The ribbon came away easily, and some half-dozen sheets fell out and scattered upon the desk. They gave out a curious perfume, half of age, half of some essence with which years ago they had been imbued. Something took Mr. Caryll in the throat, and he could never explain whether it was that perfume or some premonitory emotion, some prophetic apprehension of what he was about to see.
He opened the first of those folded sheets, and found it to be a letter written in French and in an ink that had paled to yellow with the years that were gone since it had been penned.
The fine, pointed writing was curiously familiar to Mr. Caryll. He looked at the signature at the bottom of the page.
It swam before his eyes - ANTOINETTE-"Celle qui l'adore, Antoinette," he read, and the whole world seemed blotted out for him; all consciousness, his whole being, his every sense, seemed concentrated into his eyes as they gazed upon that relic of a deluded woman's dream.
He did not read. It was not for him to commit the sacrilege of reading what that girl who had been his mother had written thirty years ago to the man she loved - the man who had proved false as hell.
He turned the other letters over; opened them one by one, to make sure that they were of the same nature as the first, and what time he did so he found himself speculating upon the strangeness of Ostermore's having so treasured them. Perhaps he had thrust them into that secret recess, and there forgotten them; 'twas an explanation that sorted better with what Mr. Caryll knew of his father, than the supposition that so dull and practical and self-centered a nature could have been irradiated by a gleam of such tenderness as the hoarding of those letters might have argued.
He continued to turn them over, half-mechanically, forgetful of the urgent need to burn the treasonable documents he had secured, forgetful of everything, even Hortensia's presence.
And meantime she watched him in silence, marvelling at this delay, and still more at the gray look that had crept into his face.
"What have you found?" she asked at last.
"A ghost," he answered, and his voice had a strained, metallic ring. He even vented an odd laugh. "A bundle of old love-letters.""From her ladyship?"
"Her ladyship?" He looked up, an expression on his face which seemed to show that he could not at the moment think who her ladyship might be. Then as the picture of that bedaubed, bedizened and harsh-featured Jezebel arose in his mind to stand beside the sweet girl - image of his mother - as he knew her from the portrait that hung at Maligny - he laughed again.
"No, not from her ladyship," said he. "From a woman who loved him years ago." And he turned to the seventh and last of those poor ghosts-the seventh, a fateful number.
He spread it before him; frowned down on it a moment with a sharp hiss of indrawn breath. Then he twisted oddly on his chair, and sat bolt upright, staring straight before him with unseeing eyes. Presently he passed a hand across his brow, and made a queer sound in his throat.
"What is it?" she asked.
But he did not answer; he was staring at the paper again. Awhile he sat thus; then with swift fevered fingers he took up once more the other letters. He unfolded one, and began to read. A few lines he read, and then - "O God!" he cried, and flung out his arms under stress of 'his emotions. One of them caught the taper that stood upon the desk; and swept it, extinguished, to the floor. He never heeded it, never gave a thought to the purpose for which it had been fetched, a purpose not yet served. He rose. He was white as the dead are white, and she observed that he was trembling. He took up the bundle of old letters, and thrust them into an inside pocket of his coat.
"What are you doing?" she cried, seeking at last to arouse him from the spell under which he appeared to have fallen. "Those letters - ""I must see Lord Ostermore," he answered wildly, and made for the door, reeling like a drunkard in his walk.
