Crevel might have gone on with his string of literary allusions; the Baron heard him as a deaf man listens when he is but half deaf. But, seeing in the gaslight the ghastly pallor of his face, the triumphant Mayor stopped short. This was, indeed, a thunderbolt after Madame Olivier's asservations and Valerie's parting glance.
"Good God! And there are so many other women in Paris!" he said at last.
"That is what I said to you when you took Josepha," said Crevel.
"Look here, Crevel, it is impossible. Give me some proof.--Have you a key, as I have, to let yourself in?"
And having reached the house, the Baron put the key into the lock; but the gate was immovable; he tried in vain to open it.
"Do not make a noise in the streets at night," said Crevel coolly. "I tell you, Baron, I have far better proof than you can show."
"Proofs! give me proof!" cried the Baron, almost crazy with exasperation.
"Come, and you shall have them," said Crevel.
And in obedience to Valerie's instructions, he led the Baron away towards the quay, down the Rue Hillerin-Bertin. The unhappy Baron walked on, as a merchant walks on the day before he stops payment; he was lost in conjectures as to the reasons of the depravity buried in the depths of Valerie's heart, and still believed himself the victim of some practical joke. As they crossed the Pont Royal, life seemed to him so blank, so utterly a void, and so out of joint from his financial difficulties, that he was within an ace of yielding to the evil prompting that bid him fling Crevel into the river and throw himself in after.
On reaching the Rue du Dauphin, which had not yet been widened, Crevel stopped before a door in a wall. It opened into a long corridor paved with black-and-white marble, and serving as an entrance-hall, at the end of which there was a flight of stairs and a doorkeeper's lodge, lighted from an inner courtyard, as is often the case in Paris. This courtyard, which was shared with another house, was oddly divided into two unequal portions. Crevel's little house, for he owned it, had additional rooms with a glass skylight, built out on to the adjoining plot, under conditions that it should have no story added above the ground floor, so that the structure was entirely hidden by the lodge and the projecting mass of the staircase.
This back building had long served as a store-room, backshop, and kitchen to one of the shops facing the street. Crevel had cut off these three rooms from the rest of the ground floor, and Grindot had transformed them into an inexpensive private residence. There were two ways in--from the front, through the shop of a furniture-dealer, to whom Crevel let it at a low price, and only from month to month, so as to be able to get rid of him in case of his telling tales, and also through a door in the wall of the passage, so ingeniously hidden as to be almost invisible. The little apartment, comprising a dining-room, drawing-room, and bedroom, all lighted from above, and standing partly on Crevel's ground and partly on his neighbor's, was very difficult to find. With the exception of the second-hand furniture-dealer, the tenants knew nothing of the existence of this little paradise.
The doorkeeper, paid to keep Crevel's secrets, was a capital cook. So Monsieur le Maire could go in and out of his inexpensive retreat at any hour of the night without any fear of being spied upon. By day, a lady, dressed as Paris women dress to go shopping, and having a key, ran no risk in coming to Crevel's lodgings; she would stop to look at the cheapened goods, ask the price, go into the shop, and come out again, without exciting the smallest suspicion if any one should happen to meet her.
As soon as Crevel had lighted the candles in the sitting-room, the Baron was surprised at the elegance and refinement it displayed. The perfumer had given the architect a free hand, and Grindot had done himself credit by fittings in the Pompadour style, which had in fact cost sixty thousand francs.
"What I want," said Crevel to Grindot, "is that a duchess, if I brought one there, should be surprised at it."
He wanted to have a perfect Parisian Eden for his Eve, his "real lady," his Valerie, his duchess.
"There are two beds," said Crevel to Hulot, showing him a sofa that could be made wide enough by pulling out a drawer. "This is one, the other is in the bedroom. We can both spend the night here."
"Proof!" was all the Baron could say.
Crevel took a flat candlestick and led Hulot into the adjoining room, where he saw, on a sofa, a superb dressing-gown belonging to Valerie, which he had seen her wear in the Rue Vanneau, to display it before wearing it in Crevel's little apartment. The Mayor pressed the spring of a little writing-table of inlaid work, known as a /bonheur-du-jour/, and took out of it a letter that he handed to the Baron.
"Read that," said he.
The Councillor read these words written in pencil:
"I have waited in vain, you old wretch! A woman of my quality does not expect to be kept waiting by a retired perfumer. There was no dinner ordered--no cigarettes. I will make you pay for this!"
"Well, is that her writing?"
"Good God!" gasped Hulot, sitting down in dismay. "I see all the things she uses--her caps, her slippers. Why, how long since--?"
Crevel nodded that he understood, and took a packet of bills out of the little inlaid cabinet.
"You can see, old man. I paid the decorators in December, 1838. In October, two months before, this charming little place was first used."
Hulot bent his head.
"How the devil do you manage it? I know how she spends every hour of her day."
"How about her walk in the Tuileries?" said Crevel, rubbing his hands in triumph.
"What then?" said Hulot, mystified.
"Your lady love comes to the Tuileries, she is supposed to be airing herself from one till four. But, hop, skip, and jump, and she is here.
You know your Moliere? Well, Baron, there is nothing imaginary in your title."
Hulot, left without a shred of doubt, sat sunk in ominous silence.
