登陆注册
5569300000052

第52章 Appendix: On What Can Be Done To Make Metaphysics

"The work is a text-book of drawing; the author introduces a peculiar terminology, in order to give dark, incomprehensible directions, which in the end teach nothing more than what every one can effect by a fair natural accuracy of eye, etc." Let us see, in the meantime, what sort of an idealism it is that goes through my whole work, although it does not by a long way constitute the soul of the system. The dictum of all genuine idealists from the Eleatic school to Bishop Berkeley, is contained in this formula: "All cognition through the senses and experience is nothing but sheer illusion, and only, in the ideas of the pure understanding and reason there is truth." The principle that throughout dominates and determines my Idealism, is on the contrary: "All cognition of things merely from pure understanding or pure reason is nothing but sheer illusion, and only in experience is there truth." But this is directly contrary to idealism proper. How came I then to use this expression for quite an opposite purpose, and how came my reviewer to see it everywhere? The solution of this difficulty rests on something that could have been very easily understood from the general bearing of the work, if the reader had only desired to do so. Space and time, together with all that they contain, are not things nor qualities in themselves, but belong merely to the appearances of the latter: up to this point I am one in confession with the above idealists. But these, and amongst them more particularly Berkeley, regarded space as a mere empirical presentation that, like the phenomenon it contains, is only known to us by means of experience or perception, together with its determinations. I, on the contrary, prove in the first place, that space (and also time, which Berkeley did not consider) and all its determinations a priori, can be known by us, because, no less than time, it inheres in our sensibility as a pure form before all perception or experience and makes all intuition of the same, and therefore all its phenomena, possible. It follows from this, that as truth rests on universal and necessary laws as its criteria, experience, according to Berkeley, can have no criteria of truth, because its phenomena (according to him) have nothing a priori at their foundation; whence it follows, that they are nothing but sheer illusion; whereas with us, space and time (in conjunction with the pure conceptions of the understanding) prescribe their law to all possible experience a priori, and at the same time afford the certain criterion for distinguishing truth from illusion therein. 43 My so-called (properly critical) Idealism is of quite a special character, in that it subverts the ordinary idealism, and that through it all cognition a priori, even that of geometry, first receives objective reality, which, without my demonstrated ideality of space and time, could not be maintained by the most zealous realists. This being the state of the case, I could have wished, in order to avoid all misunderstanding, to have named this conception of mine otherwise, but to alter it altogether was impossible.

It may be permitted me however, in future, as has been above intimated, to term it the formal, or better still, the critical Idealism, to distinguish it from the dogmatic Idealism of Berkeley, and from the skeptical Idealism of Descartes. Beyond this, I find nothing further remarkable in the judgment of my book.

同类推荐
  • 龙门留别道友

    龙门留别道友

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 养羊法

    养羊法

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说无量寿大智陀罗尼

    佛说无量寿大智陀罗尼

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 瑜伽师地论

    瑜伽师地论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 祝鹊

    祝鹊

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 蒲江词

    蒲江词

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 花香小镇之散文诗

    花香小镇之散文诗

    时光如水,岁月如歌。生命中有些约定,难以忘却。有些美好,有些泪滴,尽管时光远去,却在灵魂的最深处,不增不减,不生不灭。如一朵素洁的花儿,在记忆的角落里,亭亭玉立,摇曳生香……每当夜深人静之际,午夜梦回之时,蓦然回首,那些曾经的记忆便呼啸而来,时而让人醉心一笑,时而让人泪落如雨……生命如花,美丽如你!《花香小镇》一路花香,一路风景,一路诗情,等你来……
  • 彼岸红唇

    彼岸红唇

    懵懂时失了清白,朦胧时遭遇背叛,懂爱时却相互伤害,身边那个人默默守候多年,却在失去之后才知道,原来,他在那里!四个不期而遇的男人,四段恩怨情仇,见证了她从一个传统而单纯的女孩到成熟感性女人的整个历程。恨过、怨过、爱过之后,浮华洗尽,只剩下最真的那颗心,最终该为谁停留?
  • 吃货偶像

