However, the Directory displayed all the Republican splendour of which they were so prodigal on similar occasions. Speeches were far from being scarce. Talleyrand, who was then Minister for Foreign Affairs, on introducing Bonaparte to the Directory, made a long oration, in the course of which he hinted that the personal greatness of the General ought not to excite uneasiness, even in a rising Republic. "Far from apprehending anything from his ambition, I believe that we shall one day be obliged to solicit him to tear himself from the pleasures of studious retirement. All France will be free, but perhaps he never will; such is his destiny."
Talleyrand was listened to with impatience, so anxious was every one to hear Bonaparte. The conqueror of Italy then rose, and pronounced with a modest air, but in a firm voice, a short address of congratulation on the improved position of the nation.
Barras, at that time President of the Directory, replied to Bonaparte with so much prolixity as to weary everyone; and as soon as he had finished speaking he threw himself into the arms of the General, who was not much pleased with such affected displays, and gave him what was then called the fraternal embrace. The other members of the Directory, following the example of the President, surrounded Bonaparte and pressed him in their arms; each acted, to the best of his ability, his part in the sentimental comedy.
Chenier composed for this occasion a hymn, which Mehul set to music. A few days after an opera was produced, bearing the title of the 'Fall of Carthage', which was meant as an allusion to the anticipated exploits of the conqueror of Italy, recently appointed to the command of the "Army of England." The poets were all employed in praising him; and Lebrun, with but little of the Pindaric fire in his soul, composed the following distich, which certainly is not worth much:
"Heros, cher a la paix, aux arts, a la victoire--Il conquit en deux ans mille siecles de gloire."
The two councils were not disposed to be behind the Directory in the manifestation of joy. A few days after they gave a banquet to the General in the gallery of the Louvre, which had recently been enriched by the masterpieces of painting conquered in Italy.
At this time Bonaparte displayed great modesty in all his transactions in Paris. The administrators of the department of the Seine having sent a deputation to him to inquire what hour and day he would allow them to wait on him, he carried himself his answer to the department, accompanied by General Berthier. It was also remarked that the judge of the peace of the arrondissement where the General lived having called on him on the 6th of December, the evening of his arrival, he returned the visit next morning. These attentions, trifling as they may appear, were not without their effect on the minds of the Parisians.
In consequence of General Bonaparte's victories, the peace he had effected, and the brilliant reception of which he had been the object, the business of Vendemiaire was in some measure forgotten. Every one was eager to get a sight of the young hero whose career had commenced with so much 'eclat'. He lived very retiredly, yet went often to the theatre.
He desired me, one day, to go and request the representation of two of the best pieces of the time, in which Elleviou, Mesdames St. Aubin, Phillis, and other distinguished performers played. His message was, that he only wished these two pieces on the same night, if that were possible. The manager told me that nothing that the conqueror of Italy wished for was impossible, for he had long ago erased that word from the dictionary. Bonaparte laughed heartily at the manager's answer. When we went to the theatre he seated himself, as usual, in the back of the box, behind Madame Bonaparte, making me sit by her side. The pit and boxes, however, soon found out that he was in the house, and loudly called for him. Several times an earnest desire to see him was manifested, but all in vain, for he never showed himself.
Some days after, being at the Theatre des Arts, at the second representation of 'Horatius Cocles', although he was sitting at the back of a box in the second tier, the audience discovered that he was in the house. Immediately acclamations arose from all quarters; but he kept himself concealed as much as possible, and said to a person in the next box, "Had I known that the boxes were so exposed, I should not have come."
