"You have not cared to find out," Lucien began again; "any one who could make an observation could discover the cause."
"Ah!" said M. de Bargeton, "final causes! Eh! eh! . . ."
The conversation came to a dead stop; Lucien racked his brains to resuscitate it.
"Mme. de Bargeton is dressing, no doubt," he began, shuddering at the silliness of the question.
"Yes, she is dressing," her husband naturally answered.
Lucien looked up at the ceiling and vainly tried to think of something else to say. As his eyes wandered over the gray painted joists and the spaces of plaster between, he saw, not without qualms, that the little chandelier with the old-fashioned cut-glass pendants had been stripped of its gauze covering and filled with wax candles. All the covers had been removed from the furniture, and the faded flowered silk damask had come to light. These preparations meant something extraordinary.
The poet looked at his boots, and misgivings about his costume arose in his mind. Grown stupid with dismay, he turned and fixed his eyes on a Japanese jar standing on a begarlanded console table of the time of Louis Quinze; then, recollecting that he must conciliate Mme. de Bargeton's husband, he tried to find out if the good gentleman had a hobby of any sort in which he might be humored.
"You seldom leave the city, monsieur?" he began, returning to M. de Bargeton.
"Very seldom."
Silence again. M. de Bargeton watched Lucien's slightest movements like a suspicious cat; the young man's presence disturbed him. Each was afraid of the other.
"Can he feel suspicious of my attentions?" thought Lucien; "he seems to be anything but friendly."
Lucien was not a little embarrassed by the uneasy glances that the other gave him as he went to and fro, when luckily for him, the old man-servant (who wore livery for the occasion) announced "M. du Chatelet." The Baron came in, very much at ease, greeted his friend Bargeton, and favored Lucien with the little nod then in vogue, which the poet in his mind called purse-proud impertinence.
Sixte du Chatelet appeared in a pair of dazzling white trousers with invisible straps that kept them in shape. He wore pumps and thread stockings; the black ribbon of his eyeglass meandered over a white waistcoat, and the fashion and elegance of Paris was strikingly apparent in his black coat. He was indeed just the faded beau who might be expected from his antecedents, though advancing years had already endowed him with a certain waist-girth which somewhat exceeded the limits of elegance. He had dyed the hair and whiskers grizzled by his sufferings during his travels, and this gave a hard look to his face. The skin which had once been so delicate had been tanned to the copper-red color of Europeans from India; but in spite of his absurd pretensions to youth, you could still discern traces of the Imperial Highness' charming private secretary in du Chatelet's general appearance. He put up his eyeglass and stared at his rival's nankeen trousers, at his boots, at his waistcoat, at the blue coat made by the Angouleme tailor, he looked him over from head to foot, in short, then he coolly returned his eyeglass to his waistcoat pocket with a gesture that said, "I am satisfied." And Lucien, eclipsed at this moment by the elegance of the inland revenue department, thought that it would be his turn by and by, when he should turn a face lighted up with poetry upon the assembly; but this prospect did not prevent him from feeling the sharp pang that succeeded to the uncomfortable sense of M. de Bargeton's imagined hostility. The Baron seemed to bring all the weight of his fortune to bear upon him, the better to humiliate him in his poverty. M. de Bargeton had counted on having no more to say, and his soul was dismayed by the pause spent by the rivals in mutual survey; he had a question which he kept for desperate emergencies, laid up in his mind, as it were, against a rainy day. Now was the proper time to bring it out.
"Well, monsieur," he said, looking at Chatelet with an important air, "is there anything fresh? anything that people are talking about?"
"Why, the latest thing is M. Chardon," Chatelet said maliciously. "Ask him. Have you brought some charming poet for us?" inquired the vivacious Baron, adjusting the side curl that had gone astray on his temple.
"I should have asked you whether I had succeeded," Lucien answered;
"you have been before me in the field of verse."
"Pshaw!" said the other, "a few vaudevilles, well enough in their way, written to oblige, a song now and again to suit some occasion, lines for music, no good without the music, and my long Epistle to a Sister of Bonaparte (ungrateful that he was), will not hand down my name to posterity."
At this moment Mme. de Bargeton appeared in all the glory of an elaborate toilette. She wore a Jewess' turban, enriched with an Eastern clasp. The cameos on her neck gleamed through the gauze scarf gracefully wound about her shoulders; the sleeves of her printed muslin dress were short so as to display a series of bracelets on her shapely white arms. Lucien was charmed with this theatrical style of dress. M. du Chatelet gallantly plied the queen with fulsome compliments, that made her smile with pleasure; she was so glad to be praised in Lucien's hearing. But she scarcely gave her dear poet a glance, and met Chatelet with a mortifying civility that kept him at a distance.
By this time the guests began to arrive. First and foremost appeared the Bishop and his Vicar-General, dignified and reverend figures both, though no two men could well be more unlike, his lordship being tall and attenuated, and his acolyte short and fat. Both churchmen's eyes were bright; but while the Bishop was pallid, his Vicar-General's countenance glowed with high health. Both were impassive, and gesticulated but little; both appeared to be prudent men, and their silence and reserve were supposed to hide great intellectual powers.
