An instance of the enormous difference which frequently appears between the original estimates of architects and their subsequent accounts I may mention what occurred in relation to the Palace of St. Cloud. But I must first say a word about the manner in which Bonaparte originally refused and afterwards took possession of the Queen's pleasure-house. Malmaison was a suitable country residence for Bonaparte as long as he remained content with his town apartments in the little Luxembourg; but that Consular 'bagatelle' was too confined in comparison with the spacious apartments in the Tuileries. The inhabitants of St. Cloud, well-advised, addressed a petition to the Legislative Body, praying that their deserted chateau might be made the summer residence of the First Consul. The petition was referred to the Government; but Bonaparte, who was not yet Consul for life, proudly declared that so long as he was at the head of affairs, and, indeed, for a year afterwards, he would accept no national recompense. Sometime after we went to visit the palace of the 18th Brumaire. Bonaparte liked it exceedingly, but all was in a, state of complete dilapidation. It bore evident marks of the Revolution. The First Consul did not wish, as yet, to burden the budget of the State with his personal expenses, and he was alarmed at the enormous sum required to render St. Cloud habitable. Flattery had not yet arrived at the degree of proficiency which it subsequently attained; but even then his flatterers boldly assured him he might take possession of St. Cloud for 25,000 francs. I told the First Consul that considering the ruinous state of the place, I could to say that the expense would amount to more than 1,200,000 francs. Bonaparte determined to have a regular estimate of the expense, and it amounted to nearly 3,000,000. He thought it a great sum; but as he had resolved to make St. Cloud his residence he gave orders for commencing the repairs, the expense of which, independently of the furniture, amounted to 6,000,000. So much for the 3,000,000 of the architect and the 25,000 francs of the flatterers.
When the First Consul contemplated the building of the Pont des Arts we had a long conversation on the subject. I observed that it would be much better to build the bridge of stone. "The first object of monuments of this kind," said I, "is public utility. They require solidity of appearance, and their principal merit is duration. I cannot conceive, General, why, in a country where there is abundance of fine stone of every quality, the use of iron should be preferred."--"Write," said Bonaparte, "to Fontaine and Percier, the architects, and ask what they think of it." I wrote and they stated in their answer that "bridges were intended for public utility and the embellishment of cities. The projected bridge between the Louvre and the Quatre-Nations would unquestionably fulfil the first of these objects, as was proved by the great number of persons who daily crossed the Seine at that point in boats; that the site fixed upon between the Pont Neuf and the Tuileries appeared to be the best that could be chosen for the purpose; and that on the score of ornament Paris would gain little by the construction of an iron bridge, which would be very narrow, and which, from its light form, would not correspond with the grandeur of the two bridges between which it would be placed."
When we had received the answer of MM. Percier and Fontaine, we again had a conversation on the subject of the bridge. I told the First Consul that I perfectly concurred in the opinion of MM. Fontame and Percier; how ever, he would have his own way, and thus was authorised the construction of the toy which formed a communication between the Louvre and the Institute. But no sooner was the Pont des Arts finished than Bonaparte pronounced it to be mean and out of keeping with the other bridges above and below it. One day when visiting the Louvre he stopped at one of the windows looking towards the Pout des Arts and said, "There is no solidity, no grandeur about that bridge. In England, where stone is scarce, it is very natural that iron should be used for arches of large dimensions. But the case is different in France, where the requisite material is abundant."
The infernal machine of the 3d Nivose, of which I shall presently speak more at length, was the signal for vast changes in the quarter of the Tuileries. That horrible attempt was at least so far attended by happy results that it contributed to the embellishment of Paris. It was thought more advisable for the Government to buy and pull down the houses which had been injured by the machine than to let them be put under repair. As an example of Bonaparte's grand schemes in building I may mention that, being one day at the Louvre, he pointed towards St. Germain l'Auxerrois and said to me, "That is where I will build an imperial street. It shall run from here to the Barriere du Trone. It shall be a hundred feet broad, and have arcades and plantations. This street shall be the finest in the world."