    吃货偶像

    来自异世的吃货,穿越成了投湖自尽的落魄小艺人。伤心,吃!高兴,吃!没工作,吃,聊以自慰!有工作,吃,以示激励!吃着吃着,咦!那个路痴你总是跟着我干嘛?!
  • 神雕倚屠英雄传

    神雕倚屠英雄传

    看神雕侠侣后传,倚天屠龙记前传。本小说以金庸射雕三部曲为背景框架,撰写南宋灭亡至元朝一统后的江湖故事恩怨。可歌可泣的江湖战歌:血染江山英雄志,一寸山河一寸险。义胆忠魂破敌寇,不畏生死报国安。
  • 归来的“另类”艺术

    归来的“另类”艺术

    关伟,1957年生于北京,1986年毕业于首都师范大学美术系,1989年至1993年先后被澳大利亚塔斯马尼亚大学艺术学院,堪培拉国立大学艺术学院和悉尼现代艺术中心邀请为客座艺术家。在这之后多次获得澳大利亚政府艺术基金,包括2008~2010年度澳大利亚政府颁发的最高荣誉艺术基金。2008年在北京建立工作室,此后参与了多项有影响的中澳艺术交流活动,现生活、工作于北京和悉尼。关伟的作品在复杂的象征性绘画符号中,有力地体现了当今社会、环境的两重性。他的作品是他丰富的文化储备,对社会、政治的高度关注,以及他对艺术史的广博知识的产物。关伟曾在世界各地举办了超过50届个人展览,如何香凝美术馆OCT当代艺术中心“魔咒-关伟2011”;同时还应邀参加了许多重要的当代国际艺术展,如2009年第十届哈瓦那双年展。欧阳昱作为澳大利亚卧龙岗大学“Globalizing Australian Literature”(澳大利亚文学全球化)项目博士后研究员,曾为该项目而于2010年3月18日在北京天伦王朝饭店,以中文采访了关伟,后译成英文,此为梁余晶的中文回译。
  • 芙蓉晓妆乱君心

    芙蓉晓妆乱君心

    她是将军府的庶出之女,自幼戏逐于山野林间,与拥有无上荣华却兀自寂寥的太子妃姐姐相比,她只求愿得一人心,白首不相离。奈何命运弄人,温柔体贴的皇子,韬略出众的异邦首领,名满天下的富商,独为她倾倒,芙蓉晓妆,雅若诗画,玉珠散落,飞花溅泪,离奇的身世和经历诡谲莫测,而在历经百般折磨之后,她才发现,潜伏在自己身边最大的阴谋,原来竟是……
  • 都市红包系统

    都市红包系统

    被人陷害后对天许愿,李昊偶得红包系统,捡起散落在世界各地的红包。“这个红包有颗蟠桃,吃了立马成仙!”“红包在校花屁股上,摸一摸就能领取?”“这辈子最后悔的事,就是点了太多红包,里面的钱,根本花不完啊!”
  • 重生最强仙尊

    重生最强仙尊

    天才修士方陌渡劫之时被师尊偷袭身死道消,却意外重生回地球。纵横修真界千年,重活一世,无数功法任他挑选,无数天材地宝皆是囊中之物。富二代不识时务,那就让他开开眼;世家大族仗势欺人,那就让他知道什么叫拳头才是硬道理!当方陌再次站到世界巅峰的时候,高高在上的仙尊也要瑟瑟发抖!!
  • 反穿之迷糊小娇妻

    反穿之迷糊小娇妻

    她是背负着和亲重任的公主,本已臣服于无法反抗的和亲命运,命运,却跟她开了一个莫大的玩笑。穿越千年之后,她糊里糊涂的和一个陌生人,却只是春风了无痕,相见是路人。十年时候,风平浪静的平淡生活,却被忽然闯入生活的陌生男人搅乱,他要跟自己抢孩子?他是当年那个渣男?对不起,你真觉得古人好欺负?