"Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child's bright head.
His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ's knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.
"You are innocent--and in your innocence lies all your perfection--oh, remember that! What is my passion to you?--you are mine now; I shall be near you all my life--I shall not live long!"At length, in the last letter of all, he found:
"For Heaven's sake, don't misunderstand me! Do not think that Ihumiliate myself by writing thus to you, or that I belong to that class of people who take a satisfaction in humiliating themselves--from pride. I have my consolation, though it would be difficult to explain it--but I do not humiliate myself.
"Why do I wish to unite you two? For your sakes or my own? For my own sake, naturally. All the problems of my life would thus be solved; I have thought so for a long time. I know that once when your sister Adelaida saw my portrait she said that such beauty could overthrow the world. But I have renounced the world. You think it strange that I should say so, for you saw me decked with lace and diamonds, in the company of drunkards and wastrels. Take no notice of that; I know that I have almost ceased to exist. God knows what it is dwelling within me now--it is not myself. I can see it every day in two dreadful eyes which are always looking at me, even when not present. These eyes are silent now, they say nothing; but I know their secret. His house is gloomy, and there is a secret in it. I am convinced that in some box he has a razor hidden, tied round with silk, just like the one that Moscow murderer had. This man also lived with his mother, and had a razor hidden away, tied round with white silk, and with this razor he intended to cut a throat.
"All the while I was in their house I felt sure that somewhere beneath the floor there was hidden away some dreadful corpse, wrapped in oil-cloth, perhaps buried there by his father, who knows? Just as in the Moscow case. I could have shown you the very spot!
"He is always silent, but I know well that he loves me so much that he must hate me. My wedding and yours are to be on the same day; so I have arranged with him. I have no secrets from him. Iwould kill him from very fright, but he will kill me first. He has just burst out laughing, and says that I am raving. He knows I am writing to you."There was much more of this delirious wandering in the letters--one of them was very long.
At last the prince came out of the dark, gloomy park, in which he had wandered about for hours just as yesterday. The bright night seemed to him to be lighter than ever. "It must be quite early,"he thought. (He had forgotten his watch.) There was a sound of distant music somewhere. "Ah," he thought, "the Vauxhall! They won't be there today, of course!" At this moment he noticed that he was close to their house; he had felt that he must gravitate to this spot eventually, and, with a beating heart, he mounted the verandah steps.
No one met him; the verandah was empty, and nearly pitch dark. He opened the door into the room, but it, too, was dark and empty.
He stood in the middle of the room in perplexity. Suddenly the door opened, and in came Alexandra, candle in hand. Seeing the prince she stopped before him in surprise, looking at him questioningly.
