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第12章 A CIRCUS IN THE SUBURBS(2)

There was, in fact, an air of pleasing domesticity diffused over the whole circus. This was, perhaps, partly an effect from our extreme proximity to its performances; I had never been on quite such intimate terms with equitation and aerostation of all kinds; but I think it was also largely from the good hearts of the whole company. A circus must become, during the season, a great brotherhood and sisterhood, especially sisterhood, and its members must forget finally that they are not united by ties of blood. I dare say they often become so, as husbands and wives and fathers and mothers, if not as brothers.

The domestic effect was heightened almost poignantly when a young lady in a Turkish-towel bath-gown came out and stood close by the band, waiting for her act on a barebacked horse of a conventional pattern. She really looked like a young goddess in a Turkish-towel bath-gown: goddesses must have worn bath-gowns, especially Venus, who was often imagined in the bath, or just out of it. But when this goddess threw off her bath-gown, and came bounding into the ring as gracefully as the clogs she wore on her slippers would let her, she was much more modestly dressed than most goddesses. What I am trying to say, however, is that, while she stood there by the band, she no more interested the musicians than if she were their collective sister. They were all in their shirt-sleeves for the sake of the coolness, and they banged and trumpeted and fluted away as indifferent to her as so many born brothers.

Indeed, when the gyrations of her horse brought her to our side of the ring, she was visibly not so youthful and not so divine as she might have been; but the girl who did the trapeze acts, and did them wonderfully, left nothing to be desired in that regard; though really I do not see why we who have neither youth nor beauty should always expect it of other people. I think it would have been quite enough for her to do the trapeze acts so perfectly; but her being so pretty certainly added a poignancy to the contemplation of her perils. One could follow every motion of her anxiety in that close proximity: the tremor of her chin as she bit her lips before taking her flight through the air, the straining eagerness of her eye as she measured the distance, the frown with which she forbade herself any shrinking or reluctance.

III.

How strange is life, how sad and perplexing its contradictions! Why should such an exhibition as that be supposed to give pleasure? Perhaps it does not give pleasure, but is only a necessary fulfilment of one of the many delusions we are in with regard to each other in this bewildering world. They are of all sorts and degrees, these delusions, and I suppose that in the last analysis it was not pleasure I got from the clown and his clowning, clowned he ever so merrily. I remember that I liked hearing his old jokes, not because they were jokes, but because they were old and endeared by long association. He sang one song which I

must have heard him sing at my first circus (I am sure it was he), about "Things that I don't like to see," and I heartily agreed with him that his book of songs, which he sent round to be sold, was fully worth the half-dime asked for it, though I did not buy it.

Perhaps the rival author in me withheld me, but, as a brother man, I will not allow that I did not feel for him and suffer with him because of the thick, white pigment which plentifully coated his face, and, with the sweat drops upon it, made me think of a newly painted wall in the rain.

He was infinitely older than his personality, than his oldest joke (though you never can be sure how old a joke is), and, representatively, I dare say he outdated the pyramids. They must have made clowns whiten their faces in the dawn of time, and no doubt there were drolls among the antediluvians who enhanced the effect of their fun by that means. All the same, I pitied this clown for it, and I fancied in his wildest waggery the note of a real irascibility. Shall I say that he seemed the only member of that little circus who was not of an amiable temper? But I do not blame him, and I think it much to have seen a clown once more who jested audibly with the ringmaster and always got the better of him in repartee. It was long since I had known that pleasure.

IV.

Throughout the performance at this circus I was troubled by a curious question, whether it were really of the same moral and material grandeur as the circuses it brought to memory, or whether these were thin and slight, too. We all know how the places of our childhood, the heights, the distances, shrink and dwindle when we go back to them, and was it possible that I had been deceived in the splendor of my early circuses?

The doubt was painful, but I was forced to own that there might be more truth in it than in a blind fealty to their remembered magnificence.

Very likely circuses have grown not only in size, but in the richness and variety of their entertainments, and I was spoiled for the simple joys of this. But I could see no reflection of my dissatisfaction on the young faces around me, and I must confess that there was at least so much of the circus that I left when it was half over. I meant to go into the side-shows and see the fat woman and the living skeleton, and take the giant by the hand and the armless man by his friendly foot, if I might be so honored. But I did none of these things, and I am willing to believe the fault was in me, if I was disappointed in the circus. It was I who had shrunk and dwindled, and not it. To real boys it was still the size of the firmament, and was a world of wonders and delights. At least I

can recognize this fact now, and can rejoice in the peaceful progress all over the country of the simple circuses which the towns never see, but which help to render the summer fairer and brighter to the unspoiled eyes and hearts they appeal to. I hope it will be long before they cease to find profit in the pleasure they give.

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