out to Cedar Crest occasionally."
"As for myself," remarked Larry, "I shall remain very much behind the scenes. Maggie'll never see me."
"Well, here's hoping you're good enough playwright to manage your characters so they won't run away from you and mix up an ending you never dreamed of!"
The car paused again in the drive and Larry got out.
"I say, Larry," Hunt whispered eagerly, "who's that tall, white-haired man working over there among the roses?"
"Joe Ellison. He's that man I told you about my getting to know in Sing Sing. Remember?"
"Oh, yes! The crook who was having his baby brought up to be a real person. Say, he's a sure-enough character! Lordy, but I'd love to paint that face! . . . So-long, son."
The car swung around the drive and roared away. Larry mounted to the piazza. Dick was waiting for him, and excitedly drew him down to one corner that crimson ramblers had woven into a nook for confidences.
"Captain, old scout," he said in a low, happy voice, "I've just told sis. Put the whole proposition up to her, just as you told me. She took it like a regular fellow. Your whole idea was one hundred per cent right. Sis is inside now getting off that invitation to Miss Cameron, asking her to come out day after to-morrow."
Larry involuntarily caught the veranda railing. "I hope it works out--for the best," he said.
"Oh, it will--no doubt of it!" cried the exultant Dick. "And, Captain, if it does, it'll be all your doing!"
