Miss Winchelsea was going to Rome. The matter had filled her mind for a month or more, and had overflowed so abundantly into her conversation that quite a number of people who were not going to Rome, and who were not likely to go to Rome, had made it a personal grievance against her. Some indeed had attempted quite unavailingly to convince her that Rome was not nearly such a desirable place as it was reported to be, and others had gone so far as to suggest behind her back that she was dreadfully "stuck up" about "that Rome of hers." And little Lily Hardhurst had told her friend Mr. Binns that so far as she was concerned Miss Winchelsea might "go to her old Rome and stop there; SHE (Miss Lily Hardhurst) wouldn't grieve."
And the way in which Miss Winchelsea put herself upon terms of personal tenderness with Horace and Benvenuto Cellini and Raphael and Shelley and Keats--if she had been Shelley's widow she could not have professed a keener interest in his grave--was a matter of universal astonishment.
Her dress was a triumph of tactful discretion, sensible, but not too "touristy"--Miss Winchelsea, had a great dread of being "touristy"--and her Baedeker was carried in a cover of grey to hide its glaring red. She made a prim and pleasant little figure on the Charing Cross platform, in spite of her swelling pride, when at last the great day dawned, and she could start for Rome. The day was bright, the Channel passage would be pleasant, and all the omens promised well. There was the gayest sense of adventure in this unprecedented departure.
She was going with two friends who had been fellow-students with her at the training college, nice honest girls both, though not so good at history and literature as Miss Winchelsea. They both looked up to her immensely, though physically they had to look down, and she anticipated some pleasant times to be spent in "stirring them up" to her own pitch of aesthetic and historical enthusiasm. They had secured seats already, and welcomed her effusively at the carriage door. In the instant criticism of the encounter she noted that Fanny had a slightly "touristy" leather strap, and that Helen had succumbed to a serge jacket with side pockets, into which her hands were thrust.
But they were much too happy with themselves and the expedition for their friend to attempt any hint at the moment about these things.
As soon as the first ecstasies were over--Fanny's enthusiasm was a little noisy and crude, and consisted mainly in emphatic repetitions of "Just FANCY! we're going to Rome, my dear!--Rome!"--they gave their attention to their fellow-travellers. Helen was anxious to secure a compartment to themselves, and, in order to discourage intruders, got out and planted herself firmly on the step. Miss Winchelsea peeped out over her shoulder, and made sly little remarks about the accumulating people on the platform, at which Fanny laughed gleefully.
They were travelling with one of Mr. Thomas Gunn's parties--fourteen days in Rome for fourteen pounds. They did not belong to the personally conducted party of course--Miss Winchelsea had seen to that--but they travelled with it because of the convenience of that arrangement.
The people were the oddest mixture, and wonderfully amusing.
There was a vociferous red-faced polyglot personal conductor in a pepper-and-salt suit, very long in the arms and legs and very active. He shouted proclamations. When he wanted to speak to people he stretched out an arm and held them until his purpose was accomplished.
One hand was full of papers, tickets, counterfoils of tourists.
The people of the personally conducted party were, it seemed, of two sorts; people the conductor wanted and could not find, and people he did not want and who followed him in a steadily growing tail up and down the platform. These people seemed, indeed, to think that their one chance of reaching Rome lay in keeping close to him. Three little old ladies were particularly energetic in his pursuit, and at last maddened him to the pitch of clapping them into a carriage and daring them to emerge again. For the rest of the time, one, two, or three of their heads protruded from the window wailing enquiries about "a little wickerwork box" whenever he drew near. There was a very stout man with a very stout wife in shiny black; there was a little old man like an aged hostler.
"What CAN such people want in Rome?" asked Miss Winchelsea. "What can it mean to them?" There was a very tall curate in a very small straw hat, and a very short curate encumbered by a long camera stand. The contrast amused Fanny very much. Once they heard some one calling for "Snooks." "I always thought that name was invented by novelists," said Miss Winchelsea. "Fancy! Snooks. I wonder which IS Mr. Snooks." Finally they picked out a very stout and resolute little man in a large check suit. "If he isn't Snooks, he ought to be," said Miss Winchelsea.
Presently the conductor discovered Helen's attempt at a corner in carriages. "Room for five," he bawled with a parallel translation on his fingers. A party of four together--mother, father, and two daughters--blundered in, all greatly excited. "It's all right, Ma, you let me," said one of the daughters, hitting her mother's bonnet with a handbag she struggled to put in the rack. Miss Winchelsea detested people who banged about and called their mother "Ma."
A young man travelling alone followed. He was not at all "touristy" in his costume, Miss Winchelsea observed; his Gladstone bag was of good pleasant leather with labels reminiscent of Luxembourg and Ostend, and his boots, though brown, were not vulgar. He carried an overcoat on his arm. Before these people had properly settled in their places, came an inspection of tickets and a slamming of doors, and behold! they were gliding out of Charing Cross station on their way to Rome.
"Fancy!" cried Fanny, "we are going to Rome, my dear! Rome! I don't seem to believe it, even now."
